Dance of Life: Popular Music and Politics in Southeast Asia

Bibliography

315 Bibliography The Bibliography is divided into five sections. The first section, General and Regional Works, contains works on general, global, or theoretical subjects, as well as regional studies (including Southeast Asia) and studies on nations that fall outside the scope of this volume. The remaining four sections contain works pertaining to the chapters on Indonesia, the Philippines, Thailand, and Malaysia and Singapore, respectively, as well as general or regional studies used as sources for those chapters. General and Regional Works Abdul Majid. “The Popular Art Controversy.” Ilmu Masyarakat 2 (April–June 1983): 60–79. ———. The Popular Culture Controversy. Penang: Research Publications, 1983. Aguilar, Freddie. “Introduction: The Far East and Pacific.” In Philip Sweeney, The Virgin Directory of World Music. New York: Henry Holt, 1991: 151–153. Ahmed, Akbar S. “Bombay Films: The Cinema as Metaphor for Indian Society and Politics.” Modern Asian Studies 26/2 (1992): 289–320. Alagappa, Muthiah, ed. Political Legitimacy in Southeast Asia: The Quest for Moral Authority. Stanford: Stanford University Press, 1995. Anand, R. P., and Purificacion V. Quisumbing, eds. ASEAN Identity, Development and Culture. Quezon City: University of the Philippines Law Center, 1981. Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism, 2nd ed. London: Verso, 1991. Anderson, Muff. Music in the Mix: The Story of South African Popular Music. Johannesburg: Ravan Press, 1981. Anek Laothamatas, ed. Democratization in Southeast and East Asia. Singapore: Institute of Southeast Asian Studies, 1997. Angus, Ian, and Sut Jhally. “Introduction.” In Angus and Jhally, eds., Cultural Politics in Contemporary America. New York: Routledge, 1989: 1–14. Appadurai, Arjun. “Disjuncture and Difference in the Global Cultural Economy.” Public Culture 2/2 (Spring 1990): 1–23. Armes, Roy. Third World Film Making and the West. Berkeley: University of California, 1987. Arnold, Alison E.. “Aspects of Production and Consumption in the Popular Hindi Film Song Industry.” Asian Music 24/1 (Fall/Winter 1992–1993): 122–135. Arora, V. N. “Popular Songs in Hindi Films.” Journal of Popular Culture 20/2 (Fall 1986): 143–166. The Asia & Pacific Review 1993/94: Economic and Business Report. London: The World of Information, 1993. Associated Press. “Italian Radio Station Gives Mogadishu Daily Diversion,” Green Bay Press-Gazette, December 14, 1993. Bahry, Romana. “Rock Culture and Rock Music in Ukraine.” In Ramet, ed., Rocking the State: 243–296. Barlow, Sean, and Banning Eyre. Afropop! An Illustrated Guide to Contemporary African Music. Edison, NJ: Chartwell, 1995. Barnet, Richard J., and John Cavenaugh. “The Sound of Money: Pop Imperialism Moves to a Global Beat.” Sojourners (January 1994): 12–16. Barnouw, Erik, and S. Krishnaswamy. Indian Film, 2nd ed. New York: Oxford University Press, 1980. Bayton, Mavis. “Feminist Musical Practice: Problems and Contradictions.” In Tony Bennett et al., eds., Rock and Popular Music: Politics, Policies, Institutions. London: Routledge, 1993: 177–192. Bender, Wolfgang. Sweet Mother: Modern African Music. Chicago: University of Chicago Press, 1991. Bennett, Tony. “Theories of the Media, Theories of Society.” In Michael Gurevitch et al., eds., Culture, Society and the Media. London: Methuen, 1982: 30–55. Bennett, Tony, et al., eds. Rock and Popular Music: Politics, Policies, Institutions. London: Routledge, 1993. Bergman, Billy. Goodtime Kings: Emerging African Pop. New York: Quill, 1985. ———. Hot Sauces: Latin and Caribbean Pop. New York: Quill, 1985. Bessant, Leslie. “Songs of Chiweshe and Songs of Zimbabwe.” African Affairs 93/370 (January 1994): 43–74. Bharatnam, Raju. Lata Mangeshkar: A Biography. New Delhi: UBSPD, 1995. Biddle, Arthur W., et al., eds. Contemporary Literature of Asia. Saddle River, NJ: Blair Press, 1996. Biermann, Wolf. The Wire Harp: Ballads/Poems/Songs. New York: Harvest, 1968. Billboard International Buyer’s Guide 1996. New York: Billboard, 1995. Blacking, John. “Ethnography of Musical Performance.” In Daniel Heartz and Bonnie Wade, eds., Report of the Twelfth Congress, Berkeley, 1977. Barenreiter Kassel: The American Musicological Society, 1981: 383–401. ———. How Musical Is Man? Seattle: University of Washington Press, 1973. 316 BIBLIOGRAPHY: GENERAL AND REGIONAL WORKS ———. “The Value of Music in Human Experience.” In Yearbook of the International Folk Music Council, 1 (1969): 33–71. Bloom, Allen. The Closing of the American Mind: How Higher Education Has Failed Democracy and Impoverished the Soul of Today’s Students. New York: Simon and Schuster, 1987. Bond, Katherine, and Kingsavanh Pathammavong. “Contexts of Dontrii Lao Deum: Traditional Lao Music.” In Amy Catlin, ed., Selected Reports in Ethnomusicology, Vol. IX: Text, Context, and Performance in Cambodia, Laos, and Vietnam. Los Angeles: Department of Ethnomusicology, University of California, Los Angeles...