Hispanic Nuns in Their Own Works
Publication Year: 2010
Published by: University of New Mexico Press
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Preface to the Revised Edition
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Untold Sisters: Hispanic Nuns in Their Own Works was the first general introduction to early modern Hispanic convent culture published in the United States. Framed within a feminist literary theoretical viewpoint, it brings together and contextualizes previously inaccessible or ignored texts by women from Spain and its two principal viceroyalties, Mexico and Peru. Through breadth of examples and depth of analysis we sought to provide contemporary readers with keys to unlocking works in which nuns taught and entertained, chronicling ...
Preface to the First Edition
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Within the relative abundance of recent feminist scholarship on women and religion, Hispanic voices have generally been absent. This book provides a new look at old writing for what we hope will be new audiences. We see Untold Sisters as a bridge between Hispanic and women’s studies scholars and between the fields of women’s literature and women’s spirituality...
A Note on the Translations
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In 1977 I arrived in Madrid and began searching card catalogs and archives at the Biblioteca Nacional, convinced I would find what I had not seen and no one could point to: the works of other convent writers, prior and contemporaneous ...
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This revised edition of Untold Sisters has been a long time coming. In the two decades since the first, scholars in the fields of early modern Spanish and colonial women’s studies have sustained us with their use of the ...
Introduction: Reclaiming the Mother Tongue: History and Spiritual Politics
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Uncounted Hispanic nuns wrote about their Lives from the end of the fifteenth into the eighteenth centuries.1 Many composed poems, plays, and letters as well. Some wrote in their own hand; some dictated oral narratives; many copied manuscripts for each other. More still provided ecclesiastics with reports and testimony and ...
1: More Than One Teresa: A Movement of Religious Women
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Ana de San Bartolomé (1549–1626) and María de San José (1548–1603), two of Saint Teresa’s most beloved Daughters and direct inheritors of her vision, played a central role in extending and institutionalizing the Discalced Carmelite Order. For both, fidelity to the Teresian Constitution and Rules became a raison ...
2: Two Sisters Among the Sisters: The Flowering of Intellectual Convent Culture
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On January 17, 1588, two sisters from a university family, María (1568–1640) and Cecilia (1570–1646) Sobrino Morillas, took the veil together in Valladolid, where they entered the Discalced Carmelite Convento de la Concepción, Saint Teresa’s fourth foundation (1568). Their family background and the somewhat unconventional choice of convent ...
3: The Poor Pray More: A Peasant Nun (Isabel de Jes
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When Isabel de Jesús (1586–1648) complains to God that everybody mocks her, he responds in a vision with “mira, yo obro en ti una de las grandes obras que he obrado después de mi Encarnación”  (look, I am working in you one of the greatest works that I have worked since my Incarnation)...
4: Convent In/Verse: A Dramatist of Female Religious Life (Marcela de San F
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The life of Marcela de San Félix (1605–87), which spanned an extraordinary century of Spanish cultural history, illuminates four important issues: illegitimacy and self-legitimation, the problems and benefits of being the daughter of a famous father, censorship and self-censorship, and asceticism as a structure for ...
5: Spiritual Housekeepers of the Spanish Empire: The Ap
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From Madrid we move to Peru and Mexico, to which, in the early sixteenth century, Spaniards brought an imperial, nationalistic, and Christian world-view developed from thirteenth-century law and theory and codified under...
6: New Spain: Arche/Types, Archi/Texts
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The women—and especially the nuns—of New Spain, as Mexico was officially called from the sixteenth to the beginning of the nineteenth century, made important contributions to the vibrant and tragic criolla and mestiza culture that emerged from conquest and colonization...
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Page Count: 478
Illustrations: 39 halftones
Publication Year: 2010
Edition: Revised Edition