Personal Views: Explorations in Film

Index

409 “academic฀revolution,”฀345–46 aesthetic฀response,฀80–81 Afterimage฀No.฀4,฀58,฀74 Agamemnon฀(Aeschylus),฀103 agitprop,฀350,฀353,฀355,฀361 Agon฀(Stravinsky),฀358 Air฀Force฀(Hawks),฀238,฀239,฀243 Aldrich,฀Robert,฀378,฀384 Alice’s฀Restaurant฀(Penn),฀37 All฀the฀Marbles฀(Aldrich),฀384 Altman,฀Robert,฀38,฀85 Amarcord฀(Fellini),฀198n6 American฀Cinema,฀The฀(Sarris),฀ 256 American฀Graffiti฀(Lucas),฀37 Ames,฀Leon,฀202 Anderson,฀Lindsay,฀154 Angel฀with฀Horns฀(Rossiter),฀8 Anna฀Karenina฀(Tolstoy),฀102,฀104,฀ 108,฀110–11,฀116 “Annunciation”฀(Lippi),฀70–72 Antonioni,฀Michelangelo,฀ix,฀33,฀ 35,฀36,฀37,฀192 Apollo฀(Stravinsky),฀359 art appropriation฀for฀radical฀purposes ,฀356 criteria฀by฀which฀one฀evaluates,฀ 354,฀375 development฀of฀full฀response฀ to,฀67 INDEX as฀educational,฀19–20 “establishment”฀view฀of,฀51 functions฀of,฀341–42,฀345,฀ 355–56 interest฀in฀cultivated฀in฀many฀ forms,฀51 “otherness,”฀89 reactionary,฀74 striving฀towards฀coherence,฀30 ultimate฀purpose฀and฀justification ,฀23 usefulness฀(and฀usability)฀of,฀20 art฀“appreciation”฀vs.฀critical฀evaluation ,฀51–52 art-house฀director,฀35 artistic฀inevitability,฀28 “artist฀who฀has฀renounced฀art,”฀ paradox฀of,฀80 assimilation,฀84,฀89 Astor,฀Mary,฀202 Atwell,฀Lee,฀387 Atwill,฀Lionel,฀141 Auden,฀W.฀H.,฀368–72 auteur฀theory,฀14,฀213–31,฀253 automatic฀“writing,”฀348 Avant-gardism,฀68,฀353–54 Awkward฀Age,฀The฀(James),฀104 Bach,฀J.฀S.,฀78,฀82,฀351 Badge฀of฀Evil฀(Masterson),฀169 Bakan,฀Joel,฀14 410 index Ballad฀of฀Cable฀Hogue,฀The฀ (Peckinpah),฀37 “Ballad฀of฀Lucy฀Jordan,฀The”฀ (Silverstein),฀368–69,฀372–75 Ball฀of฀Fire฀(Hawkes),฀237,฀238 Balzac,฀Honoré,฀305 Barber฀of฀Seville฀Overture฀ (Stravinsky),฀358 Barnaby฀Rudge฀(Dickens),฀339 Barr,฀Charles,฀24 Bartered฀Bride,฀The฀(Smetana/ Ophuls),฀147 Barthes,฀Roland,฀x,฀16 “the฀Barthes฀codes,”฀304,฀฀ 305–15 Battle฀of฀Algiers฀(Pontecorvo),฀ 58–59 Battleship฀Potemkin฀(Eisenstein),฀ 58 Bazin,฀André,฀61 Beatles,฀The,฀368,฀369,฀372 Beau฀Serge,฀Le฀(Chabrol),฀199 Bedlam฀(Robson),฀253 Beethoven,฀Ludwig฀van,฀350 Beguiled,฀The฀(Siegel),฀214 Bellour,฀Raymond,฀45,฀331 Belton,฀John,฀249 Benjamin,฀Walter,฀84 Bennett,฀Joan,฀223,฀224 Berg,฀Alban,฀352 Bergman,฀Ingmar,฀27,฀37,฀38,฀82,฀ 192–96,฀213,฀360,฀394,฀399–401 Bergman,฀Ingrid,฀6,฀107,฀191 Bergman฀on฀Bergman฀(Bergman),฀ 399 Berlin฀Express฀(Tourneur),฀254,฀255 Beylie,฀Claude,฀164 Biches,฀Les฀(Wood฀and฀Walker),฀ 389 Bicycle฀Thieves฀(de฀Sica),฀26,฀190,฀ 192 Bigger฀Than฀Life฀(Ray),฀32,฀33,฀34,฀ 224 Big฀Heat,฀The฀(Lang),฀339,฀376,฀ 377–86 Big฀Sky,฀The฀(Hawks),฀237,฀238,฀ 241,฀243,฀404 Big฀Sleep,฀The฀(Hawks),฀239,฀247,฀ 376,฀377 Big฀Sleep฀Théories—Lectures,฀The,฀ 45 birth฀control,฀392 Black฀Cat,฀The฀(Ulmer),฀122 Blake,฀William,฀189,฀212 Blazing฀Away฀(Faithfull),฀369 Bleak฀House฀(Dickens),฀108 Blue฀Angel,฀The฀(von฀Sternberg),฀ 120,฀132 Blue฀Velvet฀(Lynch),฀364 Bodeen,฀DeWitt,฀257,฀265 Body฀Snatcher,฀The฀(Wise),฀253–54 Boetticher,฀Budd,฀236 Bondi,฀Beulah,฀215 Bonnie฀and฀Clyde฀(Penn),฀37,฀235 Bordwell,฀David,฀352 bourgeois฀ideology,฀65–66,฀79–80,฀ 84,฀86,฀87,฀109,฀211 Brecht,฀Berthold,฀83–85,฀99,฀212 Bresson,฀Robert,฀219 Bringing฀Up฀Baby฀(Hawks),฀245,฀ 249,฀258,฀260,฀404 British฀film฀criticism,฀44 British฀Film฀Institute฀Education฀ Department,฀21 British฀Sounds฀(Godard),฀85 British฀structuralism,฀21 Britton,฀Andrew,฀390,฀405 Broken฀English฀(Faithfull),฀368 411 index Chimes฀at฀Midnight฀(Welles),฀167,฀ 170 Chinoise,฀La฀(Godard),฀30,฀209,฀211 Choirboys,฀The฀(Aldrich),฀384 CineAction!฀2,฀303,฀376,฀381 cinema.฀See฀film “Cinema฀of฀Contemplation,”฀277 cinematograph,฀101 Cinéma-Vérité,฀63 Cinéthique,฀63 Citizen฀Kane฀(Welles),฀167,฀169,฀ 185 Civil,฀Alan,฀371 “civilization,”฀9 classical฀Hollywood฀cinema,฀34,฀ 37,฀331–37 concept฀of฀family,฀201 and฀the฀European฀“art”฀cinema,฀ 35–36 ideologically฀conservative,฀311 narrative฀conventions฀of,฀46 classical฀values,฀31–32,฀36 Clift,฀Montgomery,฀404 Clockwork฀Orange,฀A฀(Kubrick),฀24 coherence,฀27–30,฀88 Collins,฀Ray,฀185 “commercial”฀cinema,฀213 Confidential฀Report฀(Welles),฀169 Conrad,฀Joseph,฀170 conventions,฀creative฀use฀of,฀34 Conway,฀Tom,฀256,฀259,฀265 Cooper,฀Gary,฀237 Corliss,฀Richard,฀220 Corporation,฀The฀(Bakan),฀14 Costa-Gavras,฀Constantin,฀58 Cotten,฀Joseph,฀185 “Counter฀Cinema”฀(Wollen),฀58 Courtship฀of฀Eddie’s฀Father,฀The฀ (Minnelli),฀200,฀204 Brooks,฀Geraldine,฀224 Brooks,฀Richard,฀32,฀36 Brown,฀Norman฀O.,฀393 Burch,฀Noel,฀352 Caan,฀James,฀404 Cage,฀John,฀351 Cahiers฀du฀Cinéma,฀45,฀63,฀385 Young฀Mr.฀Lincoln฀text,฀61–62,฀ 67,฀68–69 Calleia,฀Joseph,฀181 Camera฀Obscura฀6,฀304n7 Campaign฀for฀Nuclear฀ Disarmament,฀355 Canyon฀Passage฀(Tourneur),฀254,฀ 256 Carabiniers,฀Les฀(Godard),฀82,฀83,฀ 210...