In this Book

summary
Hitting a Straight Lick with a Crooked Stick examines the ways Zora Neale Hurston circumvented the constraints of the white publishing world and a predominantly white readership to critique white culture and its effects on the black community. A number of critics have concluded that Hurston simply capitulated to external demands, writing stories white people wanted to hear. Susan Edwards Meisenhelder, however, argues that Hurston’s response to her situation is much more sophisticated than her detractors recognized. Meisenhelder suggests, in fact, that Hurston’s work, both fictional and anthropological, constitutes an extended critique of the values of white culture and a rejection of white models for black people. Repeatedly, Hurston’s work shows the diverse effects that traditional white values, including class divisions and gender imbalances, have on blacks.
 

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication, In Memoriam
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. Abbreviations
  2. pp. xi-xii
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  1. Introduction
  2. pp. 1-13
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  1. 1. “Fractious” Mules and Covert Resistance in Mules and Men
  2. pp. 14-35
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  1. 2. “Natural Men” and “Pagan Poesy” in Jonah’s Gourd Vine
  2. pp. 36-61
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  1. 3. “Mink Skin or Coon Hide”: The Janus-faced Narrative of Their Eyes Were Watching God
  2. pp. 62-91
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  1. 4. The Ways of White Folks in Seraph on the Suwanee
  2. pp. 92-115
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  1. 5. “Crossing Over” and “Heading Back”: Black Cultural Freedom in Moses, Man of the Mountain
  2. pp. 116-142
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  1. 6. “With a Harp and a Sword in My Hand”: Black Female Identity in Dust Tracks on a Road
  2. pp. 143-174
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  1. 7. The “Trials” of Black Women in the 1950s: Ruby McCollum and Laura Lee Kimble
  2. pp. 175-192
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  1. Conclusion
  2. pp. 193-198
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  1. Notes
  2. pp. 199-232
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  1. Works Cited
  2. pp. 233-252
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  1. Index
  2. pp. 253-258
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