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Index
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Index Abdallah, 57–59, 60–61, 65, 67–68 Abrahamsen, Per Morten, 68–69 Abrera, Stella, 103, 264 Acocella, Joan, 193; The Diary of Vaslav Nijinsky, 17–24 Acts of Light, 182 Adam, Adolphe, 53 Adam Zero, 33 Afternoon of a Faun, 263 Agoglia, Esmeralda, 164 Agon, 109, 117, 127, 162, 179, 185, 206 Alexopoulos, Helene, 228 Allan, David, 149 Allash, Maria, 97 Alleyne, John, 151–152 American Ballet Caravan, 164 American Ballet Center, 39 American Ballet Theater, 32, 225–227; performances, 53–57, 101–103, 108, 143, 146, 216–217, 229–235, 240– 242, 258–267, 349–351; and Twyla Tharp, 218–225 American Genesis, 358 Americans We, 234 Amosov, Evgeny, 75 Ananiashvili, Nina, 133, 185 Anastos, Peter, 334; Go for Barocco, 328 Ancient Airs and Dances, 149 Andersen, Frank, 60, 62 Andersen, Ib, 60, 120, 128, 145 Apollo, 114, 116, 156, 172, 173, 192, 229, 245, 249, 262–263 L’Après-midi d’un Faune, 6, 7, 11, 13, 22, 23, 24, 26, 27, 41, 263, 265 Archer, Kenneth, 5, 7, 9, 16, 23, 42, 166, 169, 294, 372 Arden Court, 355, 356–357 The Argument, 250, 365 Armand, Patrick, 246, 247 Armitage, Karole, 193 Arpino, Gerald, 39, 40 ‘‘The Art of Léon Bakst,’’ 186–187 Artifact, 207–209, 270 Ash, 229 Ashley, Merrill, 65, 106, 114, 127, 134, 144, 202, 204, 205, 228, 230 Ashton, Frederick, 7, 14, 22. Works: Birthday Offering, 225; The Dream, 41, 254, 349–351; La Fille Mal Gardée, 41, 46–47; Monotones, 41; Les Patineurs, 41; A Wedding Bouquet, 41 Askegard, Charles, 233–234 Aspen Santa Fe Ballet, 274 Astarte, 40 Asylmuratova, Altynai, 91–92 Atkins, Melanie, 201 Atlas, Charles 367 Aureole, 358 Axis Dance Company, 293 Ayupova, Zhanna, 196 Babcock, Jeffrey, 72 Babel Babel, 211–212 Babilée, Jean, 246, 353, 354 Bachianas, 247 Le Baiser de la Fée, 105, 156, 179 Baker’s Dozen, 121 Bakst, Léon, 2, 3, 10, 186–187 Le Bal, 204 Balanchine, George, 14, 17, 22, 24, 25, 33, 38, 43, 112; Americana, 138–139; and ballet reform, 3, 153, 161–162, 187–188, 218–219, 262, 341–342; choreographic schemes, 108–110, 118–119, 126; in Croce’s writing, 113–114; dancers in his ballets, 106– ≥∫∂ i n d e x Balanchine, George (cont.) 108, 127–128, 162, 167, 177–179, 195–199; in Goldner’s writing, 205– 206; and Kirstein, 109, 116–117, 130, 188; and music, 109, 148; New York City Ballet after the death of, 98, 110, 118–120, 124–143, 196, 227–229, 274; personal element in ballets, 104, 197, 248; and Petipa, 98; and repertory , 104, 105, 124–125, 138, 152, 169, 179–186, 192–194, 204; reworking his ballets, 7, 105–106, 190; rivalry with Massine, 38; and show business, 199, 248, 275; symposium at Harvard (2004), 191–193; Taper’s biography of, 115–117. Works: Agon, 109, 117, 127, 162, 179, 185, 206; Apollo, 114, 116, 156, 172, 173, 192, 229, 245, 249, 262–263; Le Baiser de la Fée, 105, 156, 179; Le Bal, 204; Ballo della Regina, 114, 202; Barabau, 168–169; Bourrée Fantasque, 221; Brahms Schoenberg Quartet, 145; Bugaku, 109; Chaconne, 113; La Chatte, 16, 168–175; Clarinade, 195; Concerto Barocco, 109, 127, 206, 328; Coppélia, 128–129, 145; Cotillon, 118, 166–168, 204; Davidsbündlertänze, 104; Diamonds, 196, 198–199; Divertimento No. 15, 109, 159, 175, 181, 185–186, 193, 195, 201; Donizetti Variations, 109, 159, 206; Emeralds, 119, 196–197, 198–199; Episodes, 134; Four Temperaments, 109, 128, 162, 181, 184–185, 203, 206, 238; Garland Dance (Sleeping Beauty), 129; Harlequinade, 145; Ivesiana, 139, 140; Jeu de Cartes, 105; Jewels, 196– 199; Liebeslieder Walzer, 119, 145; A Midsummer Night’s Dream, 254–256, 347–349; Mozart Violin Concerto, 164–165; Mozartiana, 80, 185, 190– 191; Nutcracker, 78–88, 153, 332, 334, 335; Prodigal Son, 44, 128, 172; Raymonda, 49–50, 97, 133; Rubies, 145, 181, 183–184, 185, 196, 197– 199, 200–201, 246; Serenade, 105, 109–110, 112, 169, 171, 172, 178– 179, 180, 205–206; Slaughter on Tenth Avenue, 248–249; La Sonnambula , 109, 128, 206; La Source, 196; Square Dance, 124, 127, 185, 252; Stars and Stripes, 184, 190, 191, 311; Stravinsky Violin Concerto, 109; Swan Lake, 74, 75, 114; Symphonie Concertante , 108; Symphony in C, 105, 108; Symphony in Three Movements, 250; Tarantella, 144, 145, 185, 330; Tchaikovsky Concerto No. 2, 108, 114; Theme and Variations, 234, 260; Le Tombeau...