In this Book

summary
The story and history of the Beats couldn't be found in the traditional libraries or archives of academic research. For preeminent historian of Beat culture John Tytell, it had to be found in the bars, towns, roads, and hangouts of these writers and figures. And as Writing Beat demonstrates, the same techniques apply to new and future writers.

Approaching the history of post-war twentieth century American literature, and in particular the Beat literary movement of Kerouac, Ginsberg, Burroughs, and others, Tytell finds himself uniquely positioned as an eyewitness to many of these stories. In this book, he shares his insight with the reader. As he interviewed, drank, traveled, and survived countless moments with some of these literary legends, Tytell discovered much about the craft of nonfiction, biography, and the nature of history. Writing Beat demonstrates, through Tytell's growth as a professor and historian of the Beats, lessons learned and hazards encountered for those aspiring to become writers themselves.

As we approach the sixtieth anniversary of Allen Ginsberg's Howl, Writing Beat reminds us writers do not spring to life fully formed, and the struggle to get to literature can be a blast.

Table of Contents

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  1. Cover
  2. pp. -ii
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  1. Title Page
  2. pp. iii-vi
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. A Prefatory Note
  2. pp. 1-4
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  1. Part I: Engagement
  1. 1. How to Write an Essay
  2. pp. 7-14
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  1. 2. The Writer as Peeping John: On the Nature of Biographical Inquiry
  2. pp. 15-33
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  1. 3. Hemlock or Ambrosia: Writing and Editorial Process
  2. pp. 34-44
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  1. 4. Notes of a Peripatetic Lecturer
  2. pp. 45-53
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  1. 5. Senator Tripletalk and the American Dream
  2. pp. 54-66
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  1. 6. Passing Through: Fifty Years @ the Mind Factory
  2. pp. 67-78
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  1. Part II: Reconsidering the Beats
  1. 7. Two Notes on Beat Origins
  2. pp. 81-87
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  1. 8. The Traveling Writer: Beat Mexico
  2. pp. 88-111
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  1. 9. Kerouac’s Music
  2. pp. 112-129
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  1. 10. Ginsberg Today
  2. pp. 130-148
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  1. 11. The Oppositional Writer
  2. pp. 149-178
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  1. 12. The Editor as Midwife: Writers and Little Magazines
  2. pp. 179-192
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  1. Part III: The Metaphysics of Writing
  1. 13. Bombing with Words
  2. pp. 195-203
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  1. 14. A Writer’s Retreat
  2. pp. 204-212
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  1. 15. Poetic Faith: Religion and the Writer
  2. pp. 213-221
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  1. 16. A Writer’s Passage
  2. pp. 222-230
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  1. 17. The Donkey and the Written Word
  2. pp. 231-238
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