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l i s t o f f i g u r e s Figure 1. André Masson, Acéphale. 䉷 by ADAGP, Paris, 1985. 2 Figure 2. Matthias Grünewald (Mathis Nithart Gothart). The Crucifixion, from the Isenheim Altarpiece, c.1512–15 (oil on panel), c.1480–1528, 䉷 Musee d’Unterlinden, Colmar, France/The Bridgeman Art Library. 125 Figure 3. Hans Bellmer, La Poupée, 1935 (printed 1949 or earlier). Vintage gelatin silver print, blind-stamped by the artist’s estate, 55 /8 ⳯ 51 /2 inches (14.3 ⳯ 14 cm), Ubu Gallery, New York / Galerie Berinson, Berlin. 136 Figure 4. Hans Bellmer, German (born Poland), 1902–75. Les mains articulées, 1954, color lithograph on white wove paper, image: 27.7 x 37.1 cm; sheet: 42 ⳯ 55.6 cm, Stanley Field Fund, 1972.32, The Art Institute of Chicago. Photography 䉷 The Art Institute of Chicago. 145 Figure 5. Hans Bellmer, La Poupée, 1938. Hand-colored vintage gelatin silver contact print, 21 /8 ⳯ 21 /8 inches (5.4 ⳯ 5.4 cm)—image, Ubu Gallery, New York / Galerie Berinson, Berlin. 149 xi ...

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