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141 Bibliography Chapter 1 For a discussion of the coat of arms and motto, see Barnard,A.2004.Coat of arms and the body politic: Khoisan imagery and South African national identity. Ethnos 69: 5–22. General references: Lewis-Williams, J.D.1988. The world of man and the world of spirit: an interpretation of the Linton rock paintings. Second Margaret Shaw Lecture. Cape Town: South African Museum. Colenso, F. (nom de plume: Atherton Wylde) 1994. My chief and I or, six months in Natal after the Langalibalele outbreak, edited by M.J. Daymond. Pietermaritzburg: University of Natal Press. Impey, S.P. 1926. Origin of the Bushmen and the rock paintings of South Africa. Cape Town: Juta. Arbousset, T., & Daumas, F. 1846. Narrative of an exploratory tour to the north-east of the Colony of the 142 Cape of Good Hope. Cape Town: A.S. Robertson & Saul Solomon. Blundell, G. 2004. Nqabayo’s Nomansland: San rock art and the somatic past. Uppsala: Uppsala University. Challis, W. 2008. The impact of the horse on the Amatola ‘Bushmen’: new identity in the MalotiDrakensberg mountains of southern Africa. Unpublished D.Phil. thesis, University of Oxford. On the dating of rock art, see Mazel, A.D. 2009. Images in time: advances in the dating of MalotiDrakensberg rock art since the 1970s. In Mitchell, P., and Smith, B.W. (eds.), The eland’s people: new perspectives in the rock art of three MalotiDrakensberg Bushmen. Essays in memory of Patricia Vinnicombe, pp. 81–85, 88–97. Pietermaritzburg: University of Natal Press. Henshilwood, C.S. et al. 2002. Emergence of modern human behaviour: Middle Stone Age engravings from South Africa. Science 295: 1278–1280. Wendt, W.E. 1976. ‘Art mobilier’ from the Apollo 11 Cave, South West Africa: Africa’s oldest dated works of art. South African Archaeological Bulletin 31: 5–11. Maggs, T.M.O’C. 1995. Neglected rock art: the rock engravings of agriculturalist communities in South Africa. South African Archaeological Bulletin 50: 132–142. [3.144.230.82] Project MUSE (2024-04-26 09:29 GMT) 143 Pearce, D.G. 2008. Later Stone Age burial practice in the Eastern Cape Province, South Africa. Ph.D. thesis, University of the Witwatersrand. For more detailed accounts of San rock art, see: LewisWilliams , J.D., & Pearce, D.G. 2004. San spirituality: roots, expression, and social consequences. Walnut Creek, CA: AltaMira Press; Cape Town: Double Storey. Lewis-Williams, J.D., & Challis, S. 2011. Deciphering ancient minds. London: Thames & Hudson. Lewis-Williams, J.D. 1981. Believing and seeing: symbolic meanings in southern san rock paintings. London: Academic Press. Chapter 2 Sparrman, A. 1789. A voyage to the Cape of Good Hope. London: Lackington. Bleek, W.H.I. 1874. Remarks on Orpen’s ‘A glimpse into the mythology of the Maluti Bushmen’. Cape Monthly Magazine (n.s.) 9: 10–13. Bleek, D.F. 1924. The Mantis and his friends. Cape Town: Maskew Miller. Bleek, W.H.I., & Lloyd, L.C. 1911. Specimens of Bushman folklore. London: George Allen. Hollmann, J.C. (ed.) 2004. Customs and beliefs of the|Xam Bushmen. Johannesburg: Witwatersrand University Press. 144 Orpen, J.M. 1874. A glimpse into the mythology of the Maluti Bushmen. Cape Monthly Magazine (n.s.) 9 (49): 1–13. Burkitt, M.C. 1928. South Africa’s past in stone and paint. Cambridge: Cambridge University Press. Breuil, H. 1955. The White Lady of the Brandberg. London: Trianon Press. Vinnicombe, P. 1967. Rock painting analysis. South African Archaeological Bulletin 22: 129–141. Vinnicombe, P. 1967. The recording of rock paintings: an interim report. South African Journal of Science 63: 282–284. Maggs, T.M.O’C. 1967. A quantitative analysis of the rock art from a sample area in the Western Cape. South African Journal of Science 63: 100–104. Vinnicombe, P. 1976. People of the eland: rock paintings of the Drakensberg Bushmen as a reflection of their life and thought. Pietermaritzburg: University of Natal Press. Lewis-Williams, J.D. 1972. The syntax and function of the Giant’s Castle rock paintings. South African Archaeological Bulletin 27: 49–65. Lewis-Williams, J.D. 1982. The economic and social context of southern San rock art. Current Anthropology 23: 429–449. Lewis-Williams, J.D. 1990. Documentation, analysis and interpretation: problems in rock art research. [3.144.230.82] Project MUSE (2024-04-26 09:29 GMT) 145 South African Archaeological Bulletin 45: 126–136. Campbell, C. 1986. Images of war: A problem in San rock art research. World Archaeology 18: 255–268 Challis, S. 2009. Taking the...

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