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Liberation, in Language These heart-stirring errors of craft— uncertainty how a nation should respond to violence, made up for by an urgent sense of mission (words big as beans that are hard to swallow) and that almost obsessive lack of detail — yes, one can speak this way from the stage: this language is not beautiful but all abruptly draw out their hands and clap, and so, perforce, it must be correct. 39 ...

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