In this Book

  • Stages of Engagement: Drama and Religion in Post-Reformation England
  • Book
  • edited by James D. Mardock and Kathryn R. McPherson
  • 2014
  • Published by: Duquesne University Press
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Table of Contents

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  1. Cover
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  1. Title page, Series page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. Acknowledgments
  2. p. vii
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  1. Introduction: “Reformation in a flood”: The Religious Turn’s Second Wave
  2. James D. Mardock
  3. pp. 1-18
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  1. Part I: Dramas of Doctrine
  1. 1. The Reformed Conscience: Woodes, Marlowe, and Shakespeare
  2. William W. E. Slights
  3. pp. 21-40
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  1. 2. Stoicism, Calvinism, and Determinism in Fulke Greville’s Alaham
  2. Daniel Cadman
  3. pp. 41-62
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  1. 3. The Jacob and Esau Paradigm: Nicholas Udall’s Predestinarian Problem Comedy
  2. Robert Hornback
  3. pp. 63-80
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  1. Part II: Staging the Politics of Reform
  1. 4. Conciliarism and Liberty in Shakespeare and Fletcher’s Henry VIII
  2. Adrian Streete
  3. pp. 83-106
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  1. 5. Martyrdom and Militancy in Marlowe’s Massacre at Paris
  2. Elizabeth Pentland
  3. pp. 107-134
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  1. 6. Sacral Objects and the Measure of Kingship in Shakespeare’s Henry VI
  2. Brian J. Harries
  3. pp. 135-152
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  1. Part III: Performing Protestantism
  1. 7. Performing Catechism in Measure for Measure
  2. Kathryn R. McPherson
  3. pp. 155-170
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  1. 8. Authorial Anxieties and Theatrical Instability: John Bale’s Biblical Plays and Shakespeare and Wilkins’s “Pericles”
  2. Katherine A. Gillen
  3. pp. 171-194
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  1. 9. Counterfeiting Faith: Middleton’s Theatrical Reformation of “Measure for Measure”
  2. Terri Bourus
  3. pp. 195-216
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  1. Part IV: Confessional Aesthetics and Nostalgia
  1. 10. Theatricality, Faith, and Color Imagery in Philip Massinger
  2. Lisa Hopkins
  3. pp. 219-240
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  1. 11. Of Ceremonies and Henry VIII
  2. Jay Zysk
  3. pp. 241-262
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  1. Afterword
  2. John D. Cox
  3. pp. 263-276
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  1. Notes
  2. pp. 277-336
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  1. About the Contributors
  2. pp. 337-340
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  1. Index
  2. pp. 341-352
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