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summary
Melodrama is often seen as a blunt aesthetic tool tainted by its reliance on improbable situations, moral binaries, and overwhelming emotion, features that made it a likely ingredient of British imperial propaganda during the late nineteenth century.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-xii
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  1. Introduction
  2. pp. 1-26
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  1. Part One: Melodrama as Plot
  1. One: Imperial Melodrama After the Sepoy Rebellion
  2. pp. 29-62
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  1. Two: Romance; or, Melodrama and the Adventure of History
  2. pp. 63-90
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  1. Part Two: Melodrama as Aestheticized Feeling
  1. Three: Imperialist Poetry, Aestheticism, and Melodrama’s Man of Action
  2. pp. 93-125
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  1. Four: Stevenson’s Melodramatic Anthropology
  2. pp. 126-152
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  1. Part Three: Melodrama as Distant Homeland
  1. Five: Olive Schreiner and the Melodrama of the Karoo
  2. pp. 155-187
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  1. Conclusion: Pirates and Spies
  2. pp. 188-194
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  1. Notes
  2. pp. 195-232
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  1. Bibliography
  2. pp. 233-246
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  1. Index
  2. pp. 247-260
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