The Structure of Detachment: The Aesthetic Vision of Kuki Shuzo

Essay Index

183 Essay Index Abe Jirō, 131 ada, 111, 126n.39 Adorno, Theodor, 149, 151, 161n.7 aesthetics, 3, 4, 6n.1 aji, 107 Alain (Émile-Auguste Chartier), 6n.1, 95, 132, 133, 134, 147nn.1, 3, 4, 157, 159, 169n.46 amami, 106 Amano Teiyū, 98, 120, 125n.9 Angst: Heidegger’s notion of, 102 authenticity, 95 Barth, Karl, 103 Baudelaire, Charles, 5, 6n.1, 135, 138, 139, 147n.15 Becker, Oscar, 99, 167n.39 Benl, Oscar, 162n.9 Bergson, Henri, his philosophy, 100, 101, 102, 120, 125n.16; influence on Kuki, 3, 95, 97, 98, 99, 101, 102, 125n.11 Biran, Maine de, 5, 132 chic, 107 Christianity in Japan, 96, 97, 125n.6 Clark, John, 10 Claudel, Paul, 6n.1 Cotrell, Robert, 134, 137, 138, 141, 147n.1 dandyism, 1 Darwin, Charles, 100 Dasein, 105, 157 Edo, 1, 97, 107, 108, 112, 122 Edokko, 1, 2 fine art, 158 First Higher School, 3, 96, 124n.5 Foucault, Michel, 145 Fukagawa, 1, 2, 97, 112, 127n.39 gehin, 106 German idealism, 119, 120 Gestapo, 152 Gogarten, Friedrich, 103 Graña, César, 137, 147nn.13, 14 Guys, Constantin, 138, 139, 140, 141 hari, 1 Harutsugedori, 108 Hegel, G. W. F., 119, 155, 158, 159 Heidegger, Martin, 95, 113, 116–119, 148, 159nn.2–4, 161nn.4–7, 162nn.8–11; and aesthetics, 153, 155, 162n.10, 166n.29, 168n.43; and art in politics, 154–155, 159, 166nn.26, 29; on art, poetry, and truth, 116, 117, 118; authenticity, 157; definition of iki, 150; ‘‘Dialogue on Language ,’’ 149, 150, 161n.5, 162n.9; and East Asian thought, 162n.8; etymology, 104–106; and fascism, 149, 169n.49; on Hegel and Kant, 166n.30, 168n.41; hermeneutic phenomenology, 95, 119, 149, 155, 158, 167n.35; and Hölderlin, 165n.22, 167n.39; and Kuki, 3, 5, 6, 97, 98, 102, 114, 161n.6; and Kuki’s philosophy, 154, 156, 158, 159, 162n.11, 167n.36, 169n.51; and National Socialism , 114, 153, 162n.12, 163nn.14, 15, 166n.29, 169n.49; ‘‘The Origin of the Work of Art,’’ 118, 150–155, 158, 159, 184 Essay Index Heidegger, Martin (continued) 165n.24, 166n.29, 167n.39, 169n.51; outlook on life, 102, 125n.21; ‘‘turn’’ to art, 153, 158, 165n.24, 169n.51; at University of Freiburg, 103, 151, 152, 153, 164nn.18, 21 Herrigel, Eugen, 3, 99 Hitler, Adolf, 153, 164n.20 Hölderlin, Friedrich, 6, 103, 126n.23, 153, 155, 159, 164n.18, 165n.22, 167n.39 Husserl, Edmund, 3, 95, 97, 98, 99, 100, 119; phenomenology, 99 iki, 1–6, 9; as a cultural ideal, 112–123; and dandyism, 1; in design, 109; as an essence of Japan, 116, 117, 118, 122, 127n.42; in Kuki’s system of taste, 105, 106, 110; in lifestyle, 110; as a personal choice, 121, 122; sensibility of, 97, 105, 107, 110 ‘‘Iki ni tsuite,’’ 9 ‘‘Iki no honshitsu,’’ 9, 119, 128n.60 Iki no kōzō, See Structure of iki, The imperialism, 116 international Japanism, 116 intuition, 99, 100, 117 iropposa, 107 Iwamoto Tei, 125nn.6, 7 Japanese imperialism, 115 Japanese internationalism, 116 Japanese spiritualism (seishinshugi), 115 Japanism (nihonshugi), 115 Jasper, Karl, 149, 151, 152, 161n.7, 164n.16 jōhin, 106, 107 Journal intime, 132 Kamo no Chōmei, 5, 131, 147 Kanraku, 134 Kant, Immanuel, 95, 133, 155, 158, 159, 167n.31 kibyōshi, 109, 126n.33 Kinsei fūzokushi, 111 Kitagawa Morisada, 10 Kitagawa Utamaro, 111 kiza, 107 Kuki Ryūichi, 3, 96, 122, 124n.2 Kuki Shūzō, 3, 4, 5, 6, 6n.1, 9, 10; aesthetics , 155, 168n.43; art, 102, 116, 117, 119; in China and Manchuria, 121; coquetry, 134; creative etymologies, 103–106; diagram , 136; education, 101, 102; and fascism , 120, 122, 128n.53, 149, 163n.13, 169n.50; foreign influences, 115–116; French connection, 130, 131, 132–137, 167n.38; German idealism, 99–101; Hatsu (mother), 122, 124n.2, 129n.68; Heidegger and, 118, 119, 128nn.59, 61, 148–149, 156–157, 160n.2; and Heidegger’s introduction to Japan, 161n.4; and Heidegger’s philosophy, 102, 114, 118, 148, 149, 152, 154, 156, 158–160, 162n.11, 167n.36, 169n.51; hermeneutic phenomenology, 156, 160n.3; history and free choice, 118; intuition, 117; Japanese women, 114, 115; lectures on Japan, 146; lifestyle and personality, 122, 123; loan words, 114; love toward traditional Japan, 123, 124; and Meiji literary figures, 143, 144, 146, 148; Neo-Kantianism, 99, 101; Nui (wife...