In this Book

University of Minnesota Press
summary
Although W. E. B. Du Bois did not often pursue the connections between the “Negro question” that defined so much of his intellectual life and the “woman question” that engaged writers and feminist activists around him, Next to the Color Line argues that within Du Bois’s work is a politics of juxtaposition that connects race, gender, sexuality, and justice.This provocative collection investigates a set of political formulations and rhetorical strategies by which Du Bois approached, used, and repressed issues of gender and sexuality. The essays in Next to the Color Line propose a return to Du Bois, not only to reassess his politics but also to demonstrate his relevance for today’s scholarly and political concerns.Contributors: Hazel V. Carby, Yale U; Vilashini Cooppan, U of California, Santa Cruz; Brent Hayes Edwards, Rutgers U; Michele Elam, Stanford U; Roderick A. Ferguson, U of Minnesota; Joy James, Williams College; Fred Moten, U of Southern California; Shawn Michelle Smith, St. Louis U; Mason Stokes, Skidmore College; Claudia Tate, Princeton U; Paul C. Taylor, Temple U.Susan Gillman is professor of literature at the University of California, Santa Cruz. Alys Eve Weinbaum is associate professor of English at the University of Washington, Seattle.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. Introduction: W. E. B. Du Bois and the Politics of Juxtaposition
  2. Susan Gillman, Alys Eve Weinbaum
  3. pp. 1-34
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  1. 1 Move On Down the Line: Domestic Science, Transnational Politics, and Gendered Allegory in Du Bois
  2. Vilashini Cooppan
  3. pp. 35-68
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  1. 2 Profeminism and Gender Elites: W. E. B. Du Bois, Anna Julia Cooper, and Ida B. Wells-Barnett
  2. Joy James
  3. pp. 69-95
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  1. 3 Interracial Romance and Black Internationalism
  2. Alys Eve Weinbaum
  3. pp. 96-123
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  1. 4 Late Romance
  2. Brent Hayes Edwards
  3. pp. 124-149
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  1. 5 Race and Desire: Dark Princess: A Romance
  2. Claudia Tate
  3. pp. 150-208
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  1. 6 Du Bois’s Erotics
  2. Michele Elam, Paul C. Taylor
  3. pp. 209-233
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  1. 7 The Souls of Black Men
  2. Hazel V. Carby
  3. pp. 234-268
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  1. 8 “W. E. B. Du Bois”: Biography of a Discourse
  2. Roderick A. Ferguson
  3. pp. 269-288
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  1. 9 Father of the Bride: Du Bois and the Making of Black Heterosexuality
  2. Mason Stokes
  3. pp. 289-316
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  1. 10 Uplift and Criminality
  2. Fred Moten
  3. pp. 317-349
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  1. 11 Second-Sight: Du Bois and the Black Masculine Gaze
  2. Shawn Michelle Smith
  3. pp. 350-377
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  1. 12 Pageantry, Maternity, and World History
  2. Susan Gillman
  3. pp. 378-416
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  1. Contributors
  2. pp. 417-418
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  1. Publication History
  2. pp. 419-420
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  1. Index
  2. pp. 421-432
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