We cannot verify your location
Browse Book and Journal Content on Project MUSE

Listening and Longing

Music Lovers in the Age of Barnum

Daniel Cavicchi

Publication Year: 2011

Listening and Longing explores the emergence of music listening in the United States, from its early stages in the antebellum era, when entrepreneurs first packaged and sold the experience of hearing musical performance, to the Gilded Age, when genteel critics began to successfully redefine the cultural value of listening to music. In a series of interconnected stories, American studies scholar Daniel Cavicchi focuses on the impact of industrialization, urbanization, and commercialization in shaping practices of music audiences in America. Grounding our contemporary culture of listening in its seminal historical moment--before the iPod, stereo system, or phonograph--Cavicchi offers a fresh understanding of the role of listening in the history of music.

Published by: Wesleyan University Press

Series: Music Culture


pdf iconDownload PDF (73.7 KB)
pp. iii


pdf iconDownload PDF (120.2 KB)
pp. iv


pdf iconDownload PDF (76.1 KB)
pp. ix

read more


pdf iconDownload PDF (106.2 KB)
pp. xi-xiii

This book began with research on uncatalogued sheet music binders at the John Hay Library at Brown University during the summer of 1999. While I never published the paper I wrote based on that research, I soon became interested in the nineteenth-century music culture of the United States. Having an “interest” in a subject and actually writing a book about it, however, are very different things, and I am grateful to all who, during the past decade, have offered their time and insight to help me do the latter. ...

read more


pdf iconDownload PDF (178.7 KB)
pp. 1-13

In Edward Bellamy’s 1887 utopian novel, Looking Backward, an elite nineteenth-century Bostonian, Julian West, accidentally sleeps until the year 2000 and wakes up to find a wondrous new society. Boston in 2000 is peaceful and efficient, with an industrial economy tempered by rational organization, choice, and self-fulfillment, all of which West interprets as a stark contrast to the poverty and class violence of urban life in the 1880s. ...

read more

1. “P. T. Barnum, Introducing Madelle. Jenny Lind to Ossian E. Dodge”: Capitalizing on Music in the Antebellum Era

pdf iconDownload PDF (321.2 KB)
pp. 14-39

At the end of September 1850, Ossian E. Dodge, a writer of comic songs and sketches, attended a ticket auction in Boston for an upcoming concert series featuring the Swedish opera singer Jenny Lind. One can only imagine the scene: the auction, devised by famed impresario P. T. Barnum, took place at Tremont Temple, an old theater that had been purchased by a group of Free Baptists several years earlier and was still rented out for public events.1 ...

read more

2. “I Think I Will Do Nothing … But Listen”: Forming a New Urban Ear

pdf iconDownload PDF (392.4 KB)
pp. 40-74

In the mid-1840s, around the time that Ossian Dodge first began hustling for renown in Boston, another young man on-the-make was working furiously as an editor, writer, and printer for a variety of newspapers in New York City. Walt Whitman was an aspiring novelist and poet from Brooklyn, New York, who had lived in and around Long Island, Brooklyn, and New York City since his youth. ...

read more

3. “Music Is What Awakens in You When You Are Reminded by the Instruments”: Hearing a New Life at Mid-Century

pdf iconDownload PDF (364.9 KB)
pp. 75-106

In the exploding urban concert market of the 1840s and 1850s, those interested in music found themselves having to actively manage their leisure time. Nathan Beekley, for example, a young clerk in Philadelphia, wrote in his diary of 1849 about regularly attending shows and concerts across several different establishments, including Philadelphia’s Musical Fund Hall, Chestnut Street Theatre, the Walnut Street Theatre, the National Theatre, McGuires’s Dancing Rooms, and the local Barnum’s Museum. ...

read more

4. "How I Should Like to Hear It All Over Again & Again”: Loving Music, 1850–1885

pdf iconDownload PDF (396.8 KB)
pp. 107-148

On 14 April 1884, twenty-four-year-old Lucy Lowell attended the opening of a Wagner festival at Boston’s Mechanics Hall, sponsored by famed conductor Theodore Thomas and his Orchestra. The festival was opening its national tour in Boston, and it featured some of the greatest Wagnerian opera singers of the time, several of whom were performers in the annual Wagner Festival in Bayreuth, Germany. ...

read more

5. “Attempering This Whole People to the Sentiment of Art”: Institutionalizing Musical Ecstasy

pdf iconDownload PDF (499.7 KB)
pp. 149-185

In a nation where the main preoccupations had always been politics and real estate, and where many remained skeptical of the grandeur of European performance culture, music lovers at mid-century were targets for ridicule. In fact, given the increasing spectacle surrounding urban concert life, music lovers were difficult to ignore. As the most peculiar behaviors of dedicated audiences—obsessively attending every performance on a tour, evaluating the acoustics of concert halls, collecting sheet music as souvenirs, or lingering outside hotels to catch a glimpse of touring stars—started to become more public, society wits and cultural critics discovered plenty of new material. ...

read more


pdf iconDownload PDF (162.4 KB)
pp. 186-192

In 1964, virtuoso pianist Glenn Gould, at the height of his career, ceased performing. Gould disliked the narrow expectations of audiences and promoters during concert tours, something that would likewise motivate the Beatles to eschew performance two years later. But Gould had another, deeper motivation: he was convinced that the future of musical creativity lay not in the role of the performer but in the role of the listener. ...


pdf iconDownload PDF (216.3 KB)
pp. 193-229


pdf iconDownload PDF (180.6 KB)
pp. 231-250


pdf iconDownload PDF (150.8 KB)
pp. 251-256

E-ISBN-13: 9780819571632
Print-ISBN-13: 9780819571618

Page Count: 312
Publication Year: 2011

Series Title: Music Culture