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Published by Wesleyan University Press, Middletown, CT 06459© 1998 by Frances R. Aparicio All rights reserved Originally published in 1998 by Wesleyan/University Press of New England, Hanover, NH 03755 Printed in the United States of America 5 4 cip data appear at the end of the book acknowledgments Every effort has been made to obtain permission from the copyright holders to reproduce the photograph on page 144. A partial and earlier version of chapters 11 and 12 appeared in “‘Así Son’: Salsa Music, Female Narratives, and Gender (De)Construction in Puerto Rico,” Poetics Today, Winter 1994. Lyrics from “Ligia Elena” and “Ella se esconde” reprinted with permission of Rubén Blades Publications. “Llegó de Roma” by Manuel Jiménez Canario, also known as “El Obispo.” Copyright © 1959 by Peer International Corporation. Copyright Renewed. International Copyright Secured. Used by Permission. “Tintorera del Mar” by Manuel Jiménez Canario. Copyright © 1978 by Peer International Corporation. International Copyright Secured. Used by Permission. “Cuando las Mujeres Quieren a los Hombres” by Manuel Jiménez Canario. Copyright © 1930 by Peer International Corporation. Copyright Renewed. International Copyright Secured. Used by Permission. “Somos Diferentes” by Pablo Beltrán Ruiz. Copyright © 1945 by Editorial Mexicana de Música Internacional S.A. Administered by Peer International Corporation . Copyright Renewed. International Copyright Secured. Used by Permission. “Obsession” by Pedro Flores. Copyright © 1947 by Peer International Corporation . Copyright Renewed. International Copyright Secured. Used by Permission. “Mujer” by Agustín Lara. Copyright © 1931 by Peer International Corporation. Copyright Renewed. International Copyright Secured. Used by Permission. Continued on page 279 ...