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Index
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249 I N D E X ‘Abd al-WahhÂab, Muœhammad, 14, 27–28, 303–32, 42, 47–48, 50, 93, 95, 101–102, 158, 182 Abu-Lughod, Lila, 205n11, 22 n11 adhÂan, 188–191, 227. See also call to prayer Adonis (‘Alµı Aœhmad Sa‘µıd), xv, 54, 59, 61, 77, 80, 198, 211–212n21 Adorno, Theodor, 15, 53, 54, 186, 198 Aesthetics, xvi, xix, xxii, xxiii; and authenticity , 6, 25; and emotion, 9; and modernity xvi; and music, 53, 156; and politics, 15. See also Adorno; Kant alternative modernities. See modernity, alternative Andalusian music, 144, 162, 203n10, 214n16 Arab music: genres, xxi, 29, 36, 101, 145, 149, 221n27, 224n20; instruments, 36, 40, 132; origins of, 92–104; pedagogy, 24, 44, 45, 103, 148; performance contexts , 35–36, 42, 87, 119, 140–142, 163, 166 (see also sahra); theory of, 72–73, 83 Aristotle, 127 Arkoun, Mohammed, 212n12 Armstrong, Robert Plant, xxiii, 194 art world, 26, 194. See also Danto, Arthur C. Asad, Talal, 64, 119, 121, 219n51 aœsÂala. See authenticity AsmahÂan, 48, 93, 95 al-Aœtrash, Farµıd, 93 authenticity (aœsÂala), xviii, 6–7, 17, 20, 24– 26, 54, 57–58, 66, 82, 84, 87–92, 140, 144, 186, 192–195, 198, 203n5, 227; and aesthetics, xvi, 6, 25; and innovation 174, 175, 193, 223n6; and music, 12, 24, 203n5 al-‘Aœzm, ŒSÂadiq JalÂal, 81, 195, 198–199 Bakhtin, Mikhail M., 98, 212n4 Barthes, Roland, 179, 224n3 al-Baœtsh, ‘Umar, 8, 29, 32, 37, 99 Bell, Catherine, 199, 121 Bonnefoy, Yves, 180 Congress on Arab Music, 28, 70–71, 147, 210n7 Chatterjee, Partha, 10, 67 Christianity, and music in Syria, 37–38, 95–96, 100, 153 class, and music 35, 40, 91 colonialism, 34, 84–85, 211n15. See also French mandate; Ottoman Empire Crapanzano, Vincent, 206n19, 206n21, 218n42, 218n49, 223n16, 224n25 DalÂal, Muœhammad Qadrµı, 30, 38, 45, 108– 109; on œtarab 164–170, 184–185 Danielson, Virginia, xviii, 154, 171–172, 204n11 Danto, Arthur C., 26, 194. See also art world Shannon: Among the Jasmine Trees page 250 250 Index al-Darwµısh, ‘Alµı, 28–29, 32 al-Darwµısh, Sayyid, 14, 28–29, 96, 135, 182 al-Darwµısh, Nadµım, 28 dawr, 137, 145, 149. See also Arab music, genres dhikr, 20, 37, 144, 172, 214n1, 215n9, 227; aesthetics of, 116, 119–122; definition of, 112–115, 208n23; healing in, 124; musical aspects of, 117–118, 216– 217n31, 217n32, 217n34, 217n35, 217n36, 220n14; social aspects of, 119–120, 123, 125–127; temporality and, 122–123 Eliot, T. S., xv, 54 emotional sincerity (œsidq), xix, 6, 9, 147– 157, 168, 173, 186, 192–193, 198, 221– 222n28, 229 emotion and music, xix, 9, 20, 154–157, 166, 173, 193. See also emotional sincerity (œsidq) d’Érlanger, Rodolphe, 28 Fakhrµı, œSabÂaœh, xxi, 29, 50, 80, 95, 225n4; in performance, 130, 133–139; and authenticity , 43, 98, 144–147; and emotional sincerity, 155; religious training of, 153–154; and œtarab, 164, 166, 168– 169, 175, 177 al-FÂarÂabµı, 27, 53, 72, 102 Feld, Steven, 13, 162, 173, 220n15, 223n14 French mandate, 55, 65, 70, 75, 84. See also colonialism gender and music, 7, 12, 79, 141, 143, 219n10 al-GhazzÂalµı, 44, 53, 72, 114, 120, 123, 127, 128 œhadÂatha. See modernity ŒHÂafiœz, ‘Abd al-ŒHalµım, 15, 27, 47–49 œhanµın (longing), 85–87 heritage (turÂath), xvii, 6–8, 16, 20, 25–26, 55, 76–82, 193 Hirschkind, Charles, 207n15, 218n41 Ibn ‘Arabµı, 107, 114 imagination (khayÂal), 148–149, 176 improvisation, 18, 36, 136, 177–178. See also taqsµım innovation, and authenticity, 174–175, 193, 223n6 inshÂad, 188–191, 228. See also religion and music al-IœsfahÂanµı, 93, 97 Iskandar, Nouri, 30, 183–184 Islam and music, 11, 42–43, 153 al-JÂabrµı, Muœhammad ⁄ÂAbid, xvii, 81 Jewish musicians, 203n10 Kant, Immanuel, xxii, 73, 140, 194, 204n12 karta (acceleration), 118, 127, 217n32, 228 Keil, Charles, 220n15, 220n19 Khairµı, Muœhammad, 29, 135, 153, 164 al-Kindµı, 53, 72, 102 kinship, 68–69 Kirshenblatt-Gimblett, Barbara, 7 al-Kurdµı, Bakrµı, 29, 40, 48, 137, 153, 164 Kurdish music, 97–99, 100, 103–104 Lacan, Jacques, 216n19, 224n23 Langer, Suzanne, 173, 193, 223n13, 224n24 Lorca, Federico Garcia, 156, 222n30 lyrics (kalimÂat, kalÂam), 20, 45, 146–150, 194, 228 maqÂamÂat. See musical modes Mauss, Marcel, 120–121...