-
INTRODUCTION
- Wesleyan University Press
- Chapter
- Additional Information
INTRODUCTION /feelmy "I"is much toosmall for me. —Vladimir Mayakovsky Thecontraction which isfelt. —William Carlos Williams TheConstructivistMomentisaseriesofessays,writtenoverthe pastte nyears ,thataddres sthega pbetweenconstructivis taesthetic sanda largercultura lpoetics.Byconstructivistaesthetic sImean,broadl yput,the imperativeinradicalliteratureandarttoforegroundtheirformalconstruction ;cultura lpoetics ,discusse dbelow ,ma yb eminimall ydefineda sth e reflexiverelatio no fartisticformandcultura lcontext.Theessay staketheir primaryexamplesfromthewor ko fAmericanmodernistan dpostmoder n avant-gardes,contrastin gthem ,o nth eon ehand,wit hth eartandwriting ofth e1920 sSovie tUnio nan d1990 spost-Sovie tperiod ,an do nth eothe r withaspect sofmodernan dpostmoder nproductio ntha tar eusuallykept outsideth ebound so fth eaesthetic .Th eessay sthemselve scontinu eth e formalexperimen to rcultura linterventio no fthei rexample si narguin g acrossdisciplinary ,historical,o rgeneri cboundaries,thu scontinuin gth e projecto fconstructio nbegu nwit hthei rprio roccasions .I nputtin gthi s collectiontogetherfro mitsseparateoccasions,myintentioni stoconstruct , bymeansofthematicjuxtaposition,theoreticalunveiling,andtextualreading ,a poetic stha tlay sbareth edevice ,i nth esens eo fth eRussia nFormalists ,ofmorethanjusttheforma lorganizationoftheworkofart.Iseek perhapsno t"th egol do ftime "afte rAndr eBreto n—asi fther ewer ea singlestandardthatwouldendurethroughouttheages—but"thecurrency ofhistory "i nrelatio nt oth eradica lforma lmeaning so ftheavant-garde . Inorde rt oachiev ethiscurrency ,I alternatei nthes eessay sbetweentw o distinctaspectsoftheide aofconstruction:theprincipleofformalconstruc tion i nmodernis tan dpostmoder nliteratur ean dar t(wit hth eRussia n constructivists,post-Sovie tpoet san dartists ,an dAmerica navant-gardes , fromGertrud eStei nan dLoui sZukofskytoth eLanguag eSchool)andth e principleofsocialconstructioninmodernculture(fromunrealize dUtopian FROM MATERIAL TEXT TOCULTURALPOETICS visionstodominan tsocia lformssuchasFordisman dalternativ eresponses suchasDetroittechno). 1 Thesequenc eofessaysinthisbookproceedsfrom essayslocatedfirml yi nquestion so fpoetics,howevermuc hthe ymaycon test traditiona lliterar ygenres ,towar dcontextualis tan dculturalis tap proaches t oth emeanin gofradicalforms. Mythinkin go nth equestio no fsocialconstructionbegin swithliterar y examplesfro mmodernis tan dpostmoder navant-gardes ,a stheyrevea la discontinuitytha ti severywhereimplicatedi nth ekind so fculturalagency theypursue .Th eframin gepigraph sfro mVladimi rMayakovsk yan dWil liam CarlosWilliamsabovemaygiveasenseoftheliterarystakes,historical andpresent ,o fthismoment .I foundboth—asindiceso flargeraesthetic andcultura lhorizon s—tob edeepl ygenerativewhenI firs tencountere d themi nth e1970s ."Th econtractio nwhic hi sfelt, "a sa momen to fself negating self-disclosure ,occur sa sga po reruptio ni nth ediscontinuou s proseo fWilliams'sSpringan dAll,thatgenerichybrido fpoetryan dpros e whichha sbeenrightl yseena sanimportan tprecurso rofLanguageSchool aesthetics.2 I ntha ttext ,William...