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{ 185 } Works Cited Adisa, Opal Palmer. “Journey into Speech—a Writer between Two Worlds: An Interview with Michelle Cliff.” African American Review 28.2 (1994): 273–81. Aiyejina, Funso. Earl Lovelace: Growing in the Dark. Trinidad: Lexicon, 2003. Anatol, Giselle Liza. “Border Crossings in Audre Lorde’s Zami: Triangular Linkages of Identity and Desire.” MaComère 4 (2001): 130–41. Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. New York: Verso, 1991. Andrews, William. Introduction. The Autobiography of an Ex-Colored Man. By James Weldon Johnson. Ed. William Andrews. New York: Penguin, 1990. ———. “A Poetics of Afro-American Autobiography.” Afro-American Literary Study in the 1990’s. Ed. Houston A. Baker Jr. and Patricia Redmond. Chicago: University of Chicago Press, 1989. 78–91. ———. To Tell A Free Story. Urbana: University of Illinois Press, 1988. Bacon, Jacqueline. “Rhetoric and Identity in Absalom Jones and Richard Allen’s ‘Narrative of the Proceedings of the Black People, during the Late Awful Calamity in Philadelphia.’” Pennsylvania Magazine of History and Biography 125.1–2 (2001): 61–90. Baker, Houston A. Blues, Ideology, and Afro-American Literature: A Vernacular Theory. Chicago: University of Chicago Press, 1984. ———. Modernism and the Harlem Renaissance. Chicago: University of Chicago Press, 1987. ———. Turning South Again. Durham: Duke University Press, 2001. Baker, Lisa. “Storytelling and Democracy (in the Radical Sense).” African American Review 34.2 (2000): 263–73. Bakhtin, Mikhail. The Dialogic Imagination. Ed. Michael Holquist. Austin: University of Texas Press, 1982. Ball, M. Charlene. “Old Magic and New Fury: The Theaphany of Afrekete in Audre Lorde’s ‘Tar Beach.’” NWSA Journal 13.1 (Spring 2001): 61–85. Baraka, Amiri. Blues People: The Negro Experience in White America and the Music That Developed from It. New York: Harper Perennial, 1999. Barnes, Fiona. “Resisting Cultural Cannibalism: Oppositional Narratives in Michelle Cliff’s No Telephone to Heaven.” Journal of the Midwest MLA 25.1 (1992): 23–31 { 186 } works cited Beckford, George, and Michael Witter. Small Garden . . . Bitter Weed: Struggle and Change in Jamaica. London: Zed Press, 1980. Bell, Bernard. The Afro-American Novel and Its Tradition. Amherst: University of Massachusetts Press, 1987. Bhabha, Homi. “Postcolonial Criticism.” Redrawing the Boundaries. Ed. Stephen Greenblatt and Giles Gunn. New York: mla, 1992. Bost, Suzanne. “Fluidity without Postmodernism: Michelle Cliff and the ‘Tragic Mulatta’ Tradition.” African American Review 28.2 (1998): 27–81. Boyce Davies, Carole. Black Women, Writing and Identity: Migrations of the Subject. New York: Routledge, 1994. ———. “Writing Home: Gender and Heritage in the Works of Afro-Caribbean/ American Women Writers.” Out of the Kumbla. Ed. Carole Boyce Davies and Elaine Savory Fido. Trenton: Africa World Press, 1990. 59–73. Boyce Davies, Carole, and Elaine Savory Fido, eds. Out of the Kumbla. Trenton: Africa World Press, 1990. Brathwaite, Edward Kamau. Roots. Ann Arbor: University of Michigan Press, 1993. Brooks, Joanna. American Lazarus: The Rise and Fall of African-American and Native American Literatures. Oxford, England: Oxford University Press, 2003. Bundy, A. J. M. Selected Essays of Wilson Harris. London: Routledge, 1999. Carby, Hazel. Race Men. Cambridge: Harvard University Press, 1998. Carlston, Erin. “Zami and the Politics of Plural Identity.” Sexual Practice, Textual Theory, Lesbian Cultural Criticism. Ed. Susan J. Wolfe and Julia Penelope. Blackwell : Cambridge, 1993. 227–36. Chomsky, Noam. Profit Over People. New York: Seven Stories Press, 1999. Clark, Veve. “Developing Diaspora Literacy: Allusion in Maryse Condè’s Hèrèmakhnon .” Out of the Kumbla. Ed. Carole Boyce Davies and Elaine Savory Fido. Trenton: Africa World Press, 1990. 303–19. Cliff, Michelle. “Clare Savage as Crossroads Character.” Caribbean Women Writers: Essays from the First International Conference. Ed. Selwyn R. Cudjoe. Wellesley: Calaloux, 1990. 263–68. ———. The Land of Look Behind. Ithaca: Firebrand, 1985. ———. No Telephone to Heaven. New York: Vintage, 1987. Color Adjustment. Dir. Marlon Riggs. California Newsreel, 1992. Crenshaw, Kimberlé. “Color Blindness and the Law.” The House That Race Built. Ed. Wahneema Lubiano. New York: Vintage 1997. Dash, J. Michael. “In Search of the Lost Body: Redefining the Subject of Caribbean Literature.” The Postcolonial Studies Reader. Ed. Bill Ashcroft, Gareth Griffith, and Helen Tiffin. New York: Routledge, 1995. 332–35. ———. “The Madman at the Crossroads: Delirium and Dislocation in Caribbean Literature.” Profession 2002. New York: mla, 2002. Davis, Erik. “Who Is Eleggua? Trickster at the Crossroads.” Gnosis 19 (Spring 1991). 10 August 2003. . [18.218.38.125] Project MUSE (2024-04-25 17:22 GMT) works cited { 187 } Douglass, Frederick. Narrative of the Life of Frederick Douglass. 1845. Classic Slave Narratives. Ed. Henry Louis Gates Jr. New York...

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