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University of Minnesota Press
summary
The first English translation of a classic text in aesthetics based on the precepts of German Idealism. Schelling systematically treats various forms of art-including music, painting, sculpture, narrative, and poetry-to present a philosophical disclosure of the idea or essence of art itself, an essence that transcends the actual work in history.

Table of Contents

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  1. Cover
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  1. Title Page, About the Series, Copyright
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  1. Contents
  2. pp. v-viii
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  1. Foreword
  2. David Simpson
  3. pp. ix-xxiv
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  1. Acknowledgments
  2. pp. xxv-xxvi
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  1. Translator's Introduction
  2. pp. xxvii-lvi
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  1. Introduction
  2. pp. 3-20
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  1. Part I. General Section of the Philosophy of Art
  1. 1. Construction of Art As Such and in General
  2. pp. 23-32
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  1. 2. Construction of the Content of Art
  2. pp. 33-82
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  1. 3. Construction of the Particular, or of the Form of Art
  2. pp. 83-104
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  1. Part II. Specific Section of the Philosophy of Art
  1. 4. Construction of the Forms of Art in the Juxtaposition of the Real and Ideal Series
  2. pp. 107-280
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  1. Appendix
  2. pp. 281-284
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  1. Notes
  2. pp. 285-326
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  1. Bibliography
  2. pp. 327-332
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  1. Index
  2. pp. 333-342
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  1. Other Works in the Series, About the Author
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