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index 5x2, 6, 147; and art cinema, 121; and cinéma du corps, 62, 68 8 Femmes. See 8 Women 8 Women, 81, 141 9 Songs, 65 23 Quai du Commerce, 1080 Bruxelles. See Jeanne Dielman 35 Rhums. See 35 Shots of Rum 35 Shots of Rum, 121 36 Quai des Orfèvres, 117 37°2 le matin. See Betty Blue 99 Francs, 63, 108 The 400 Blows, 16, 24, 27, 35–36 Les 400 coups. See The 400 Blows A Bout de souffle. See Breathless L’Académie des Arts et Techniques du Cinéma. See French Film Academy Academy Awards: and The Hurt Locker, 155; and Persepolis, 49 À ce soir, 42 action (genre), 115, 185 actor-filmmakers, 163, 226–27n52; Anne le Ny, 41–42, 227n60; Jean-Marc Barr, 64; Marina de Van, 43–44, 82–83, 201–2; Mia Hansen-Løve, 41–42; Valeria Bruni Tedeschi, 123–24, 125–32. See also critic-filmmakers actorly (aesthetics), 43–45 Actresses, 6, 158, 236n46; analysis of, 128–31; and pop-art cinema, 98, 122 Actrices. See Actresses actrices cinéastes. See actor-filmmakers Adjadj, Marc, 84 Adler, Laure, 166 admissions (French), 49, 99, 100, 108–9, 118, 124, 154–56, 234n22, 235n38, 238–39n5 adolescence, 10, 23; in Ça brûle, 190; in Et toi, t’es sur qui?, 24–32, 225n30; and feminine cinema, 162, 165; in LOL (Laughing Out Loud), 156; in Persepolis, 48–50; in Water Lilies, 33–40. See also cinéma d’ado adultery, 65, 72, 122, 123 aesthetics (cinematic): actorly, 43–45; aquarium, 140, 145; corporeal, 11, 39, 61, 77, 88–92, 158, 160, 213, 231n50; and female filmmakers, 167; gender inversion, 178–79, 182, 184, 190–91; hallucinatory, 180; home movie, 26; naturalism, 65, 66, 134, 137, 191, 199, 200; obsolescence, 53. See also digital video; expressionism; lyrical; neorealism; style Agent 117 of the Office of Strategic Services, 108 Agents secrets, 101, 117 Aïe, 41 Aja, Alexandre, 133 Akerman, Chantal, 73, 160, 205 A l’intérieur. See Inside All Is Forgiven, 11, 21, 41, 227n65; analysis of, 42–47 Almendros, Néstor, 191 Alnoy, Siegrid, 12, 120, 189, 192; and Our Children, 177–78; and She’s One of Us, 178–84 Altmayer brothers (Nicolas and Eric), 109, 116 266 Index Amalric, Mathieu, 120, 129 Les Amants criminels. See Criminal Lovers A ma soeur! See Fat Girl Amélie, 174 L’Ami de mon ami. See Boyfriends and Girlfriends L’Amoureuse, 123 Les Amours d’Astrée et Céladon. See The Romance of Astree and Celadon Anatomy of Hell, 62, 63 animation (French), 51–52, 227–28n66. See also bande dessinée Annaud, Jean-Jacques, 166 L’Année dernière à Marienbad. See Last Year at Marienbad L’Annulaire. See The Ring Finger Antichrist, 65 Antonioni, Michelangelo, 72, 120, 138 L’Appartement, 101 L’Après-midi de Monsieur Andesmas, 122 aquarium (aesthetics), 140, 145 Arbid, Danielle, 164 Argento, Dario, 171 Arnold, Martin, 210 art cinema, 11, 42, 68, 70– 72, 78, 229n5, 235n38; and Actresses, 130; and cinéma du corps, 153; and Claire Denis, 122; and Demonlover, 148; and La France, 139–40; and Les Invisibles, 186; and It’s Easier for a Camel . . ., 124, 126; and Lucile Hadzihalilovic, 174; and popular cinema, 95, 98, 119–21, 124, 132, 137, 143, 146, 149, 162, 215; and They Came Back, 138; and women, 161. See also avant-garde cinema; lyrical art et essai. See art cinema Arthur (franchise), 115 L’Ascension du haut mal. See Epileptic As If Nothing Happened, 85, 227n58 Assault on Precinct 13, 99 Assayas, Olivier, 4, 12, 41, 186, 239n18; and cinéma du corps, 58, 65, 81; as critic-filmmaker, 195; and Demonlover, 143–49; and pop-art cinema, 98 L’Association, 49–50 L’Association des Directeurs de la Photographie Cinématographique (AFC), 204 Astérix (franchise), 118 Asterix at the Olympic Games, 100 Astérix aux Jeux Olympiques. See Asterix at the Olympic Games Astérix et Obélix: Mission Clèopâtre, 118 A travers la forêt. See Through the Forest Attal, Yvan, 123–24, 132 L’Auberge Espagnole, 23 Au Coeur du mensonge, 123 Audé, Françoise, 161, 162–63 Audiard, Jacques, 9, 132 audiences. See admissions; spectatorship Audry, Jacqueline, 170 Auster, Paul, 184 Austin, Guy, 163 auteurism, 4, 19–22, 44, 51, 52, 54, 95, 98, 119–20, 122, 197; and avant-garde cinema, 163; and cinéma du corps, 69; and debutants, 164, 226n52; and...

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