The Quay Brothers: Into a Metaphysical Playroom

Bibliography

B i b l i o g r a p h y Academy Films Web site. http://www.academyfilms.com/commercials. Adorno, Theodor W. Minima Moralia: Reflections from a Damaged Life. Translated by E. F. N. Jephcott [1974]. London: Verso, 2002. Affron, Charles, and M. J. Affron. Sets in Motion: Art Direction and Film Narrative. Piscataway, N.J.: Rutgers University Press, 1995. Aita, Roberto. “Brothers Quay: In Absentia.” (Text translated from original Italian by Donato Totaro.) Off-Screen (2001). http://www.horschamp.qc.ca/new_offscreen/ quay.html. Allan, Richard, and Murray Smith, eds. Film Theory and Philosophy. Oxford, UK: Oxford University Press, 1997. Andersen, Hans Christian. http://www.hca2005.dk/HCA2005/HCA2005++Projects/Dance. Andrew, Dudley. Concepts in Film Theory. Oxford, UK: Oxford University Press, 1984. ———. “The Neglected Tradition of Phenomenology in Film Theory.” Wide Angle 2 (1978): 44–49. Aristotle. De Anima (On the Soul). Ca. B.C. 350. Translated and with an introduction and notes by Hugh Lawson-Tancred. London: Penguin, 1986. Arne Höhne Presse und Öffentlichkeit Web site. http://www.hoehnepresse.de/german/ pianotuner/pianotuner.shtml. Arnheim, Rudolf. Film as Art. 1958. London: Faber and Faber, 1969. Artaud, Antonin. Collected Works, vol. 2. Originally published as Antonin Artaud: Oeuvres Completes, tome II. Paris: Editions Gallimard, 1961. Translated by Victor Corti. London: Calder and Boyars, 1971. Art on Screen Database, copyright 1985–1997, Program for Art on Film, Inc. http://www.artfilm.org/rec-anam.htm. Atkinson, Michael. “The Night Countries of the Brothers Quay.” Film Comment (September/ October 1994): 36–44. 286 bibli o g r aph y ———. “Stirrings in the Dust.” Afterimage 13 (1987): 4–9. ———. “Unsilent Night: The Brothers Quay.” Film Comment 30, no. 5 (September/October 1995): 25–38. Bachelard, Gaston. The Poetics of Space. Translated by Maria Jolas, 1964. 1958. Boston: Beacon Press, 1994. Barsamian, Gregory. “Extracinematic Animation: Gregory Barsamian in Conversation with Suzanne Buchan.” Animation: An Interdisciplinary Journal 3 (no. 3): 288–305. Baudelaire, Charles. “The Philosophy of Toys.” 1853. Translated by Paul Keegan. In Essays on Dolls, edited by Idris Parry 13–25. London: Syrens, 1994. Baudrillard, Jean. Simulations. Translated by Paul Foss, Paul Patton, and Philip Beitschman. New York: Foreign Agents Series: Semiotext(e), 1983. Bazin, André. What Is Cinema? Vol. 1. Los Angeles: University of California Press, 1967. Believe Media Web site. http://www.believemedia.com. Benjamin, Walter. “Old Forgotten Children’s Books,” [translation of “Alte vergessene Kinderbucher” (1924)]. In Walter Benjamin: Selected Writings, Vol. 1: 1913–26. Translated by Rodney Livingstone. Copyright 1996, 406–13. Cambridge, Mass.: Harvard University Press, 1996–2003. 4 vols. Bennett, Jane. The Enchantment of Modern Life. Princeton, N.J.: Princeton University Press, 2001. Beyond Reason: Art and Psychosis; Works from the Prinzhorn Collection. London: Hayward Gallery, South Bank Centre, 1996. Bogue, Ronald. Deleuze on Literature. New York: Routledge, 2003. Bordwell, David. “Historical Poetics of Cinema.” In The Cinematic Text: Methods and Approaches, edited by R. Barton Palmer, 369–98. New York: AMS Press, 1989. ———. Making Meaning: Inference and Rhetoric in the Interpretation of Cinema. Cambridge, Mass.: Harvard University Press, 1989. ———. Narration in the Fiction Film. 1985. London: Routledge, 1988. Bordwell, David, and Kristin Thompson. Film Art: An Introduction. 4th ed. New York: McGraw Hill, 1993. ———. Film Art: An Introduction. 8th ed. New York: McGraw Hill, 2008. Bradbury, Malcolm, and James McFarlane, eds. Modernism: A Guide to European Literature, 1890–1930. 1976. London: Penguin, 1991. Brinckmann, Christine N. Die anthropomorphe Kamera. Edited by Mariann Lewinsky und Alexandra Schneider. Zürich: Chronos Verlag, 1997. Brooke, Michael, ed. Quay Brothers: The Short Films, 1979–2003. London: BFI, 2006. Buchan, Suzanne, ed. “The Animated Spectator: Watching the Quay Brothers’ ‘Worlds.’” In Animated “Worlds,” edited by Suzanne Buchan, 15–38. Eastleigh, UK: John Libbey Publishing, 2006. ———. Animated “Worlds.” New Barnet, Herts, UK: John Libbey Publishing, 2006. ———. “Graphic and Literary Metamorphosis: Animation Technique and James Joyce’s ‘Ulysses.’”Animation Journal 7, no. 1 (1998): 21–34. ———. “Literary Cineantics: Cinematic Metamorphosis in James Joyce’s Ulysses.” Master’s thesis (Lizentiat) in English and cinema studies, University of Zurich, 1994. ———. “The Quay Brothers: Choreographed Chiaroscuro, Enigmatic and Sublime.” Film Quarterly 51, no. 3 (1998): 2–15. ———. “Uncanny Space, Narrative Place: The Architectural Imagination of Animation.” In What Is Architecture?/Text Anthology (Co To Jest Architektura?/Antologia tekstow), edited by Adam Budak, 354–91. Krakow: Bunkier Sztuki Contemporary Art Gallery, RAM, Goethe Institut, 2002. 287 bibli o g r aph y Budak, Adam, ed. What Is Architecture?/Text Anthology...