In this Book

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In this capstone work, the late Bruce Wilshire seeks to rediscover the fullness of life in the world by way of a more complete activation of the body’s potentials. Appealing to our powers of hearing and feeling, with a special emphasis on music, he engages a rich array of composers, writers, and thinkers ranging from Beethoven and Mahler to Emerson and William James.

Wilshire builds on James’s concept of the much-at-once to name the superabundance of the world that surrounds, nourishes, holds, and stimulates us; that pummels and provokes us; that responds to our deepest need—to feel ecstatically real.

Table of Contents

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  1. Title Page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. Foreword
  2. pp. vii-xii
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  1. Preface
  2. pp. xiii-xiv
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  1. Prologue
  2. pp. 1-12
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  1. Part One
  1. Segment One
  2. pp. 15-35
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  1. Segment Two
  2. pp. 36-59
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  1. Segment Three
  2. pp. 60-83
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  1. Segment Four
  2. pp. 84-111
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  1. Lingering Afterword
  2. pp. 112-114
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  1. Part Two
  1. Segment Five
  2. pp. 117-146
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  1. Segment Six
  2. pp. 147-166
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  1. Segment Seven
  2. pp. 167-196
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  1. Segment Eight
  2. pp. 197-216
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  1. Final Benediction: Ritual as Music
  2. pp. 217-232
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  1. Appendixes
  2. pp. 233-256
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  1. Afterword
  2. pp. 257-260
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  1. Works Cited
  2. pp. 261-270
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  1. Index
  2. pp. 271-278
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