Breathless: Sound Recording, Disembodiment, and the Transformation of Lyrical Nostalgia

Index

Index A., Natalija, 100,102 Adams, Henry, 106-7 Adorno, Theodor, 73-74 Apollinaire, Guillaume, 23 Aries, Philippe, 70 Artaud, Antonin, 2,17,37, 78,99, 115-38,142 n. 44,159 nn. 6-7, 160-63 nn. 17^19, 21, 28-30 Bachelard, Gaston, 35-36, 48-49, 83 Barthes, Roland, 32,40-42,56, 80 Baudelaire, Charles, 4, 36, 39,52, 67, 69,108,126 Baudrillard,Jean, 6-8, 24-26 Beaussant, Philippe, 75 Bell, Alexander Graham,95, 108-10 Berberian, Cathy, 113-14 Berio, Luciano, 113-14,158 n. 36 Bersani, Leo, 55,60, 65 Bloom, Harold, 124 Bordwell, David, 140-41 n. 18 Borges, Jorge Luis, 13 Boulez, Pierre, 62-63 Bourde, P., 58 Breton, Andre,59 Cage, John, 59, 61, 63,109 Carrouges, Michel, 97^98,100 Charcot, Jean-Martin, 2,89 Charles, Daniel, 148 Clair, Jean, 97^98 Cros, Charles, 67,70-72, 76, 95,108 Debussy, Claude, 64-65 Derrida, Jacques, 40, 45-47, 49, 52-57 Duchamp, Marcel, 52,62 Edison, Thomas Alva, 71, 82-83, 95-96,101-8 Flaubert, Gustave, 11-13,16-18, 20,105-6 Foucault, Michel, 11-14,16-19, 2 5> 104-5 Freud, Sigmund, 2,4-6,16, 56,89, 98,127 /i7 5 Index Freidlaender, Salomo, 82 Frye, Northrop, 13-14 Gazaix, Pierre, 37^-38 Giraud, Pierre, 70,72 Griffiths, Paul, 113-14 Hegel, Georg Wilhelm Friedrich , 30 Jenny, Laurent, 132,134 Joyce, James, 14,134 Kennedy, J. Gerald, 2-3, 9, 24,48 Kubrick, Stanley,i Laplanche, Jean, 138 Ludwig II of Bavaria,23 Mallarme, Stephane, 26-27, 29-41, 43~53> 55-66, 69, 73, 75-80, 105-6,108, in, 121,133,144 n.3, 153 n - 35 Margueritte, Paul, 43-47, 50 Maurras, Charles,58 McLuhan, Marshall, 103-4 Merleau-Ponty, Maurice, 54-58, 147 n. 62,153 n. 35 Michel, Fran9ois-Bernard,37 Monteverdi, Claudio, 67 Nerval, Gerard de, 126,161 n. 17 Nietzsche, Friedrich, 31,35, 72-74, 76-77,123,150 n. 7 Nodier, Charles, 49 Novarina, Valere, xii, 142 n. 37 Ong, Walter J., 3,14-17 Parry, Milman, 14 Perriault, Jacques,95 Poe, Edgar Allan, i-n, 16,18-22, 24, 26-27,39-43, 4^-48, 50,52, 56, 64, 80, 91,105, no-ii, 121, 126 Poe, Eliza, 3 Poe, Virginia, i Pontalis,J.-B,. 138 Poulet, Georges, 51 Proust, Marcel, 81,108, in Rameau, Jean-Philippe, 75 Richard, Jean-Pierre, 32-34, 45, 55 Riviere, Jacques, 116,119-22 Roberts, Mark, 98 Ruttmann, Walter, 142 n. 44 Sade, Donatien Alphonse Fran9ois, 84,152 n. 30 Saint-Amand, Pierre, 82 Sand, George, 81 Sartre, Jean-Paul, 31,159 n. 7 Saussure, Ferdinand de, 56,79 Scarry, Elaine, 116-18,120,122 Scheer, Edward, 123 Schehr, Lawrence R., 18-20 Scherer, Jacques, 58 Schreber, Daniel Paul, 98-99 Schwob, Marcel, 110-12,114 Silverman, Kenneth, 9 Sontag, Susan, 1-2 Tausk, Victor, 99-101,126-27 Thevenin, Paule, 129, 161-62 nn. 18, 21 Tzara, Tristan, 58-59 Valery, Paul, 38, 75-82,108, / 176 Jenny, Laurent, 132,134 Index 120-21,135,151 nn. 19-20, Wagner, Richard, 23,64, 159 n. 6 73-75,109 Vasse, Denis, 80 Weiss, Allen S.,59 Verne, Jules, 89-94 Whitehead, Gregory, xii-xiii, Villiers de TIsle-Adam,Jean- i9~2i, 24 Marie-Mathias-PhilippeAuguste , 67-69, 71, 73-74, 78, Xenakis, lannis, 24 80,101-9,II2 /I77 This page intentionally left blank Allen S. Weiss has written and edited more than twenty-five books, including TheAesthetics of Excess (SUNY Press); Perverse Desire and theAmbiguous Icon (SUNY Press); Mirrors of Infinity (Princeton Architectural Press); Phantasmic Radio (Duke University Press); Sade and the Narrative of Transgression (Cambridge University Press); Taste, Nostalgia (Lusitania); Unnatural Horizons: Paradox and Contradiction in Landscape Architecture (Princeton Architectural Press); Experimental Sound and Radio (MIT Press); French Food (Routledge ); and Feast and Folly: Cuisine, Intoxication, and the Poetics of the Sublime (SUNY Press). He has recently directed Theater of the Ears, a play for electronic marionette and taped voice based on the writings of Valere Novarina, and is completing a book of short stories, The Aphoristic Theater. He teaches in the Departments of Performance Studies and Cinema Studies at New YorkUniversity. Library of Congress Cataloging-in-Publication Data Weiss, Allen S., 1953Breathless : sound recording, disembodiment, and the transformation of...