The Attractive Empire: Transnational Film Culture in Imperial Japan

Selected Bibliography

Selected Bibliography Journals and Almanacs Bianco e nero (1937–1943) Eiga (Film) Eiga gaku (Film Study) Eiga gijutsu (Film Technology) Eiga hyoron (Film Criticism) Eiga junpo (Film Bi-weekly) Eiga nenkan (Film Almanac) Eiga no tomo (Film Friend) Eiga sozo (Film Creation) Eiga to gijutsu (Film and Technology) Eiga to ongaku (Film and Music) Eigakai (Film World) Eigashi kenkyo (Film History Study) Film Daily Yearbook Firumu kenetsu jiho (Film Censorship Bulletin) Firumu kenetsu nenpo (Film Censorship Annual) Harrison’s Reports & Film Reviews Hollywood Reporter International Motion Picture Almanac Katsudo shashinkai (Moving Picture World) Kinema junpo (Cinema Bi-Weekly) Kinema rekodo (Cinema Record) Kokusai bunka shinkokai, 1938 (Cinema Yearbook of Japan 1938) Kokusai bunka shinkokai, 1939 (Cinema Yearbook of Japan 1939) Kokusai bunka sinokai, 1937 (Cinema Yearbook of Japan 1936–1937) Manshu eiga (Manchurian Film) Moving Picture World Nihon eiga (Japanese Film) Books and Essays Place of publication for Japanese entries is Tokyo unless otherwise indicated. 202 selected bibliography Abe Mark Nornes, “Dawn of Freedom.” In Abe Mark Nornes and Yukio Yukushima, eds., Nichibei eigasen: Media Wars Then & Now, 260. Yamagata: Yamagata International Documentary Film Festival, 1991. — — —.Japanese Documentary Film. Minneapolis: University of Minnesota Press, 2003. Aikawa Haruki. Bunka eigaron. Kasumigaseki Shobo, 1944. Akazawa, Shiro, ed. Bunka to fashizumu. Nihon Keizai Hyoronsha, 1993. Akiyama Kuniharu, Nihon no eiga ongakushi. Tabata Shoten, 1974. Amakasu Masahiko. “Making Films for the Manchurians.” Eiga junpo, Aug. 1, 1942 Anderson, Benedict. Imagined Communities. London: Verso, 1993. Anderson, J. L. “Spoken Silents in the Japanese Cinema, or, Talking to Picture: Essaying the Katsuben, Contextualizing the Texts.” In Arthur Nolletti, Jr. and David Desser, eds., Reframing Japanese Cinema: Authorship, Genre, History, 259–311. Terre Haute: Indiana University Press, 1992. Anderson, Joseph L., and Donald Richie. The Japanese Film: Art and Industry. Princeton , NJ: Princeton University Press, 1982. Baskett, Michael. “Dying for a Laugh: Japanese Post-1945 Service Comedies.” Historical Journal of Film, Radio, & Television 23, no. 4 (Oct. 2003), 291–310. Benali, Abdelkader. Le cinema colonial au Maghreb. Paris: Editions du Cerf, 1998. Bernstein, Matthew, and Gaylyn Studlar, eds. Visions of the East: Orientalism in Film. New Brunswick, NJ: Rutgers University Press, 1997. “Boken Dankichi no koto.” In Shimada Keizo, ed., Boken Dankichi. Vol. 2, 186–187. Kodansha, 1967. Boulanger, Pierre. Le cinema colonial de “L’atlantide” a “Lawrence d’arabie.” Paris: Editions Seghers, 1975. Brownlow, Kevin. The Parade’s Gone By. New York: Knopf, 1968. Brunetta, Gian Piero. L’ora d’Africa del cinema. Rovereto: Materiali di Lavoro, 1990. Castle, Kathryn, ed., Britannia’s Children. New York: St. Martin’s Press, 1996. Chen Fei-bao. Taiwan dianying shihua. Beijing: Zhongguo Dianying Chubanshe, 1988. Cheng, Jihua, Li Shaobai, and Xing Zuwen. Chugoku eigashi. Trans. Morikawa Kazuyo . Heibonsha, 1987. — — —.Zhongguo dianying fazhan shi. Beijing: Zhongguo Dianying Chubanshe, 1980). Cho Hee Moon. “A Study of Early Korean Film History: Introduction and Reception of Motion Pictures 1896–1923.” PhD diss. Chung-ang University, 1992, Chosen Sotokufu Kinema. Chosen Sotokufu Kanbo Bunshoka, 1938. Convents, Guido. “Film and German Colonial Propaganda.” In Prima di Caligari, 58–76. Pordenone: Biblioteca dell’Immagine, 1990. Crafton, Donald. Emil Cohl, Caricature, and Film. Princeton, NJ: Princeton University Press, 1990. Davis, Darrell William. Picturing Japaneseness: Monumental Style, National Identity, Japanese Film. New York: Columbia University Press, 1996. Del Mundo, Clodualdo. Native Resistance: Philippine Cinema and Colonialism, 1898–1941. Manila: De La Salle University Press, 1998. Dower, John. Embracing Defeat. New York: W. W. Norton, 1999. — — —.War Without Mercy. New York: Pantheon Books, 1988. selected bibliography 203 Duus, Peter. The Abacus and the Sword. Berkeley: University of California Press, 1995. — — —,Ramon Meyers, Mark Peattie, eds. The Japanese Informal Empire, 1937–1945. Princeton, NJ: Princeton University Press, 1989. — — —.The Wartime Japanese Empire, 1941–1945. Princeton, NJ: Princeton University Press, 1995. Eiga bunka tenrankaiki. Dainippon eiga kyokai, 1940. Eiga Haikyusha Nanpokyoku Chosabu, ed. Higashi Indo no eiga jijo. Eiga Haikyusha, 1942. Enomoto Yasuko. Gakunin no miyako-shanhai. Kenbun Shuppan, 1998. Fell, John L. Film and the Narrative Tradition. Berkeley: University of California Press, 1986, Friedrichsmeyer, Sara, et al., eds. The Imperialist Imagination: German Colonialism and Its Legacy. Ann Arbor: Michigan University Press, 1998. Fu, Poshek. Passivity, Resistance, and Collaboration: Intellectual Choices in Occupied Shanghai, 1937–1945. Stanford: Stanford University Press, 1996. Fujiwara Sakuya, and Yamaguchi Yoshiko. Ri Koran: Watashi no hansei. Shinchosha, 1987. Gili, Jean A. L’Italie de Mussolini et son cinema. Paris: Henri Veyrier, 1985. Gluck, Carol. Japan’s Modern Myths. Princeton, NJ: Princeton University Press, 1985. Goodman, Grant...