Japan's Frames of Meaning
A Hermeneutics Reader
Publication Year: 2011
Published by: University of Hawai'i Press
Contents
Introduction
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pp. ix-xv
This book is concerned with the complicated issue of interpretation of Japanese literary texts. By interpretation I mean a consistent effort to make sense of texts — in other words, continuous experimentations toward the construction and reconstruction of meaning. “To make sense” is an odd expression. “Sense” derives from the Latin sensus, which means perception ...
Things
1. Things and Words
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pp. 3-50
An enquiry into how meaning is produced must begin from a consideration of the structure of a sentence at its most elementary level. When one thinks of the language employed in this essay, one begins with the basic sentence “A thing is . . . something” —a pattern that can be filled with infinite examples, such as “a rose is a flower.” Such a simple construct provides a large amount ...
2. Koto: "The Japanese Language and the Question of Philosophy"
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pp. 51-91
In this essay I will attempt to consider from the perspective of intellectual history the interpretation of a fundamental aspect of the spiritual activity of an ethnicity via a specific language, Japanese. This enquiry is premised on the fact that an intellectually historical world that must be approached through understanding is expressed by a genuine language. Accordingly ...
3. Kotodama: "An Essay on Kotodama: Words and 'Things'"
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pp. 92-136
In many ethnicities, beginning with the Japanese, words possess a spiritual power, a power by which people believed things could be called into life. This spiritual power was not just limited to the words of a God who would say, “Let there be light,” in order to bring light to this world. Even the words of man were believed to possess such power. The word ...
4. Makoto: "An Essay on True Words" (Makoto)
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pp. 137-169
You ask me how we should understand the way of poetry. Originally, a song (uta) was composed when good timing (jigi) should not be broken, and the heartless heart (hitaburugokoro) should not be restrained. It was a way to make whole these two distinctive moments — the merciless heart and good timing. Generally speaking, when one performs an action following his ...
Depth
5. Concealment and Brittleness
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pp. 173-184
The compound yūgen 幽玄 (lit. depth and mystery) is made of two Chinese characters: yū means “faint, dim” and also “deep”; gen indicates the black color, the color of heaven, something far away, something quiet, and an occult principle. We find the character gen used in the Dao de jing (Classic of the Way and Integrity) to describe the “Way”: “These two—the nameless ...
6. Yugen Sabi "Take, Sabi, and Yugen in Japanese Short Poems"
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pp. 185-254
When we read this poem we think of the scene that is sung in the poem — we think of the white clouds rising over the waves that roll heavily and wobble in the vast expanse of the ocean, where not a single island can be seen. As I mentioned elsewhere, the representations of “things” (mono) that are expressed by words in poetry and other literary arts tend to be ...
Being-Time
7. Impermanence and Contigency
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pp. 257-275
When it comes to philosophical, aesthetic, religious, and literary discussions of Japan, there is perhaps no category that has been the focus of more scholarly attention than mujō (impermanence).¹ Discussions on mujō are based on a belief in the lack of any determined substance in the formation of reality and, as a result, the absence of any stable laws or necessity that would ...
8. Ku "On Basho"
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pp. 276-297
The title of my essay is “On Bashō,” but I must confess that I never studied Bashō in any depth.¹ It is definitely presumptuous of me to tackle this topic, as there are so many books on explanations and interpretations of chains of short poems (haikai) and individual seventeen-syllable-poems (haiku). It goes without saying that someone like me, who is not a specialist, carries ...
9. Guzen "Contigency"
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pp. 298-339
The concept known as “contingency” has a great significance for human existence. I indicated that existence, that is, ens reale or existentia, is individual and temporal. Moreover, contingency is born out of the individual and the temporal. Contingency is the opposite of necessity. However, there are three kinds of contingencies: categorical, hypothetical, and ...
Abbreviations
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pp. 341-
Notes
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pp. 343-411
Glossary
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pp. 413-420
Bibliography
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pp. 421-431
Index of First Lines
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pp. 433-435
General Index
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pp. 437-443
E-ISBN-13: 9780824860769
Print-ISBN-13: 9780824834609
Publication Year: 2011





