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Cumbia! [3.15.6.77] Project MUSE (2024-04-24 05:03 GMT) Edited by Héctor Fernández L’Hoeste and Pablo Vila Cumbia! Scenes of a Migrant Latin American Music Genre Duke University Press Durham and London 2013 © 2013 Duke University Press All rights reserved Printed in the United States of America on acid-­ free paper ♾ Designed by C. H. Westmoreland Typeset in Whitman with Gill Sans display by Tseng Information Systems, Inc. Library of Congress Cataloging-­ in-­ Publication Data Cumbia! : scenes of a migrant Latin American music genre / Héctor Fernández L’Hoeste and Pablo Vila, eds. pages cm Includes bibliographical references and index. ISBN 978-0-8223-5414-7 (cloth : alk. paper) ISBN 978-0-8223-5433-8 (pbk. : alk. paper) 1. Cumbia (Music)—America—History and criticism. 2. Working class—America—Songs and music—History and criticism. I. Fernández l’Hoeste, Héctor D., 1962– II. Vila, Pablo, 1952– ML3475.C86 2013 781.64098—dc23 2013004645 frontispiece: Photograph © Donald Martinez. Duke University Press gratefully acknowledges the support of Georgia State University, which provided funds toward the publication of this book. [3.15.6.77] Project MUSE (2024-04-24 05:03 GMT) Para Elena Cogollo y Beatriz Escorcia, for the love of culture. Para Juan Enrique “Chango” Farías Gómez and Luis Alberto “El Flaco” Spinetta, two “turning-­ point” characters in the history of Argentine popular music, for the love of culture, Argentine-­style. ...

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