In lieu of an abstract, here is a brief excerpt of the content:

Western Languages Abe, Ryûichi. The Weaving of Mantra: Kûkai and the Construction of Esoteric Buddhist Discourse. NewYork:Columbia University Press, forthcoming. Acker, William R. B. Some T’ang and Pre-T’ang Texts on Chinese Painting. Leiden: E. J. Brill, . Akiyama, Terukazu. Japanese Painting. Geneva: Skira, . ———.“The Door Paintings in the Phoenix Hall of the Byôdôin as Yamatoe.” Artibus Asiae  (): –. Andrews,AllanA.The Teachings Essential for Rebirth: A Study of Genshin ’s Ôjô Yôshû. Tokyo: Sophia University, . Araki, James T., trans.“Passage to Fudaraku.” In Lou-lan and Other Stories, edited byYasushi Inoue,–.Tokyo: Kôdansha,. Arnheim, Rudolf. The Power of the Center: A Study of Composition in the Visual Arts. Berkeley and Los Angeles: University of California Press, . Astley Kristensen,Ian,trans.The Rishûkyô: The Sino-Japanese Tantric Prajñâpâramitâ in  Verses (Amoghavajra’s version). Buddhica Britannica Series. Tring, U.K.: Institute of Buddhist Studies, . Aston, W. G., trans. Nihongi: Chronicles of Japan from the Earliest Timesto...Reprint,London:GeorgeAllenandUnwin,. Bambling, Michele.“The Kongô-ji Screens: Illuminating the Tradition of Yamato-e ‘Sun and Moon’ Screens.” Orientations, September , –. Baxandall, Michael. Patterns of Intention: On the Historical Explanation of Pictures. New Haven and London: Yale University Press, . Beguin, Gilles. Mandala: Diagrammes ésotériques du Nepal et du Tibet au musée Guimet. Paris: Editions Findakly, . Belting, Hans. Likeness and Presence: A History of the Image before the Era of Art. Chicago: University of Chicago Press, . Benn, Charles D. The Cavern-Mystery Transmission: A Taoist Ordination Rite of .. . Asian Studies at Hawaii, no. . Honolulu: University of Hawai‘i Press, . Berglund, Lars. The Secret of Luo Shu: Numerology in Chinese Art and Architecture. Sodra Sandby, Sweden: Tryckbiten AB, . Birnbaum,Raoul.Studies on the Mysteries of Mañjuπrî: A Group of East Asian Mandalas and Their Traditional Symbolism. Society for the Study of Chinese Religions,Monograph ,ed.PaulW.Kroll and Rodney L. Taylor. N.p.: Society for the Study of Chinese Religions , . Blacker, Carmen. The Catalpa Bow: A Study of Shamanistic Practices in Japan. London: George Allen and Unwin, . Brown, Robert L. “The Srâvastî Miracles in the Art of India and Dvâravatî.” Archives of Asian Art  (): –. Bush, Susan, and Hsio-yen Shih. Early Chinese Texts on Painting. Cambridge: Harvard University Press, . Cahill, Suzanne E. Transcendence and Divine Passion: The Queen Mother of the West in Medieval China. Stanford: Stanford University Press, . ———. “Practice Makes Perfect: Paths to Transcendence for Women in Medieval China.” Taoist Resources ,  (November ): –. Cammann,Schuyler.“The Magic Square of Three in Old Chinese Philosophy and Religion.” History of Religions ,  (summer ): –. Chandra, Lokesh. Buddhist Iconography. New Delhi: Tibet House, . Chandra, Lokesh, and Sharada Rani. Mudras in Japan: Symbolic Hand-Postures in Japanese Mantrayâna or the Esoteric Buddhism of the Shingon Denomination. Sata-Pitaka Series, vol. . New Delhi: Sata-Pitaka, . Chou,Yi-liang.“Tantrism in China.” Harvard Journal of Asiatic Studies , / (March ): –. Coates, H. H., and R. Ishizuka. Honen, the Buddhist Saint: His Life and Teaching. Kyoto: Chionin, .«  » Selected Bibliography Coedes, George. Angkor: An Introduction. Translated by Emily Floyd Gardiner. Singapore and New York: Oxford University Press, . Dahmen-Dallapiccola, Anna Libera, and Stephanie Zingel-Avé Lallemant, eds. The Stûpa: Its Religious, Historical, and Archaeological Significance. Wiesbaden: Steiner, . de Bary, William Theodore. The Buddhist Tradition in India, China, and Japan. New York: Vintage Books, . deVisser,M.W.Ancient Buddhism in Japan.  vols.Leiden:E.J.Brill, . Dumarcay, Jacques. Le Bayon. Paris: École Française d’ExtrèmeOrient , . Eckel, Malcolm David. To See the Buddha: A Philosopher’s Quest for the Meaning of Emptiness. New York: HarperCollins, . Fisher, Robert E. Buddhist Art and Architecture. London: Thames and Hudson, . Fontein, Jan. The Pilgrimage of Sudhana. The Hague and Paris: Mouton and Company, . Foucher, Alfred H. The Life of the Buddha, According to the Ancient Texts and Monuments of India. Translated by Simone Brangier Boas. Middletown, Conn.: Wesleyan University Press, . Gardiner, David L.“Mandala, Mandala on the Wall:Variations of Usage in the Shingon School.” Journal of the International Association of Buddhist Studies ,  (winter ): –. Goepper,Roger.Aizen Myôô: The Esoteric King of Lust. Zurich:Artibus Asiae and Museum Rietberg, . ———. Shingon: Die Kunst des Geheimen Buddhismus in Japan. Cologne:Museum für Ostasiatische Kunst der Stadt Köln,. Goepper, Roger, and Jaroslav Poncar. Alchi: Ladakh’s Hidden Buddhist Sanctuary, the Sumtsek. Boston: Shambhala Limited Editions , . Gómez, Luis O., trans. The Land of Bliss: The Paradise of the Buddha of Measureless Light. Honolulu: University of Hawai‘i Press; Kyoto: Higashi Honganji Shinshû Ôtani-ha, . Goodwin...

Share