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Considers Gilman’s place in American literary and social history by examining her relationships to other prominent intellectuals of her era

By placing Charlotte Perkins Gilman in the company of her contemporaries, this collection seeks to correct misunderstandings of the feminist writer and lecturer as an isolated radical. Gilman believed and preached that no life is ever led in isolation; indeed, the cornerstone of her philosophy was the idea that “humanity is a relation.”
 
Gilman's highly public and combative stances as a critic and social activist brought her into contact and conflict with many of the major thinkers and writers of the period, including Mary Austin, Margaret Sanger, Ambrose Bierce, Grace Ellery Channing, Lester Ward, Inez Haynes Gillmore, William Randolph Hearst, Karen Horney, William Dean Howells, Catharine Beecher, George Bernard Shaw, and Owen Wister. Gilman wrote on subjects as wide ranging as birth control, eugenics, race, women's rights and suffrage, psychology, Marxism, and literary aesthetics. Her many contributions to social, intellectual, and literary life at the turn of the 20th century raised the bar for future discourse, but at great personal and professional cost.
 

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. Acknowledgments
  2. p. vii
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  1. Introduction
  2. pp. ix-xvii
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  1. 1 The Two Mrs. Stetsons and the “Romantic Summer”
  2. pp. 1-16
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  1. 2 When the Marriage of True Minds Admits Impediments: Charlotte Perkins Gilman and William Dean Howells [contains image plates]
  2. pp. 17-31
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  1. 3 Charlotte Perkins Gilman versus Ambrose Bierce: The Literary Politics of Gender in Fin-de-Siècle California (Print Only)
  2. pp. 32-45
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  1. 4 Charlotte Perkins Gilman, William Randolph Hearst, and the Practice of Ethical Journalism
  2. pp. 46-58
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  1. 5“ The Overthrow” of Gynaecocentric Culture Charlotte Perkins Gilman and Lester Frank Ward
  2. pp. 59-86
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  1. 6 Mrs. Stetson and Mr. Shaw in Suffolk Animadversions and Obstacles
  2. pp. 87-102
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  1. 7 The Sins of the Mothers and Charlotte Perkins Gilman’s Covert Alliance with Catharine Beecher
  2. pp. 103-126
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  1. Gilman’s The Crux and Owen Wister’sThe Virginian Intertextuality and “Woman’s Manifest Destiny”
  2. pp. 127-138
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  1. 9 Creating Great Women Mary Austin and Charlotte Perkins Gilman
  2. pp. 139-154
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  1. 10 From Near-Dystopia to Utopia A Source for Herland in Inez Haynes Gillmore’s Angel Island
  2. pp. 155-170
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  1. 11 Charlotte Perkins Gilman’s With Her in Ourland Herland Meets Heterodoxy
  2. pp. 171-193
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  1. “All Is Not Sexuality That Looks It” Charlotte Perkins Gilman and Karen Horney on Freudian Psychoanalysis
  2. pp. 194-218
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  1. Bibliography
  2. pp. 219-238
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  1. Contributors
  2. pp. 239-242
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  1. Index
  2. pp. 243-251
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