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Index to Text 371 Accompaniment, 69, 73, 95, 112, 117, 144, 157, 202, 292, 293; banjo, 93, 94, 242; cello, 30; fiddle, 2, 39, 87, 152; guitar, 21, 44, 86, 102, 175, 226, 230, 233, 263; piano, 37, 41, 47, 85, 178, 202, 215, 253, 280; reed organ (pump organ), 178, 215, 242; tuba, 260. See also Backup Accordion, 31, 35, 64, 65, 95, 144, 177, 178, 202, 387 Acuff, Roy, 233, 234 Adam, E. F., Old-Time Fiddlers’ Favorite Barn Dance Tunes, 144, 393 Admire, Charlie, 87 “Adrian’s Reel,” 389 African Americans, 39, 112, 193, 221, 222, 269, 279, 286; John Banks, 117; B. Dillard, 235; fiddlers, 107, 110, 111, 119, 132, 157; and fiddling, 2, 16, 123; Dab Hannah, 295; in Little Dixie, 12, 136; Cal Jefferson, 118; the Kelley family, 132; lynching of James T. Scott, 126; minstrel (“Rufus” or “Rastus”), 261–62; mock dialect, 166, 297; music, 67, 107, 130, 220, 278, 292; musicians, 16, 211, 278, 285, 288; pigeon wing, 75, 81; slaves, 219, 339n2. See also Burdick, Bill; Driver, Bill; Johnson, Tommy; Katon, Bill; Kelley, Bye Aird, James, Selection of 200 Scots, English, Irish, and Foreign Airs, 197 Alexander, Walter, 227 “Alexander’s Ragtime Band,” 279, 280, 293 Allers, Carolyn, 41 Alton, Alvin “Dutch,” 296 “Amazing Grace,” 160, 254 “America,” 73, 260 American Indians, 30, 107, 112; ancestry, 219, 221–22, 225, 388; as a fashion, 222–25; and Lewis and Clark, 57–59, 61, 66, 67; Catawba, 39; Plains, 222; Rogue River Indian wars, 113; Osage, 154; as slaveholders, 107; as slaves, 219. See also Cherokee; Indian time; Trail of Tears Anick, Peter, 92 “Annie Laurie,” 66, 184 Appalachian styles, 18, 19, 21, 22, 253, 305 Applebee, Kenny, 8, 300, 391 Applegate, Jesse, diary, 64 “Arkansas Traveler,” 42, 49, 66, 73, 74, 81, 83, 85, 93, 239, 244, 260, 305; recording, 392 “Arkansas Turnback,” 97 Armstrong, Louis, 126, 278, 287 Ashcroft, Governor John, 4 Ashlock, Cope, 228 Ashlock, Jesse, 21 Asmar, Fred, 85 Atchison, Bob, 52 Atkinson, Jim, 94, 95 Atterberry, Bill (“Goofer”), 156 Atterberry, Clark, 179, 182 Audrain County, 12 “Auld Lang Syne,” 73, 103, 105 “Aunt Mary’s Hornpipe,” 124, 182 “Aura Lea,” 184 Austin Wood’s Nashville Opry. See Oprys Ayers, Larry, 198 “Back Home Again in Indiana,” 288 Backup, 10, 18, 93, 95, 160, 161, 208, 227, 262, 278; guitar and guitarists, 12, 62, 95, 97, 215, 234, 238; piano, 37, 280; sock-chord, 21; styles, 14, 101, 178, 202, 233. See also Accompaniment “Back Up and Push,” 189 “Bacon and Cabbage,” 40 Baker, Lillian, 47–48, 118 Baker, Kenny, 23, 174, 204, 206, 224, 234, 387; mentioned, 19, 20 Ball, Earl, 9, 162, 363 “Ballad of the Blues,” 157 Banjo, 53, 64, 93–94, 107, 184, 240, 242, 243, 271; accompaniment, 87, 120, 208, 213, 215, 291, 294; and blackface, 112; dance music, 108, 109; five-string, 65, 93–94, 97, 213, 227; Morris brothers and, 176, 178; in orchestras and bands, 65, 88, 89, 162,165, 232, 250, 285; players, 29, 81, 97, 159, 212, 216, 234, 261, 300; recordings, 97, 261, 364, 387–93; 372 Index to Text repertoire, 174, 255; tenor, 93–94, 131, 202, 212, 232, 292, 323n19; women and, 46, 47, 48, 255 Banks, John, 117 “Barbara Allen,” 73, 76 Barn dances, 29, 108, 196, 277. See also Bouillons; Fish fries; House dances; Jam sessions; Picnics Barnum, P. T., 146–50 Barton County: Dean Johnston, 225 Barton, Cathy, 52, 295, 363, 364, 389 Barton, Louie, 44 “Battle Cry of Freedom,” 285 “Battle Hymn of the Republic,” 42, 165 Battle of Boonville. See Marmaduke, John Sappington Battle of Wilson Creek, 117 “Beaumont Rag,” 189, 292 “Beautiful Dreamer,” 166, 167, 184 Bedard, Mel, 220 Beemer, Peter, 141. See also Peter Beemer Manuscript, The “Beer Barrel Polka,” 89, 144 Beisswenger, Drew, 11, 65, 181; Beisswenger and McCann’s Ozarks Fiddle Music, 97, 144, 203, 364 “Believe Me If All Those Endearing Young Charms,” 57 “Belle of Claremont Hornpipe,” 68 Bennett, Ab and Dick, 88 Bennett, Theron C., 281 “Bennett’s Reel,” 208 Benton County, 87 Bergey, Barry, 182, 244 Berlin, Irving, 207–8, 279, 280, 290, 293 Bertholde, Justin, 91 “Best Old Coon Dog,” 215 Bethel fiddle camp, 217, 390 “Big-Eyed Rabbit,” 244 “Bill Bailey,” 293 “Bill Cheatem,” 97, 102, 123, 302 “Bill Driver Tune,” 390; transcribed, 128, 313 “Billy Boy,” 73, 76 “Billy in the Low Ground,” 56, 66, 97, 99, 100, 103, 123, 166, 212, 215, 245, 249, 253, 302–3; recording...

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