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259 Books in english for further study Bai, Qianshen. Fu Shan’s World: The Transformation of Chinese Calligraphy in the Seventeenth Century. Cambridge, MA: Harvard University Asia Center, 2003. Billeter, Jean Francois. The Chinese Art of Writing. New York: Skira Rizzoli, 1990. Chang, Ch’ung-ho, and Hans H. Frankel. Two Chinese Treatises on Calligraphy. New Haven, CT: Yale University Press, 1995. Chang, Joseph, and Qianshen Bai. In Pursuit of Heavenly Harmony: Paintings and Calligraphy by Bada Shanren from the estate of Wang Fangyu and Sum Wai. Washington, DC: Freer Gallery of Art, Smithsonian Institution, in association with Weatherhill, Inc., 2003. Chang, Léon Long-yien, and Peter Miller. Four Thousand Years of Chinese Calligraphy . Chicago: University of Chicago Press, 1990. Farrer, Anne. The Brush Dances and the Ink Sings: Chinese Paintings and Calligraphy from the British Museum. London: South Bank Centre, 1990. Fazzioli, Edoardo. Chinese Calligraphy: From Pictograph to Ideogram: The History of 214 Essential Chinese/Japanese Characters. New York: Abbeville Press, 1987. Fu, Shen. Traces of the Brush: Studies in Chinese Calligraphy. In collaboration with Marilyn W. Fu, Mary G. Neill, and Mary Jane Clark. New Haven, CT: Yale University Press, 1977. Huang, Quanxin. A Self-Study Course in Seal Script. Beijing: Sinolingua, 1998. books in english for further study 260 Lai, T. C. Chinese Calligraphy: An Introduction. Seattle: University of Washington Press, 1975. Ledderose, Lothar. Mi Fu and the Classical Tradition of Chinese Calligraphy. Princeton , NJ: Princeton University Press, 1979. Li, Leyi. Tracing the Roots of Chinese Characters: Five Hundred Cases. Beijing: Beijing Language and Culture University Press, 1994. Liu, Shi-yee. Straddling East and West: Lin Yutang, a Modern Literatus: The Lin Yutang Family Collection of Chinese Painting and Calligraphy. Edited by Maxwell K. Hearn. New York: Metropolitan Museum of Art, 2007. Murck, Alfreda, and Wen C. Fong, eds. Words and Images: Chinese Poetry, Calligraphy , and Painting. New York: Metropolitan Museum of Art; Princeton, NJ: Princeton University Press, 1991. Sturman, Peter Charles. Mi Fu: Style and the Art of Calligraphy in Northern Song China. New Haven, CT: Yale University Press, 1997. Sullivan, Michael. The Three Perfections: Chinese Painting, Poetry, and Calligraphy. New York: G. Braziller, 1980. Unger, J. Marshall. Ideogram: Chinese Characters and the Myth of Disembodied Meaning . Honolulu: University of Hawai‘i Press, 2004. Wang, Fangyu. Introduction to Chinese Cursive Script. New Haven, CT: Institute of Far Eastern Languages, Yale University, 1958. Wu, Jianhsin. The Way of Chinese Characters: The Origin of Four Hundred Essential Words. Boston: Cheng and Tsui, 2007. Yao, Min-Chih. The Influence of Chinese and Japanese Calligraphy on Mark Tobey (1890–1976). San Francisco: Chinese Materials Center, 1983. Yin, John Jing-hua. Fundamentals of Chinese characters. New Haven, CT: Yale University Press, 2006. ...

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