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summary
In the current "global" moment, the study of Latin American cinema has become insistently national—a phenomenon fully explored in this collection of essays by some of the most interesting and innovative scholars of media and Latin American culture working today. The contributors to Visible Nations consider different national film and video histories in Latin America since the silent period. From the perspectives of feminism, psychoanalysis, new historicism, and reception theory, among others, they consider the styles through which—and the ends toward which—the nation has been represented, desired, and contested in films, film industries, and alternative video work in Mexico, Chile, Venezuela, Brazil, Colombia, and Cuba. The result is nothing less than a rewriting of Latin American film history. Contributors: Patricia Aufderheide, American U; Charles Ramírez Berg, U of Texas at Austin; Gilberto Moises Blasini; Julianne Burton-Carvajal, U of California, Santa Cruz; Seth Fein, Georgia State U; Claire F. Fox, Stanford U; Brian Goldfarb, U of Rochester; Ilene S. Goldman; Monica Hulsbus; Ana M. López, Tulane U; Kathleen Newman, U of Iowa; Laura Podalsky, Bowling Green State U; Harmony H. Wu.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. i-iv
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  1. Contents
  2. pp. v-vi
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  1. Acknowledgments
  2. pp. vii-viii
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  1. Film and Video Distributors
  2. pp. ix-x
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  1. Introduction
  2. Chon A. Noriega
  3. pp. xi-xxvi
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  1. Part I. Retheorizing National Cinema: The Classical Period
  1. 1. El automóvil gris and the Advent of Mexican Classicism
  2. Charles Ramirez Berg
  3. pp. 3-32
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  1. 2. Crossing Nations and Genres: Traveling Filmmakers
  2. Ana M. Lopez
  3. pp. 33-50
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  1. 3. Araya across Time and Space: Competing Canons of National (Venezuelan) and International Film Histories
  2. Julianne Burton-Carvajal
  3. pp. 51-81
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  1. 4. Transcultured Anticommunism: Cold War Hollywood in Postwar Mexico
  2. Seth Fein
  3. pp. 82-112
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  1. Part II. Desire and the Nation: Contemporary Cinema
  1. 5. Fulfilling Fantasies, Diverting Pleasures: Ana Carolina and Das tripas coração
  2. Laura Podalsky
  3. pp. 115-129
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  1. 6. Performing the Nation in Sergio Toledo's Vera
  2. Monica Hulsbus
  3. pp. 130-142
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  1. 7. Pornography and "the Popular" in Post-Revolutionary Mexico: The Club Tívoli from Spota to Isaac
  2. Claire F. Fox
  3. pp. 143-173
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  1. 8. Consuming Tacos and Enchiladas: Gender and the Nation in Como agua para chocolate
  2. Harmony H. Wu
  3. pp. 174-192
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  1. 9. The World according to Plaff: Reassessing Cuban Cinema in the Late 1980s
  2. Gilberto Noises Blasini
  3. pp. 193-216
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  1. Part III. Local as Global Politics: Alternative Media
  1. 10. Grassroots Video in Latin America
  2. Patricia Aufderheide
  3. pp. 219-238
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  1. 11. Latin American Women's Alternative Film and Video: The Case of Cine Mujer, Colombia
  2. llene S. Goldman
  3. pp. 239-262
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  1. 12. Local Television and Community Politics in Brazil: São Paulo's TV Anhembi
  2. Brian Goldfarb
  3. pp. 263-284
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  1. 13. Steadfast Love and Subversive Acts: The Politics of La Ofrenda: The Days of the Dead
  2. Kathleen Newman
  3. pp. 285-302
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  1. Contributors
  2. pp. 303-305
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