In this Book

  • Mexico in Verse: A History of Music, Rhyme, and Power
  • Book
  • Edited by Stephen Neufeld and Michael Matthews; Foreword by William H. Beezley
  • 2015
  • Published by: University of Arizona Press
summary
The history of Mexico is spoken in the voice of ordinary people. In rhymed verse and mariachi song, in letters of romance and whispered words in the cantina, the heart and soul of a nation is revealed in all its intimacy and authenticity. Mexico in Verse, edited by Stephen Neufeld and Michael Matthews, examines Mexican history through its poetry and music, the spoken and the written word.

Focusing on modern Mexico, from 1840 to the 1980s, this volume examines the cultural venues in which people articulated their understanding of the social, political, and economic change they witnessed taking place during times of tremendous upheaval, such as the Mexican-American War, the Porfiriato, and the Mexican Revolution. The words of diverse peoples—people of the street, of the field, of the cantinas—reveal the development of the modern nation. Neufeld and Matthews have chosen sources so far unexplored by Mexicanist scholars in order to investigate the ways that individuals interpreted—whether resisting or reinforcing—official narratives about formative historical moments.

The contributors offer new research that reveals how different social groups interpreted and understood the Mexican experience. The collected essays cover a wide range of topics: military life, railroad accidents, religious upheaval, children’s literature, alcohol consumption, and the 1985 earthquake. Each chapter provides a translated song or poem that encourages readers to participate in the interpretive practice of historical research and cultural scholarship. In this regard, Mexico in Verse serves both as a volume of collected essays and as a classroom-ready primary document reader.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. Foreword
  2. William H. Beezley
  3. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-2
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  1. Introduction: Mexico in Verse
  2. pp. 3-30
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  1. Primary Document
  2. pp. 31-33
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  1. 1. Sister at War: Mexican Women’s Poetry and the U.S.-Mexican War
  2. Christopher Conway
  3. pp. 33-54
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  1. Primary Document
  2. pp. 55-57
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  1. 2. The Sly Mockeries of Military Men: Corridos and Poetry as Critical Voice for the Porfirian Army
  2. Stephen Neufeld
  3. pp. 58-107
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  1. Primary Document
  2. pp. 108-109
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  1. 3. The Track from Beyond the Grave: Challenges to Porfirian Policymaking in Popular Verse
  2. Michael Matthews
  3. pp. 109-143
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  1. Primary Document
  2. pp. 144-145
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  1. 4. “I’m Going to Write You a Letter”: Coplas, Love Letters, and Courtship Literacy
  2. William French
  3. pp. 145-178
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  1. Primary Document
  2. pp. 179-181
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  1. 5. Singing for Cristo Rey: Masculinity, Piety, and Dissent in Mexico’s Cristero Rebellion
  2. Stephen J. C. Andes
  3. pp. 181-215
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  1. Primary Document
  2. pp. 216-217
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  1. 6. El Niño Proletario: Jesús Sansón Flores and the New Revolutionary Redeemer, 1935–1938
  2. Elena Jackson Albarrán
  3. pp. 218-254
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  1. Primary Document
  2. pp. 255-256
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  1. 7. “That Mariachi Band and That Tequila”: Modernity, Identity, and Cultural Politics in Alcohol Songs of the Mexican Golden Age Cinema
  2. Áurea Toxqui
  3. pp. 257-295
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  1. Primary Document
  2. pp. 296-297
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  1. 8. Let Us Weep Among the Dust: Recycled Poems of 1968 and Operas of Earthquake
  2. Amanda Ledwon
  3. pp. 298-336
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  1. Conclusion
  2. pp. 337-346
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  1. Contributors
  2. pp. 347-350
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  1. Index
  2. pp. 351-358
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