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191 Index agency, 87, 89, 91–92, 99, 114 Agrest, Diana, 133 Allison, Anne, 106 Baba Keiichi, 51 Bachelard, Gaston, 47, 48 bankruptcy, 1, 27, 28–29, 39, 45, 53 Bestor, Theodore, 34 Betz, Phyllis M., 102 body, 45, 65, 67, 93, 114, 115, 142; and the city, 128, 133, 134; in detective fiction, 115, 128, 131; and pregnancy, 128–129, 131, 140; and sex, 78, 96; and space, 120–123, 128; women’s, as object, 91, 97, 99, 100 Boyer, Christine, 134 “bubble” economy, 1, 13, 45, 62; collapse of, 138–139 bundan, 11, 155n. 56 Butler, Judith, 122 Cawelti, John, 7 Chandler, Raymond, 61, 88, 92 Christ, Julie, 140 Christie, Agatha, 49 chûsetsu bungaku, 10 city, 23, 24, 73, 128; and the body, 128, 133–34; function of, 128; gender divisions in, 123; as marker of identity, 29; reconfiguration of, 120, 124–126, 133, 136 Clammer, John, 34, 38, 54 class, 29, 31; and community, 38, 41, 43, 44, 137, 160n. 30; as marker of identity, 32, 34 Cody, Liza, 13 community, 13, 37, 73, 102, 160n. 25; and consumerism, 44, 48, 49–50; and identity, 29, 33, 34, 36, 40–42, 46, 53, 54, 56; limitations of, 70–71; and men, 25, 41, 42, 57, 58, 61 consumerism, 1, 2, 17, 44, 141, 145; and notions of community, 44, 48, 49–50; and shopping, 126, 129 consumption, 29–30, 34, 36, 43, 70, 71, 109; definition of, 44–45, 46; and identity, 38–40, 44, 46–47, 50–52; relation to home, 47–48; in Yoshimoto Banana, 51–53 Conway, Patricia, 133 Cornwell, Patricia, 13 Crawford, Margaret, 7, 24, 143 danchi, 31, 34, 42, 48, 52; photograph of, 35 detective fiction: as autobiography, 24, 91; and the body, 115, 121, 128, 131; and the city, 2, 7, 120–121, 143; conservativism of, 8, 101, 135, 142; definition and characteristics of, 2–3, 6, 7, 25, 28, 49, 74, 114, 120–121, 128, 135, 136, 145; as formulaic genre, 7, 10, 13, 145; Japanese history of, 1, 2–22; knowledge in, 79, 121, 131, 142; as masculine genre, 22; and pornography, 24, 78, 96, 99–100; puzzles in, 3, 5, 12, 145; and realism, 6, 7, 9, 24, 30, 61, 62, 82, 99, 120, 135, 143, 145; and sexuality, 24, 88–90, 91, 112, 114–115; social critique and, 2, 8, 25, 61, 141, 145; and space, 120–122. See also hardboiled detective fiction; honkaku-ha mysteries; mystery; noir; police procedural; shakai-ha mysteries; women’s detective fiction Deutsche, Rosalyn, 23, 134 Doyle, Arthur Conan, 3, 4, 120 dystopia, 135–136, 137, 147 Edogawa Rampo, 4, 6, 8, 9, 10, 114–115, 120, 153n. 38; and ero-guro-nansensu, 114–115; works: “Imomushi” (The caterpillar), 8; Kuro Tokage (Black Lizard), 115; “Ni-sen dòka” (The two-sen copper coin), 4; “Yaneura no sanposha” (The stroller in the attic), 7 Enchi Fumiko, 105, 170n. 43 enjo kòsai, 46, 170n. 44 Equal Employment Opportunity Law, 62, 63, 124 Eto Jun, 50 family, 29, 119, 137, 147; and community, 41, 54, 74, 122, 137, 139; and identity, 50–52; problems with, 36, 69–71; role in detective fiction, 24, 69, 89 femme fatale, 23, 25, 88, 91, 104, 113, 117; and homme fatal, 100, 117 Field, Norma, 50, 51, 99 Fowler, Edward, 55 Freeman, Austin, 3 furusato, 34, 48, 50 Gaboriau, Émile, 3 Garon, Sheldon, 137 gaze, 24, 91–92, 97, 100 gender, 29, 44, 57, 74, 116, 134, 146; in detective fiction, 23, 49, 122; divisions, 18, 64–66; and space, 122–124, 129 Grafton, Sue, 13, 22, 25, 66, 88, 92, 117–118 Green, Anna Katharine, 3 Grosz, Elizabeth, 122–123, 133 hara obi, 129; photograph of, 132 hard-boiled detective fiction, 8, 9, 22, 25, 88; female detectives in, 86, 89; lesbian detectives in, 102; use of first person in, 91; women in early works, 23–24 Harvey, David, 55 Hirabayashi Hatsunosuke, 3 Hirabayashi Taiko, 5 Hirano Ken, 10–11 Hiratsuka Raichò, 5 Hochschild, Arlie Russell, 69 home, 37, 39, 49, 69, 138; and the butsudan, 37; as domestic sphere, 123, 172n. 16; isolation in, 69–71; as source of identity, 47, 48, 76 homosexuality, 115–117, 146. See also lesbianism honkaku-ha mysteries, 8, 9, 12, 27, 153n. 38 Ichijò Eiko, 5 identity, 2, 13, 43, 50–53, 145; and community, 34, 54–55, 70; and consumption, 34, 36–37, 43, 46, 71; and the home, 29, 36, 47, 48; and sexuality, 105, 111...

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