Nippon Modern: Japanese Cinema of the 1920s and 1930s

Bibliography

159 Bibliography Journals Chuo koron (1914–1936) Dai nikkatsu (1930) Dai shochiku (1929–1933) Eiga asahi (1938–1939) Eiga dai’issen (1933) Eiga fan (1937) Eiga geijutsu kenkyu (1933–1934) Eiga hyoron (1928–1941) Eiga jidai (1926–1931) Eiga jyoho (1931) Eiga kenkyu (1941) Eiga kigyo (1940) Eiga no tomo (1941–1943) Eiga orai (1925–1931) Eiga seishin (1937) Eiga sekai (1930) Eiga sozo (1937) Eiga to butai (1938) Eiga to engeki (1929) Fuji (1929) Gekkan eiga (1926) Jidai eiga (1941) Josei (1926–1927) Kaizo (1926–1936) Kamata (1920–1936) Kamata shuho (1925–1930) Katsudo gaho (1917–1921) Katsudo hyoron (1919) Katsudo kurabu (1920–1922) Katsudo no sekai (1916–1919) Katsudo shashin zasshi (1915–1919) Kikan shinario kenkyu (1937) Kinema (1925–1934) Kinema junpo (1920–1936) Kokusai eiga shinbun (1934–1937) Nihon eiga (1938–1941) Nikkatsu Nikkatsu eiga (1928) Oru shochiku (1938) Sande mainichi (1935) Shinko kinema Shin seinen (1927–1935) Shochiku (1934) Shochiku shuho (1931–1937) Books and Articles Abe Tsunehisa and Sato Yoshimaru. Tsushi to shiryo: Nihon kingendai joseishi. Tokyo: Fuyo Shobo Shuppan, 2000. Allen, Robert C., and Douglas Gomery. Film History, Theory, and Practice. New York: Knopf, 1985. Altman, Rick. Film/Genre. London: BFI Publishing, 1999. ———. “A Semantic/Syntactic Approach to Film Genre.” In Grant, Film Genre Reader II, 26–40. Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, 1983. Anderson, Joseph L. “Spoken Silents in the Japanese Cinema; or, Talking to Pictures: Essaying the Katsuben, Contextualizing the Texts.” In Nolletti and Desser, Reframing Japanese Cinema, 259–311. Anderson, Joseph L., and Donald Richie. The Japanese Film: Art and Industry. Expanded edition. Princeton: Princeton University Press, 1982. Andrew, Dudley. Mists of Regret: Culture and Sensibility in Classic French Film. Princeton : Princeton University Press, 1995. Aoki Tamotsu et al., eds. Toshi bunka. Kindai Nihon bunkaron Ser. 5. Tokyo: Iwanami Shoten, 1999. Appadurai, Arjun. “Grassroots Globalization and the Research Imagination.” Public Culture 12, no. 1:1–19. 160 Bibliography Bibliography 161 Atkins, E. Taylor. Blue Nippon: Authenticating Jazz in Japan. Durham, N.C.: Duke University Press, 2001. Balibar, Etienne, and Immanuel Wallerstein. Race, Nation, Class: Ambiguous Identities . Trans. Chris Turner. London: Verso, 1991. Barshay, Andrew E. State and Intellectual in Imperial Japan: The Public Man in Crisis. Berkeley: University of California Press, 1988. Barthes, Roland. Empire of Signs. Trans. Richard Howard. New York: Hill and Wang, 1982. ———. Image–Music–Text. New York: Hill and Wang, 1977. ———. “Kigogaku to toshi no rinri/Sémiologie et urbanisme.” Trans. Shinoda Koichi. Gendai shiso, October 1975: 106–117. Bazin, André. What Is Cinema? 2 vols. Trans. Hugh Gray. Berkeley: University of California Press, 1967–1971. Benjamin, Walter. Illuminations. Ed. Harry Zohn. New York: Schocken Books, 1968. Bernardi, Joanne R. “Genre Distinctions in the Japanese Contemporary Drama Film.” In La nascite dei generi cinematografici. Ed. Leonardo Quaresima et al. Udine: Forum, 1999, 407–421. ———. Writing in Light: The Silent Scenario and the Japanese Pure Film Movement. Detroit: Wayne State University Press, 2001. Bhabha, Homi K., ed. The Location of Culture. New York: Routledge, 1994. ———. Nation and Narration. New York: Routledge, 1990. Bordwell, David. On the History of Film Style. Cambridge, Mass.: Harvard University Press, 1997. ———. “Our Dream Cinema: Western Historiography and the Japanese Film.” Film Reader 4 (1979): 45–62. ———. Ozu and the Poetics of Cinema. London: BFI Pub.; Princeton: Princeton University Press, 1988. ———. “Visual Style in Japanese Cinema, 1925–1945.” Film History 7 (1995): 5–31. Bordwell, David, and Noël Carroll, eds. Post-Theory: Reconstructing Film Studies. Madison: University of Wisconsin Press, 1996. Bordwell, David, Janet Staiger, and Kristin Thompson. The Classical Hollywood Cinema : Film Style and Mode of Production to 1960. New York: Columbia University Press, 1985. Brooks, Peter. The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. New Haven: Yale University Press, 1976. Brown, Kendall H. “Flowers of Taisho: Images of Women in Japanese Society and Art, 1915–1935.” In Taisho Chic: Japanese Modernity, Nostalgia, and Deco. Ed. Kendall H. Brown and Sharon A. Minichiello. Honolulu: Honolulu Academy of Arts, 2001, 17–26. Bullock, Marcus, and Michael W. Jennings, eds. Walter Benjamin: Selected Writings 1913–1926, vol. 1. Cambridge, Mass.: Belknap Press, 1996. Burch, Noël. Life to Those Shadows. Trans. and ed. Ben Brewster. Berkeley: University of California Press, 1990. 162 Bibliography ———. Theory of Film Practices. Trans. Helen R. Lane. Princeton: Princeton University Press, 1989. ———. To the Distant Observer: Form and Meaning in the Japanese Cinema. London: Scolar...