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135 BIBLIOgRAphY “Adam West: Must He Die So Young?” Movie Mirror, Vol. 10, No. 10, August 1966, pp. 20, 52–54. Adler, Bill. Bill Adler’s Funniest Fan Letters to Batman. New York: Signet Books. 1966. Altman, Rick. Film/Genre. London: British Film Institute. 1999. Baker, Russell. “Television’s Bat Burlesque.” New York Times, February 8, 1966, Sec. 1, p. 38. “Batman and Robin Unmask Each Other!” 16 Magazine, Vol. 8, No. 2, July 1966, pp. 62–63. Batmania, No. 9, February 1966. ———. No. 10, April 1966. ———. No. 11, July 1966. ———. No. 17, September 1967. Boone, Jean. “Interview with the Cast of Batman, The Movie.” 1966. www. texasarchive.org/library/index.phop/Jean_Boone_-_Interview_with _Cast_of_Batman,_The_Movie_(1966) Boorstin, Daniel J. The Image: A Guide to Pseudo-Events in America. New York: Harper & Row. 1964. Boucher, Geoff. “Adam West Gets Back in the Batmobile,” Hero Complex , March 20, 2009. http://herocomplex.latimes.com/2009/03/20/ adam-west-bac-2/ Bradley, Patricia. Mass Media and the Shaping of American Feminism 1963– 1975. Jackson, MS: The University Press of Mississippi. 2003. 136 Bibliography Brooker, Will. Batman Unmasked: Analyzing a Cultural Icon. New York: Continuum. 2000. Buck, Jerry. “TV Today: Toys, Gimmicks Pile-Up Profits for Shows.” The Chicago Tribune, Nov. 10, 1967, p. SCL A7. Bukatman, Scott. Matters of Gravity: Special Effects and Supermen in the 20th Century. Durham, NC: Duke University Press. 1993. Champlin, Charles. “Taking a Bat at Batman . . . Plonk!” The Los Angeles Times, February 28, 1966, p. C17. Cohen, Lizabeth. A Consumers’ Republic: The Politics of Mass Consumption in Postwar America. New York: Vintage Books. 2004. Counts, Kyle. “Batgirl Casebook.” Comics Scene Yearbook, No. 1, 1992, pp. 48–52. ———. “The Many Lives of the Catwoman.” Starlog, No. 148, November 1989, pp. 23–26, 71. ———. “Some Call Her Batgirl.” Starlog Yearbook, Vol. 8, May 1991, pp. 59–62, 73. D’acci, Julie. “Nobody’s Woman? Honey West and the New Sexuality.” In The Revolution Wasn’t Televised: Sixties Television and Social Conflict. Lynn Spigel and Michael Curtin, editors. New York: Routledge. 1997, pp. 72–93. Danto, Arthur C. Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective. Berkeley and Los Angeles, CA: University of California Press. 1992. Desris, Joe, “Episode Guide,” Cinefantastique, Vol. 24, No.6/Vol. 25, No. 1, February 1994, pp. 11–62. “Eartha Kitt Still Sizzling.” National Public Radio, December 31, 2007. www.npr.org/templates/story/story.php?storyId=17716269 Eisner, Joel. The Official Batman Batbook. Chicago: Contemporary Books. 1986. Eury, Michael. “Batman-A-Go-Go!: An Interview with Michael Allred and Lee Allred.” In The Batman Companion. Michael Eury and Michael Kronenberg , editors. Raleigh, NC: TwoMorrows Publishing. 2009, pp. 84–85. Feiffer, Jules. The Great Comic Book Heroes. New York: Bonanza Books. 1965. Flora,Carlin.“EarthaKitt:SheGrowls,ShePurrs.”PsychologyToday,September 1, 2006. www.psychologytoday.com/articles/200609/eartha-kitt -she-growls-she-purrs Garber, Marjorie. Vested Interests: Cross-Dressing and Cultural Anxiety. New York: Routledge. 1992. [3.145.59.187] Project MUSE (2024-04-25 10:35 GMT) 137 Bibliography Garcia, Bob. “Camping Up the Comics,” Cinefantastique, Vol. 24, No.6/Vol. 25, No. 1, February 1994, pp. 8–63. ———.“The Joker: Cesar Romero on Being Crime’s Clown Prince,” Cinefantastique , Vol. 24, No.6/Vol. 25, No. 1, February 1994, p. 42. ———. “Comic Book Art Direction,” Cinefantastique, Vol. 24, No.6/Vol. 25, No. 1, February 1994, pp. 22–25. ———. “Lorenzo Semple, Guru of Camp,” Cinefantastique, Vol. 24, No.6/ Vol. 25, No. 1, February 1994, pp. 44–45. Gray, Jonathan. Watching with The Simpsons: Television, Parody, and Intertextuality . New York: Routledge. 2006. Hall, Stuart. “Notes on Deconstructing ‘The Popular.’” In People’s History and Socialist Theory. Raphael Samuel, editor. Boston: Routledge. 1981, pp. 227–40. Hamamoto, Darrell Y. Nervous Laughter: Television Situation Comedy and Liberal Democratic Ideology. New York: Praeger. 1989. Holleran, Scott. “Wing Kid: An Interview with Christopher Nolan,” October 20, 2005. www.boxofficemojo.com/features/?id=1921&p=.htm Hutcheon, Linda. A Theory of Parody: The Teachings of Twentieth-Century Art Forms. Champaign, IL: University of Illinois Press. 2000. Jenkins, Henry. Convergence Culture: Where Old and New Media Collide. New York University Press. 2006. ———. Textual Poachers: Television Fans and Participatory Culture. New York: Routledge. 1992. Kane, Bob. Batman & Me. Forestville, CA: Eclipse Books. 1989. King, Geoff. Film Comedy. London: Wallflower Press. 2002. Kitt, Eartha. Alone with Me. Chicago: Henry Regnery Company. 1976. ———. Confessions of a Sex Kitten. London: Barricade Books Inc. 1989. Klinger, Barbara. Melodrama and Meaning: History, Culture, and the Films of...

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