Acting the Right Part: Political Theater and Popular Drama in Contemporary China

Bibliography

b i b l i o g r a p h y | 409 bibliography This bibliography includes journal articles, published drama scripts, and book titles cited in the text and notes. Only one English translation of any particular work is listed. Other translations of the same title can be found in the Appendix. Adorno, Theodor W. “Freudian Theory and the Pattern of Fascist Propaganda.” In Andrew Arato and Eike Gebhardt, eds., The Essential Frankfurt School Reader, 118–137. New York: Continuum, 1995. Adorno, Theodor W., and Max Horkheimer. “The Cultural Industry: Enlightenment as Mass Deception.” In Simon During, ed., The Cultural Studies Reader, 29–43. London: Routledge, 1993. Aldridge, A. Owen. The Reemergence of World Literature. Newark: University of Delaware Press, 1986. Allen, Joseph R. “Dressing and Undressing the Chinese Woman Warrior.” Positions 4.2 (1996): 343–379. Alleton, Viviane. Les Chinois et la passion des noms (The Chinese and their passion for names). Paris: Aubier, 1993. Althusser, Louis. “Ideology and Ideological State Apparatuses.” In his Lenin and Philosophy and Other Essays, trans. B. Brewster, 127–186. New York: Monthly Review, 1971. “An Opera Embodying Mao Zedong’s Thought.” Chinese Literature 10 (1967): 59–64. Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London and New York: Verso, 1983. 410 | b i b l i o g r a p h y Andrews, Julia F. Painters and Politics in the People’s Republic of China, 1949– 1979. Berkeley: University of California Press, 1994. “Appraisals of ‘Compound Where Rent Was Collected.’” Chinese Literature 4 (1967): 111–121. Arendt, Hannah. The Human Condition. Chicago: Chicago University Press, 1958. Austin, Gayle. Feminist Theories for Dramatic Criticism. Ann Arbor: The University of Michigan Press, 1990. Bai, Di. “A Feminist Brave New World: The Cultural Revolution Model Theater Revisited.” Ph.D. diss., Ohio State University, 1997. Bai Fengxi K=Buzhi qusi zai shui jia !"#$ (Where is longing in autumn?). In her Bai Fengxi juzuo xuan !"# (Selected plays of Bai Fengxi), 161–237. Beijing: Zhongguo xiju chubanshe, 1988. ———. Fengyu guren lai !" (An old friend comes at a stormy time). In her Bai Fengxi juzuo xuan, 83–160. Beijing: Zhongguo xiju chubanshe, 1988. ———.=First Bathed in Moonlight. In her The Women Trilogy. Translated by Guan Yuehua. 104–203. Beijing: Chinese Literature Press, 1991. ———.=Mingyue chu zhao ren !" (First bathed in moonlight). In her Bai Fengxi juzuo xuan, 1–81. ———. Once Loved and in a Storm Returning (An old friend comes at a stormy time). In her The Women Trilogy, 9–103. ———. “Preface.” In her The Women Trilogy, 7–8. ———. Say, Who Like Me Is Prey to Fond Regret (Where is longing in autumn?). In her The Women Trilogy, 204–287. Beijing: Chinese Literature Press, 1991. ———. The Women Trilogy. Translated by Guan Yuehua. Beijing: Chinese Literature Press, 1991. Bai, Hua K=Unrequited Love: With Related Introduction Materials. Edited by T. C. Chang, S. Y. Chen, and Y. T. Lin, 21–95. China Study Series No. 3. Taibei: Institute of Current China Studies, 1981. Bai Hui K “Chongti wangshi lun shifei” !"#$ (Recounting the past events in order to judge who is right). Shanghai xiju ! (Shanghai drama) 1 (1980): 2–5. Banu, Georges. “Mei Lanfang: A Case against and a Model for the Occidental Stage.” Translated by Ella L. Wiswell and June V. Gibson. Asian Theatre Journal 3.2 (1986): 153–178. Barlow, Tani E. “Theorizing Woman: Funü, Guojia, Jiating” (Chinese women, Chinese state, Chinese family). Gender 10 (1991): 132–160. Barmé, Geremie. “A Touch of the Absurd—Introducing Gao Xingjian, and His Play ‘The Bus Stop.’” Renditions 19/20 (1983): 373–377. Barreca, Regina. Perfect Husbands. New York: Doubleday, 1993. Beckerman, Bernard. Dynamics of Drama. New York: Drama Book Specialists, 1979. Benewick, Robert. “Icons of Power: Mao Zedong and the Cultural Revolution.” In Harriet Evans and Stephanie Donald, eds., Picturing Power in the People’s Republic of China, 123–137. Lanham, Md.: Rowman & Littlefield, 1999. b i b l i o g r a p h y | 411 Benjamin, Walter. “The Storyteller.” In his Illuminations, trans. Hannah Arendt, ed. and intro. Harry Zohn, 83–109. New York: Schocken Books, 1968. Blum, Susan D. Review of Les Chinois et la passion des noms, by Viviane Alleton. The Journal of Asian Studies 54.4 (1995): 1089–1090. Boal, Augusto. Theatre of the Oppressed. London: Pluto Press, 1979. Boschetto-Sandoval, Sandra Maria. “The Monsters of Her Mind: Reading[Wise] in Amanda Labarca Hubertson’s ‘Defenseless...