Aalto, Alvar, 136 Abrams, Meyer: The New Testament, 26 Abstract Expressionism and the New York School, 150 Abu Ghraib, 147 Abulafia, Abraham, Cabala of the Names, 218n2 (chap. 4) Addison, Joseph: on microcscopes, 153; The Works, 66 Adorno, Theodor, 203, 209, 238n12; Negative Dialectics, 9; “pseudoactivity ,” 83 Aeolian harp, 201, 238n11 Agamben, Giorgio, 2, 8, 57, 164, 165, 171, 179, 236n11; and biopolitics, 8, 133, 147; on the camp, 183; The End of the Poem Studies in Poetics , 218n29; Homo Sacer, 180, 184, 239n20; Nudities, 2; on “naked life,” 147; Remnants of Auschwitz, 179, 204, 209–10, 238n12; and the state of exception, 183; State of Exception , 181, 236n11 Aleph, 206–7; as the primary constructive principle, 207 Alberti, Leon Battista, Della Pictura, 57, 136, 220n7, 230n23 Alhasani, Nadi, 231n28 Allen, Don, ed., The New American Poetry , 27 Altdorfer, Albrecht, “Nativity,” 170 Altieri, Charles, 28–29; Enlarging the Temple, 215n7; on Charles Olson as postmodern, 27; Painterly Abstraction in Modernist American Poetry, 232n2 Amphion, 226n10, 240n23 Anastasi, William, 70, 178; “Jarry, Joyce, Duchamp & Cage,” 184; with Michael Seidel, “Jarry in Joyce: A Conversation,” 236n8 Anderson, Elliott, 53 Anderson, Sherwood, 7, 109 Andrews, Bruce, 29, 81, 107, 232n5; Edge, 160 Andrews, Malcolm, 163–64, 232n2 Angelico, Fra, 5–6, 70–71, 73; dissemblance and figuration in, 67–69; “Annunciation,” 69; “Holy Conversation ,” 68 anomaly, 1, 157, 166, 181, 184; Auschwitz as, 133; and the biological sciences , 211n1 (Intro.); defined, 3, interpretational, 5; Jarry’s ’pataphysical rule of, 63, 236n5 Antin, David, 91 Apollinaire, Guillaume: calligrammes, 15, 202; “Les Fenêtres” and “Lundi rue Christine,” 91–92, 226n1091 apophasis, 9, 68–69, 186, 207 Aquinas, Thomas, 221n10; Compendium theologiae, 67 Aragon, Louis, 112 Arakawa and Madeline Gins, 8, 95, 100–101, 105–6, 118–19, 123, 127– 28, 133–48, 228n4; and Bioscleaveconfigurature , 106; and crisis ethics, 144; and post-ontological architecture 7, 146; and the architectural body, 121, 135, 146, 230n23; Architectural Body, 138, 142, 222n9, 224n3, 228n4; Architecture: Sites of inDeX 258 index Reversible Destiny, 142; attitude to dying, 144; attracted to architectural disequilibrium, 135, 140; attracted to labyrinths, 140–44; bioscleave , 138; critical holder, 138; engaging and guiding bars, 43, 138; landing sites, 43, 142, 144, 222n9, 228n4; multilevel labyrinth: its method of construction; its primary purpose; opinions on death, 144–45; perceptual landing sites explained, 43; and Pound’s Cantos , 43; their concept of the infantadult , 148; their repudiation of architectural functionalism, 119, 136; their repudiation of the anthropomorphic paradigm in architecture, 136. See also Reversible Destiny (Arakawa and Gins) Arasse, Daniel, Leonardo da Vinci, 229n13 Archigram, 106, 131, 225n9 architecture: anthropomorphic metaphor in, 136; and the city, 109–12; conceptual, 104; cubist, 119; deconstruction in, 108; dominating optical paradigm in Modernist, 136–37; folding in, 108–9; functional paradigm of, 119–21; infancy of, 148; its historically close relationship to music; its metaphorical presence in literature and other discourses, 101–2; linguistic elements in, 103; Modernist, 136; and parapoetics, 100–113; and poetry as sister arts, 7; postmodern, 26; procedural, 118, 133–34; virtual, 137 Ariadne, 117–18, 122, 127 Arion, 193 Aristophanes: his bird language, 165, 200; The Birds, as parody of Socratic discourse, 200 Aristotle, 149, 151, 170, 176, 195; definition of enigma, 236n5; Physics, 103; Rhetoric, 236n3; and the status and function of written letters, 57 Aronson, Ronald, 98 Ashbery, John, 150; The Tennis Court Oath, 157; its influence on Clark Coolidge, 234n20 Athens Charter, 118–19, 121 Atlan, Henri, The Sparks of Randomness , 220n5 Auden, W. H., “Homage to Clio,” 18 Auerbach, Eric, 26 Augustine, 222n6; Confessions, 103; De vera religione, 135 Auschwitz, 9–10, 133, 147, 167–68, 179, 184, 186, 201, 206, 208–10, 218n4, 236n12, 239n20 Ausonius, 175 avant-garde, 91, 93, 164, 185–86, 195– 96, 201, 238n7; Afro-American, 150; Euro-American, 8, 150; as meta-design, 93; its institutional origin, 75; and Pythagoras, 238n7; twenty-first century, 76 Avant-Garde, 223n16 Avicenna, 170, 221n10 axonometry, 226n14; in contemporary disjunctive poetics, 106–7; in diagrams, 106; explained, 226n12; in Gertrude Stein’s writing, 106, 226n12 Babel, 61, 101, 172 Bacchus, 220n7 Bachelard, Gaston, 101 Badiou, Alain, 3, 90; Pocket Pantheon: Figures of Postwar Philosophy, 3, 234n19; The Century, 235n25 Ball, Hugo, 3–4, 11–23, 79, 161, 211n1 (chap. 1), 212n4, 212n5, 212n6, 212n7, 212n9, 212n10, 213n11, [44.197.251.102] Project MUSE (2024-03-19 05:01 GMT) index 259 213n15, 214n25, 214n28; attraction to magic, 22; his belief in primal memory, 20; his break with Dada, 21...