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229 Works Cited and Consulted HER = Margaret Herrick Library, Academy of Motion Picture Arts and Sciences , Beverly Hills, California KOB = Bundesarchiv (Federal Archive), Koblenz, Germany “All-Time Non-USA Box Office.” Internet Movie Database. http://www.imdb .com/boxoffice/alltimegross?region=non-us. Accessed March 6, 2010. Ariel, David S. Kabbalah: The Mystic Quest in Judaism. 2nd ed. New York: Rowman and Littlefield, 2005. Ashton, Dianne. “Expanding Jewish Life in America, 1826–1901.” In The Columbia History of Jews and Judaism in America, ed. Marc Lee Raphael, 47–69. New York: Columbia University Press, 2008. Avisar, Ilan. Screening the Holocaust: Cinema’s Images of the Unimaginable. Bloomington: Indiana University Press, 1988. Bachlund, Gary. “Hollywood: Bertold Brecht.” Song for voice and piano. http:// www.bachlund.org/Hollywood.htm. Bahr, Ehrhard. Weimar on the Pacific: German Exile Culture in Los Angeles and the Crisis of Modernism. Berkeley: University of California Press, 2008. Baron, Lawrence. Projecting the Holocaust into the Present: The Changing Focus of Contemporary Holocaust Cinema. Lanham, Md.: Rowman and Littlefield , 2005. Barron, Stephanie. Exiles and Émigrés: The Flight of European Artists from Hitler . Los Angeles: Los Angeles County Museum of Art, 1997. Barton, Bruce. Imagination in Transition: Mamet’s Move to Film. Brussels: Peter Lang, 2005. Baskind, Samantha. “The Fockerized Jew? Questioning Jewishness as Cool in American Popular Entertainment.” Shofar: An Interdisciplinary Journal of Jewish Studies 25.4 (2007), 3–17. Baudrillard, Jean. “Consumer Society.” In Consumer Society in American History : A Reader, ed. Lawrence B. Glickman, 33–56. Ithaca, N.Y.: Cornell University Press, 1999. 230 Works Cited Bazin, André. “Theater and Cinema: Part Two.” In What Is Cinema? vol. 1, trans. Hugh Gray, 95–124. Berkeley: University of California Press, 2005. Berger, Alan L., and Naomi Berger, eds. Second-Generation Voices: Reflections by Children of Holocaust Survivors and Perpetrators. Syracuse: Syracuse University Press, 2001. Bernardi, Daniel. “The Birth of a Nation: Integrating Race into the Narrator System .” In Film Analysis: A Norton Reader, ed. Jeffrey Geiger and R. L. Rutsky, 82–96. New York: W. W. Norton, 2005. ———. “The Voice of Whiteness: D. W. Griffith’s Biograph Films (1908–1913).” In The Birth of Whiteness: Race and the Emergence of U. S. Cinema, ed. Daniel Bernardi, 104–28. New Brunswick, N.J.: Rutgers University Press, 1996. Bernstein, Matthew, ed. Controlling Hollywood: Censorship and Regulation in the Studio Era. New Brunswick, N.J.: Rutgers University Press, 1999. Bessière, Irène, and Roger Odin. Les Européens dans le cinéma américain: Émigration et exil. Paris: Presses Sorbonne Nouvelle, 2004. Bigsby, Christopher, ed. The Cambridge Companion to David Mamet. Cambridge : Cambridge University Press, 2004. Black, Gregory D. Hollywood Censored: Morality Codes, Catholics and the Movies . Cambridge: Cambridge University Press, 1996. Bogdanovich, Peter. Fritz Lang in America. New York: Praeger, 1967. Boucher, Geoff. “Batman’s Beginnings.” Los Angeles Times, May 10, 2009, E10. Brett, Regina. “We Are Still Free to Count Our Blessings.” Cleveland Plain Dealer, September 18, 2001, B1. Britton, Andrew. “For Interpretation: Notes against Camp.” In Britton on Film, ed. Barry Keith Grant, 378–83. The Complete Film Criticism of Andrew Britton. Detroit: Wayne State University Press, 2009. Brodkin, Janet. How the Jews Became White Folks . . . and What That Says about Race in America. New Brunswick, N.J.: Rutgers University Press, 1998. Brook, Vincent. Driven to Darkness: Jewish Émigré Directors and the Rise of Film Noir. New Brunswick, N.J.: Rutgers University Press, 2009. ———, ed. You Should See Yourself: Jewish Identity in Postmodern American Culture. New Brunswick, N.J.: Rutgers University Press, 2006. Brownlow, Kevin. Behind the Mask of Innocence. Berkeley: University of California Press, 1990. ———. The Parade’s Gone By. Berkeley: University of California Press, 1976. Bruno, Giuliana. Atlas of Emotion: Journeys in Art, Architecture, and Film. London : Verso, 2002. ———. “Cultural Cartography, Materiality and the Fashioning of Emotion.” In Visual Culture Studies: Interviews with Key Thinkers, ed. Marquard Smith, 144–65. London: Sage, 2008. Buhle, Paul. From the Lower East Side to Hollywood: Jews in American Popular Culture. London: Verso, 2004. ———, ed. Jews and American Popular Culture, Vol. 1: Movies, Radio, and Television . Westport, Conn.: Praeger, 2007. [3.21.248.47] Project MUSE (2024-04-19 04:35 GMT) 231 Works Cited Byers, Michele, and Rosalin Krieger. “From Ugly Duckling to Cool Fashion Icon: Sarah Jessica Parker’s Blonde Ambitions.” Shofar: An Interdisciplinary Journal of Jewish Studies, 25.4 (2007), 43–63. Campbell, Colin. The Romantic Ethic and the Spirit of Modern Consumption. 3rd ed. London: Alcuin Academics, 2005. Camper, Fred. “Shoah. ” Motion Picture 1...

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