The Book of Music and Nature: An Anthology of Sounds, Words, Thoughts

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[ 253 ] permissions John Luther Adams, “The Place Where You Go to Listen,” Terra Nova 2:3 (Summer 1997), reprinted by permission of the author. John Cage, “Happy New Ears,” and “Diary: Emma Lake Music Workshop 1965” reprinted from A Year from Monday: New Lectures and Writings (Wesleyan University Press, 1967) with permission from the publisher. Tsai Chih Chung, “The Music of the Earth,” from Zhuangzi Speaks: The Music of Nature © 1992 by Princeton University Press. Reprinted by permission of Princeton University Press. David James Duncan, “My One Conversation with Collin Walcott” from River of Teeth by David James Duncan, © 1995 by David James Duncan. Used by permission of Doubleday, a division of Random House, Inc. David Dunn, “Nature, Sound Art, and the Sacred,” Terra Nova 2:3 (Summer 1997), © 1997 by the Massachusetts Institute of Technology and reprinted by permission. Evan Eisenberg, “Deus ex Machina,” adapted excerpt from The Recording Angel© 1986 by Evan Eisenberg. Reprinted by permission of the author. Brian Eno, “Ambient Music,” © 1979 by Brian Eno/Opal Ltd. and reprinted from A Year with Swollen Appendices (Faber and Faber, 1996) by permission of the author. Steve Erickson, excerpt from Rubicon Beach © 1986 by Steve Erickson. Reprinted by permission of Melanie Jackson Agency, L.L.C. Steven Feld, “Lift-Up-Over Sounding,” adapted from “A Poetics of Place” © by Steven Feld, in Redefining Nature: Ecology, Culture, and Domestication (Oxford: Berg Publishers, 1996), edited by Roy Ellen and Katsuyoshi Fukui. Used by permission of the author. Tim Hodgkinson, “An Interview with Pierre SchaeVer” originally appeared in Re Records Quarterly Magazine, volume 2, number 1, March 1987, and is reprinted with the author’s permission. Hazrat Inayat Khan, “The Music of the Spheres” reprinted from The Mysticism of Sound and Music (Boston and London: Shambhala, 1996), with permission from the International Headquarters of the Sufi Movement, Geneva. Bernie Krause, “Where the Sounds Live” adapted excerpt from Into a Wild Sanctuary : A Life in Music and Natural Sound © 1998 by Bernie Krause. Used by arrangement with Heyday Books, Berkeley, CA, publisher. Steve Lacy, “Sax Can Moo” from Findings: My Experience with the Soprano Saxophone © 1994 by Outre Mesure/Steve Lacy. Reprinted with permission from Éditions Outre Mesure, Paris, publisher. Jaron Lanier, “Music, Nature, and Computers: A Showdown,” Terra Nova 2:3 (Summer 1997), reprinted by permission. Pauline Oliveros, “Sonic Images” and “The Poetics of Environmental Sound” from Software for People © 1983 by Smith Publications, Baltimore, md. Used by permission. Michael Ondaatje, excerpt from Coming Through Slaughter © 1976 by Michael Ondaatje. Used by permission of W.W. Norton & Company, Inc.; Ellen Levine Literary Agency, Inc.; and Knopf Canada. Douglas Quin, “Toothwalkers,” Terra Nova 2:3 (Summer 1997), © 1997 by the Massachusetts Institute of Technology and reprinted by permission. Rainer Maria Rilke, “Primal Sound,” from Rodin and Other Prose Pieces (London: Quartet Books, 1986), Ausgewählte Werke II © 1948 by Insel Verlag. Reprinted by permission. Eric Salzman, “Sweet Singer of the Pine Barrens,” Terra Nova 2:3 (Summer 1997), © 1997 by the Massachusetts Institute of Technology and reprinted by permission. R. Murray Schafer, “Music and the Soundscape” from Voices of Tyranny, Temples of Silence (Indian River, Ontario: Arcana Editions) © 1993 by R. Murray Schafer. Used by permission. Robert Schneider, excerpt from Brother of Sleep © 1992 Reclam Verlag, Leipzig; translated by Shaun Whiteside, © 1995 by The Overlook Press, reprinted by permission. Russell Sherman, excerpts from Piano Pieces © 1996 by Russell Sherman. Reprinted by permission of Farrar, Straus and Giroux, llc. Toru Takemitsu, “Nature and Music” from Confronting Silence (Berkeley: Fallen Leaf Press, 1995). Reprinted by permission of the publisher. Junichiro Tanizaki, excerpt from “A Portrait of Shunkin,” in Seven Japanese Tales, translated by Howard Hibbett, © 1963 by Alfred A. Knopf, Inc. Reprinted by permission of Alfred A. Knopf, a Division of Random House, Inc., and Martin Secker & Warburg. David Toop, excerpts from Exotica: Fabricated Soundscapes in the Real World© 1998 by David Toop. Reprinted by permission of Serpent’s Tail, London. Rafi Zabor, excerpt from The Bear Comes Home © 1979, 1980, 1997 by Rafi Zabor. Reprinted by permission of W.W. Norton & Company, Inc. 254 ] Permissions ...