Victor Herbert: A Theatrical Life

Index

index Algeria, . See also The Rose of Algeria Alice and the Eight Princesses (Wonderland), 175, 234–35, 338–41 ‘‘The Alpine Horn,’’ 302–3 The Ameer, 303–4 ‘‘The American Fantasy,’’ 50, 75 ‘‘American Idyll,’’ 163 American Society of Composers, Authors and Publishers (ASCAP), 22 copyright infringement and, 217, 317–19 copyrights and, 214–15 formation of, 214 founding, 317 Herbert memorialized by, 316–17 Herbert statue, 547–48 Herbert work with, 519–20 Lambs club and, 308 ‘‘Victor Herbert-ASCAP Scholarship Award,’’ 536 Angel Face, 228–29, 489–92 copyright issues with, 489–90 ‘‘The Angel’s Whisper,’’ 192 Archer, Frederick, 84–85, 118, 130 ASCAP. See American Society of Composers , Authors and Publishers ‘‘At Twilight,’’ 144–45 Babes in Toyland, xiii, 175, 234–35, 322–28 film rights, 530 films, 543–44 film versions, 323 manuscript for, 533 Babette, 328–33 Balfe, Michael, 5 Barnabee, H. C., 259, 265–66 Barnum, P. T., 5 Baruch, E. D., 508–9, 521–22 Bel Geddes, Norman, 500–501 Bendiner, S. J., 15 Bennett, Wilda, 475, 477 599 ‘‘Berceuse, Polonaise and Bagatelle and Scherzo,’’ 50 Berlin, Irving, 445, 459, 512 Bial, Adam, 29–30 Blake, Eubie, 317 Blauvelt, Lillian, 145 Blossom, Henry, 177 approach of, 369–70 Eileen, 235, 438–43 Herbert collaboration with, 369 ‘‘Kiss Me Again,’’ 366 Mlle. Modiste, 110, 235, 342–67 The Only Girl, 475–78 The Prima Donna, 389–91 The Princess ‘‘Pat,’’ 478–83 The Red Mill, 110, 241–43, 368–75 The Red Mill, libretto written by, 370–71 The Velvet Lady, 486–89 wordplay used by, 370 Blumenberg, Marc. See also Musical Courier , reviews allegations against, 195 criticism of, 209 enemies, 194–95 Henderson and, 211 Herbert’s criticism, 90–91, 202–3 Herbert‘s malice felt by, 199, 205–6 Musical Courier founded by, 193 musical criticism, 209–10 originality and, concept of, 203–5 personal prejudice, 196, 210 Pittsburgh Orchestra and, 106 professional career of, 193–94 Boewig, Henry, 165 Borsch, Gaston, 138–40 Brice, Fanny, 351 Bruce, Richard. See Smith, Robert B. ‘‘Bubble Song,’’ 503–5 Buchanan, James I. Herbert correspondence with, 142, 149 Orchestra Committee of the Art Society of Pittsburgh chaired by, 86, 138 Wilson correspondence with, 146 Burck, Henry, 179–80 Burkan, Nathan, 218, 221 Copyright Act of 1909 and, 319–20 Herbert v. Shanley’s Restaurant Corporation , 218 Herbert v. Shubert Theatrical Co., 222–28 Herbert v. Weber, 221 Janis contract, 426 Shubert, J. J., correspondence with, 223 Shubert, Lee, correspondence with, 224–28 Burleigh, H. T., 39–40 Burns, Robert, 322, 325 ‘‘The Call to Freedom,’’ 62 ‘‘The Captive,’’ xiv, 59 reviews, 59–61 Wagner influence in, 3 Carnegie, Andrew Frew relationship with, 84 Herbert relationship with, 153–54 Pittsburgh Orchestra and, 123, 126 Pittsburgh Orchestra premiere under Herbert, 103 temper, 154 The Century Girl, 487, 512 ‘‘Christ is Risen,’’ 62 Clayton, W. E., 118, 126, 129 Cohan, George M., 236–37 Cort, John, 480 Cossmann, Bernhardt, 3, 9 Currier, Frank, 214–15 Cyrano de Bergerac, 299–301 Damrosch, Leopold, 25–26 Damrosch, Walter, 15, 208 Dana, Charles A., 75 Daniels, Frank, 236, 272 ad libbing talent of, 279–80 in The Ameer, 303–4 Frank Daniels Opera Company, 293 600 i n d e x in The Idol’s Eye, 236, 293 in The Tattooed Man, 236, 379, 381 in The Wizard of the Nile, 236, 270, 272, 279 Davis, Jessie Bartlett the Bostonians resignation of, 292 Nielson rivalry with, 288 in Prince Ananias, 261 reviews, 289–90 Russell correspondence with, 270 in The Serenade, 284 The Debutante, 458–61 De Koven, Reginald, 237, 271–72, 318 DeSylva, B. G., 500–501 Dillingham, Charles Babette run and, 332–33 The Century Girl produced by, 487, 512 The Debutante produced by, 460 Miss Dolly Dollars promotion by, 337 The Lady of the Slipper, 424 The Red Mill success and, 368–69, 371 Scheff managed by, 329 The Tattooed Man produced by, 380 Dixon, Thomas, 462–73 Dragonette, Jessica, 545 Dream City and The Magic Knight, 221, 375–79 The Dream Girl, 501–7, 520 The Duchess, 418–20, 446–47 Herbert v. Shubert Theatrical Co. and, 222–28 Dunham, W. J., 155 Dvorak, Antonin, 39–41 Eileen, 235, 438–43 film, 530 ‘‘El Dorado March,’’ 75 The Enchantress, 235, 420–24 Eyre, Laurence, 487–88 The Fall of a Nation, 462–73 Fields, Lew, 393, 402 Finnegan, John, 165 First Nights and First Editions (Smith, H.B.), 271 [3.146.105.194] Project MUSE...