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Contents
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Contents Acknowledgments ix 1 Setting the Transnational Stage 1 2 “What’s Up with You, Condor?” perForMinGindiGeneities 32 3 “The Chinese Food of Ethnic Music” WorkAndVAlueinMusicAlotherness 60 4 A Hobby, a Sojourn, and a Job 91 5 Intimate Distance 122 6 Gringa in Japan 149 7 Conclusion one’soWnMusic,soMeoneelse’snAtion 167 Notes 179 Bibliography 201 Index 219 ...