In lieu of an abstract, here is a brief excerpt of the content:

129 Epilogue The following is a letter dated May 14, 1948, and addressed to Faubion Bowers, Chief of Theatrical Sect., PPB, CCD, SCAP, from Professor Kawatake Shigetoshi of Waseda University. It was composed in English and typed. The letter is given exactly as Professor Shigetoshi (or a translator) wrote it. Dear Sir: Having learned that you are shortly leaving Japan, we recall with renewed appreciation the valuable services you have rendered to the cause of art in this country. For three years since the termination of the Pacific War Japan has been, as it were, in a state of atrophy, with her art and culture as well as the people’s daily life extremely unsettled and insecure. And the traditional theatrical arts of Japan, Kabuki, Bunraku, Noh plays and Bugaku, have been threatened with the danger of extinction because they are a heritage of ancient Japan. It was indeed a great delight to us that at this serious cultural crisis we found in you a hearty sympathizer. The understanding, appreciation and passionate love you showed for Japanese theatrical art were a wonder to us. Kabuki and Bunraku were given fresh and most accurate interpretation by you. You endeavored to dispel the preconceived prejudices held against them by many of the modern Japanese, and to make them recognized as unique branches of stage art which represent human nature. For instance, it was solely due to your sympathetic understanding and profound love of Japanese theatrical art that “Kanjinch ,” “Kumagai Jin-ya,” “Moritsuna,” and “Third Act of Adachi-gahara ,” as well as such complete plays as “Sugawara,” “Chshingura,” “Yoshitsune Sembon Zakura,” “Shin Usuyuki Monogatari,” etc. could be produced conscientiously on the Kabuki stage. You have used your endeavors to lead the Japanese to renew their recognition of the beauty of Kabuki. You have given encouragement to Kabuki actors, lent impetus to their awakening, and provided guidance in their study of the art. For these reasons I look up to you as a patron of such classical arts as Kabuki, Bunraku and Noh plays, and would like to call you a benefactor to the Japanese theatrical art in gen- 130 Epilogue eral. Together with all lovers of Kabuki and as a student of Kabuki art, I hereby present to you my profound respect and express my sincere gratitude. We understand that you are going to visit China, India, and Tibet, where you will continue your study of theatrical art. This is a matter which entitles you to our further appreciation. With great pleasure we look forward to the time when we shall be enlightened on the essence of dramatic art in the Orient, including Japan. May you enjoy excellent health and proceed with your work smoothly. Yours sincerely, Shigetoshi Kawatake Professor and Director of Theatre Museum Waseda University ...

Share