In lieu of an abstract, here is a brief excerpt of the content:

23. Digitizing Race: Visual Cultures of the Internet Lisa Nakamura 22. Small Tech: The Culture of Digital Tools Byron Hawk, David M. Rieder, and Ollie Oviedo, Editors 21. The Exploit: A Theory of Networks Alexander R. Galloway and Eugene Thacker 20. Database Aesthetics: Art in the Age of Information Overflow Victoria Vesna, Editor 19. Cyberspaces of Everyday Life Mark Nunes 18. Gaming: Essays on Algorithmic Culture Alexander R. Galloway 17. Avatars of Story Marie-Laure Ryan 16. Wireless Writing in the Age of Marconi Timothy C. Campbell 15. Electronic Monuments Gregory L. Ulmer 14. Lara Croft: Cyber Heroine Astrid Deuber-Mankowsky 13. The Souls of Cyberfolk: Posthumanism as Vernacular Theory Thomas Foster 12. Déjà Vu: Aberrations of Cultural Memory Peter Krapp 11. Biomedia Eugene Thacker 10. Avatar Bodies: A Tantra for Posthumanism Ann Weinstone 9. Connected, or What It Means to Live in the Network Society Steven Shaviro 8. Cognitive Fictions Joseph Tabbi 7. Cybering Democracy: Public Space and the Internet Diana Saco 6. Writings Vilém Flusser (continued from page ii) 5. Bodies in Technology Don Ihde 4. Cyberculture Pierre Lévy 3. What’s the Matter with the Internet? Mark Poster 2. High Techne ˉ: Art and Technology from the Machine Aesthetic to the Posthuman R. L. Rutsky 1. Digital Sensations: Space, Identity, and Embodiment in Virtual Reality Ken Hillis [3.137.192.3] Project MUSE (2024-04-16 11:39 GMT) This page intentionally left blank PETER KRAPP is professor of film and media/visual studies and English at the University of California, Irvine, where he is also affiliated with the Department of Informatics and the Center for Computer Games and Virtual Worlds. He is the author of Déjà Vu: Aberrations of Cultural Memory (Minnesota, 2004) and editor, with Andrew McNamara, of Medium Cool. ...

Share