Reel History: The Lost Archive of Juma Sultan and the Aboriginal Music Society

The Barn

TH6 BAEIsl 62. "BUT ANONYMITY WAS THE NAME OF THE GAME. AND ONE HAS TO SEARCH FAR AND WIDE THROUGHOUT THE UNITED STATES TO FIND ITS REAL SOUL. THE JOHN HENRY FORTESCUES (ALIAS GUITAR SHORTY), AND WILLIE JOHNSONS, THE JAMES BLACKS AND LESTER ANDERSONS-EVEN THE MILFORD GRAVES AND RASHIED ALIS, THAT HAUNT THE LOFTS OF THE TEEMING CITY-AREN'T THAT EASY TO FIND." ARCHIE SHEPP, 1976 IN VALERIE WILMER'S THE FACE OF BLACK MUSIC 6j MAY 16, 2005 64 65 66 67 68 69 70 71 71 75 7k GK, W5B5 VJ5 60, HSR6 VJ5 &O... O5V05V/ 3Et> ST. E6NJ5 M£U5AM- y£>U KN0VU? JACKIE M£U6AN'S S£>N? AT SU(J£S- '72. yOU S5B \OHAT I'M SAVIM^? THAT VOAS ^M5 ^>F HIS BAfcUY BANDS. 75 S0ME £>F THESE ARE \U£RTH SAVIM£S0ME £ T^> B^X TMEM AUL UP A^4D F HEEETHERE 'S S£ME MOISTURE DAMAGE. 76 M5E5- "0B£fcl£lMA(x MUSIC SOCIETY P12£>DUCTI£>M, £YPSV SUM, SUNDAMC5, HANDCUAPPIM^-" THIS WAS, UN, A E^US-H MIX OP S£>M6THIM6 TMAT VUAS D£>M5 INI A B£>ST0N STUDIO. MEDIA S£UMt> STUDIO? Pl^BABUV lfcl6lMAU MUSIC ST, UlklB— M^ST ^)F TM5 BACK-UP d'UVS VJ5E5 VJITM THE PAUL BUTT5EFI5UD BAMD AT TMAT TIMB, YOU KM^Vjr 77 THIS IS '71 INJ VJ£>£>DST£>£K. /BAH, THIS IS E£D HI£KS, (JSEt> JO PLAY VJITH ARETHA? OEME DINVJIDDIE — HE'S THE £0 SAKJ^AY ^>M D1ZUMS, VOH0 PUAVED WITH K, STUDIO jeiVBEA. AETHUR C^^VUE/ MED VOITH THAT JAPANESE ^(JV...AND HERE'S THAT £JZ£UP FE^M PHIULY- BX^ELbENT ^l^UP FJ2^>M PHILUV. I'M 6O\W-> JO PULL ^)UT B/EI2 THERE INT£> THE UI^HT. 78 HERB'S KALAPARUSMA. ME \OAS SUITE A N0TED SAX PLAYER- VUITH J£MN VBIT£H AND THAT'S MB 0N BASS BA£K TMBRB- VJB MAD A TEU9BUT , IF \OB RUN ACROSS MY B^^K.— V£U SBB TMBSB MUMBBRS ^N MBRBT TMBSB NUMBBRS, I d0K AND TMIS TAPB IS IN A BIC S^MBVOMBRB-»4B£B, VOT F STUFF UP MBEB, MAN. OK, BASMIBD ^>N DRUMS. NBVJ FBDB12AL TMBATBR. TMIS (^>ULD SB eASMIED SINAN O*. RASMIED AU- I'M TRYING... UBT'S SBB, TMAT'S KBN M^INTYKB. WB Pt^AVBD ALL TMB M012NS79 STUDIO RIVBEA- UE£N THOMAS AT RIVBEA- HE'S DEAD. £REAT SINGER- WE'S £N Pl^BABUY ^-TISA^JC. IF N^>T ^ IT'S 2. FEANK U5\OE USBt> JO PLAY VJITH ^>UT12AKJ5. S65, SO ALL THESE TMAT ARE NUMBERED-— THERE ARE A FEVO HUNt>REt> THAT ARE MOVBERED, VOHEN I FIND THAT B&&K, IT'LL TELL ME THELIST O THIS ^>NdE IN MY LIFEOK , LET'S SEE.JULIUS WEMPHILL- £REAT MUSICIAN. DAVE SURRELL. I &OJ AL^T OF DAVE BURRELL BECAUSE VOE USED T£ PLAY T^^ETHER. I PLAYED VJITH A U2T ^F THESE £UYS- I JUST D^N'T REMEMBER THE NAMES UNTIL I SEE THEM. 80 "flBUND." I'UU TBUU YUND VJAS- I WAS IN NBVJ Y£>EK ATTHBSAMB TIMB I VOAS UP HBEB, B^UNClN^ BACK AMt> F^ETH- EICHIB HAVBMS 6-AVB MB A STUDIO IM A BASBMBNT- «Mt> THAT VJAS CAUUBD THB UMDBE£R£>UMt>. Ah4t> I RBC^>Rt>BO BVBRYB£t>Y- NT «LI ABUVI ^Nl IT. MB VOAS A £ VJAS UP HBRB IM VO^^DST^CK F^>E A VJHIUB- HB Olt> A L^>T OP«B£>Ki£lNAU MUSIC S^CIBTY AND HB VJAS A 6UY VJH^> DID A U3T F STUFF VJITH MBNDRIX AND MB8l '"£8 SULEIMAN." THAT'S &9NNY SIMMONS- THAT'S THE NAME HE WAS USING THEN- Y£>U KNtfVJ. '6S VJE VJERE UP HERE. HE JUST US5t> THAT NAME, YENJE DIKIVJIDDIE, AUI/ ME, JUMMA SAMT^S, E^D I4ICJCS/ AND DANIEU ZEBUU^N.;/ THIS VJAS Pl^BABUV A SUNDAV AFTEeN^^NJ (^NdERT AT THE TINKER ST. THEATER. THAT VJAS AN INTERESTING ££MBINATl£>N: BUJES INTERMIXED VJITH HEAW RHVTHM, VJHl£H IS DIFFERENT. KNVJ WHAT I MEAN? THESE ARE UKE SENIOR BUUES GUYS MIXED IN VJITH AFRICAN RHYTHM. y^>u KN^JVJ JAZZ FUSION? THIS VJAS BUUES FUSION. VJE VJERE HIGHLY EXPERIMENTAL GUYS, Y£U KN^VJ, SO IT VJAS DIFFERENT STUFF. 82 THIS IS A £REAT 0NE- PHAJ2ERS, MT. MORRIS PARK- A£REAT £>ME- y...