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227 Works Cited and Consulted Altman, Rick. Film/Genre. London: British Film Institute, 1999. Andrews, David. “Poking Henry Fool with a Stick.” Film Criticism 24: 1 (1999), online at www.highbeam.com/doc/1G1–58049227.html. Apte, Mahadev L. Humor and Laughter: An Anthropological Approach. Ithaca, N.Y.: Cornell University Press, 1985. Aristotle. The Poetics. Trans S. H. Butcher. New York: Hill and Wang, 1961. Bakhtin, Mikhail. Rabelais and His World. Trans. Hélène Iswolsky. Bloomington : Indiana University Press, 1984. Barber, C. L. Shakespeare’s Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom. Princeton, N.J.: Princeton University Press, 1959. Bataille, Georges. Visions of Excess: Selected Writings, 1927–1939. Trans. Allan Stoekl. Minneapolis: University of Minnesota Press, 1985. Bazin, André. The Cinema of Cruelty from Buñuel to Hitchcock. Ed. and with an introduction by François Truffaut. Trans. Sabine D’Estrée with the assistance of Tiffany Fliss. New York: Seaver Books, 1982. Behlmer, Rudy. Inside Warner Bros. (1935–1951): The Battles, the Brainstorms, and the Bickering—From the Files of Hollywood’s Greatest Studio. New York: Viking, 1985. Bell, Robert H. “Homer’s Humor: Laughter in The Iliad.” Humanitas 20 (2007), 96–116. Bergson, Henri. “Laughter.” In Comedy. Introduction by Wylie Sypher. Garden City, N.Y.: Doubleday, 1956. Billig, Michael. Laughter and Ridicule: Towards a Social Critique of Humor. Thousand Oaks, Calif.: Sage, 2005. Borde, Raymond, and Étienne Chaumeton. A Panorama of American Film Noir, 1941–1953. Trans. Paul Hammond. San Francisco: City Lights, 2002. Bordwell, David, Janet Staiger, and Kristin Thompson. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. New York: Routledge, 2005. 228 Works Cited Boswell, Peter. “Bruce Conner: Theater of Light and Shadow.” In 2000 BC: The Bruce Conner Story Part II, ed. Michelle Piranio. Minneapolis: Walker Art Center, 1999. 24–82. Bosworth, Patricia. Marlon Brando. New York: Viking, 2001. Bowen, Elizabeth. “Why I Go to the Cinema.” Footnotes to the Film. Ed. Charles Davy. London: Lovat Dickson, 1938. 205–20. Brakhage, Stan. Film at Wit’s End: Eight Avant-Garde Filmmakers. Kingston, N.Y.: McPherson, 1989. Brook, David. Bobos in Paradise. New York: Simon and Schuster, 2000. Brown, Jeffrey A. “Comic Book Fandom and Cultural Capital.” Journal of Popular Culture 30: 4 (1997), 13–31. Burckhardt, Rudy. “How I Think I Made Some of My Films.” In To Free the Cinema: Jonas Mekas & the New York Underground, ed. David E. James. Princeton, N.J.: Princeton University Press, 1992. 97–99. Caillois, Roger. Man, Play and Games. Trans. Meyer Barash. Urbana: University of Illinois Press, 2001. Camp, Mary E., Cecil R. Webster, Thomas R. Coverdale, John H. Coverdale, and Ray Nairn. “The Joker: A Dark Knight for Depictions of Mental Illness.” Academic Psychiatry 34: 2 (March–April 2010), 145–49. Canetti, Elias. Crowds and Power. Trans. Carol Stewart. New York: Farrar, Straus and Giroux, 1962. Carr, Jay, ed. The A List: The National Society of Film Critics’ 100 Essential Films. New York: DaCapo, 2002. Carroll, Noël. “Film, Emotion, and Genre.” In Passionate Views: Film, Cognition , and Emotion, ed. Carl Plantinga and Greg M. Smith. Baltimore: Johns Hopkins University Press, 1999. 21–47. ———. “Horror and Humor.” Journal of Aesthetics and Art Criticism 57: 2 (1999), 145–60. Chandler, Raymond. Stories and Early Novels. New York: Library of America, 1995. Clark, Michael. “Humour and Incongruity.” In The Philosophy of Laughter and Humour, ed. John Morreall. Albany: State University of New York Press, 1987. 139–55. Conrad, Peter. Orson Welles: The Stories of His Life. London: Faber, 2003. Cook, Pam. “Masculinity in Crisis? Tragedy in Raging Bull.” Screen 23: 3/4 (1982), 39–46. Cornea, Christine. Science Fiction Cinema: Between Fantasy and Reality. New Brunswick, N.J.: Rutgers University Press, 2007. Darwin, Charles. The Expression of the Emotions in Man and Animals. 1872. Chicago: University of Chicago Press, 1965. De Certeau, Michel. The Practice of Everyday Life. Trans. Steven Rendall. Berkeley: University of California Press, 1988. Deer, Lesley. “Hal Hartley.” In Fifty Contemporary Filmmakers, ed. Yvonne Tasker. London: Routledge, 2002. 161–69. [3.143.168.172] Project MUSE (2024-04-26 03:37 GMT) Works Cited 229 Deleuze, Gilles. Cinema 2: The Time-Image. Trans. Hugh Tomlinson and Robert Galeta. Minneapolis: University of Minnesota Press, 1989. ———. Francis Bacon: The Logic of Sensation. Trans. Daniel W. Smith. Minneapolis : University of Minnesota Press, 2004. Deleuze, Gilles, and Félix Guattari. What Is Philosophy? Trans. Hugh Tomlinson and Graham Burchell. New York: Columbia University Press, 1994. Doherty, Thomas. Pre-Code Hollywood...

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