In this Book

  • Early Cinema Today, KINtop 1: The Art of Programming and Live Performance
  • Book
  • Edited by Martin Loiperdinger
  • 2012
  • Published by: Indiana University Press
summary

Invented in the 1890s and premiered in Paris by the Lumière brothers, the cinematograph along with Louis Le Prince's single-lens camera projector are considered by film historians to be the precursors to modern-day motion picture devices. These early movies were often shown in town halls, on fairgrounds, and in theaters, requiring special showmanship skills to effectively work the equipment and entertain onlookers. Within the last decade, film archives and film festivals have unearthed this lost art and have featured outstanding examples of the culture of early cinema reconfigured for today's audiences.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. i-iv
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  1. Contents
  2. pp. v-vi
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  1. Preface
  2. Martin Loiperdinger
  3. pp. 1-6
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  1. Stimulating the Audience: Early Cinema’s Short Film Programme Format 1906 to 1912
  2. Andrea Haller and Martin Loiperdinger
  3. pp. 7-22
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  1. Part I: Programming and Performing Early Cinema Today – Outstanding Examples
  1. The Best Years of Film History: A Hundred Years Ago
  2. Mariann Lewinsky
  3. pp. 25-36
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  1. ‘From the Bottom of the Sea’: Early Film at the Oberhausen Festival
  2. Tom Gunning
  3. pp. 37-42
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  1. From the Past to the Future: Suffragettes – Extremists of Visibility in Berlin
  2. Madeleine Bernstorff
  3. pp. 43-52
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  1. Silent Films in their First Decades – Objects for Research or for Exhibition?
  2. Eric de Kuyper
  3. pp. 53-66
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  1. Programming the Local: Mitchell & Kenyon and the Local Film Show
  2. Vanessa Toulmin
  3. pp. 67-76
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  1. Part II: Crazy Cinématographe: Early Cinema Performance on the Luxembourg Fairground
  1. Back to the Future: Early Cinema and Late Economy of Attention An interim report about Crazy Cinématographe
  2. Claude Bertemes, Nicole Dahlen
  3. pp. 79-106
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  1. The Crazy Cinématographe, or the Art of the Impromptu Spectator
  2. Dick Tomasovic
  3. pp. 107-114
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  1. The Art of Crazy Programming Documentation of Crazy Cinématographe Programmes, 2007 to 2010
  2. Claude Bertemes, Nicole Dahlen
  3. pp. 115-134
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  1. Conclusion
  1. Programming and Performing Early Cinema Today: Strategies and Dispositifs
  2. Frank Kessler
  3. pp. 137-146
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  1. The Contributors
  2. pp. 147-149
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  1. KINtop
  2. pp. 150-152
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