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Contents
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C o n t e n t s List of Illustrations Foreword | Samuel C. Morse Introduction | Elizabeth Lillehoj Chapter One | Melanie Trede Terminology and Ideology: Coming to Terms with “Classicism” in Japanese Art-Historical Writing Chapter Two | Satoko Tamamushi Tawaraya S≤tatsu and the “Yamato-e Revival” Chapter Three | Keiko Nakamachi The Patrons of Tawaraya S≤tatsu and Ogata K≤rin Chapter Four | Laura W. Allen Japanese Exemplars for a New Age: Genji Paintings from the Seventeenth-Century Tosa School Chapter Five | Joshua S. Mostow A New “Classical” Theme: The One Hundred Poets from Elite to Popular Art in the Early Edo Period vii xi 1 21 53 79 99 133 Chapter Six | Karen M. Gerhart Classical Imagery and Tokugawa Patronage: A Redefinition in the Seventeenth Century Chapter Seven | Elizabeth Lillehoj Uses of the Past: Gion Float Paintings as Instruments of Classicism Afterword | Quitman Eugene Phillips Appendix: Artists and Schools Glossary Kanji List Selected Bibliography Contributors Index Color plates follow page 132 vi Contents 169 187 207 213 217 225 237 261 263 ...