Ingmar Bergman

Notes

307 notes 1. Stig Björkman, Torsten Manns, and Jonas Sima, “Interview with Ingmar Bergman,” Movie 16 (Winter 1968–69): 4. 2. D. H. Lawrence, The Rainbow (New York: Penguin, 1976), 333. 3. Björkman,Manns,andSima,“InterviewwithIngmarBergman,”3. 4. Jörn Donner, The Films of Ingmar Bergman (New York: Dover, 1972), 185–86. 5. William Butler Yeats, “A Coat,” from Responsibilities (1914), in The Collected Poems of W. B. Yeats (New York: Macmillan, 1956), 125. 6. T. S. Eliot, “Four Quartets,” in The Complete Poems and Plays, 1909–1950 (New York: Harcourt, Brace & World, 1962), 118. 7. Göran Persson, “Through a Glass Darkly,” Movie 6 (January 1963): 30–31. 8. Edward Thomas, “The Glory,” Collected Poems (London: Faber, 1979), 64. 9. Ingmar Bergman, A Film Trilogy: Through a Glass Darkly, The Communicants (Winter Light), The Silence (New York: Orion Press), 115–16. 10. Donner, The Films of Ingmar Bergman, 233. 11. Bergman, A Film Trilogy, 137. 12. Ian Cameron, “Now About These Women,” Movie 13 (Summer 1965): 6–9. 13. Björkman,Manns,andSima,“InterviewwithIngmarBergman,”4. 14. T. S. Eliot, “Animula,” in The Complete Poems and Plays, 1909– 1950, 71. 15. Gerard Manley Hopkins, “No worst, there is none. Pitched past pitch of grief” (#65), in The Poems of Gerard Manley Hopkins, 4th ed., 308 notes ed. W. H. Gardner and N. H. MacKenzie (New York: Oxford University Press, 1970), 100. 16. Tom Milne, “Hour of the Wolf,” in Time Out Film Guide, ed. John Pym, 19th ed. (London: Time Out Guides Ltd., 2011), 484. 17. D. H. Lawrence, “John Galsworthy,” in Phoenix: The Posthumous Papers of D. H. Lawrence, ed. Edward D. McDonald (New York: Viking, 1972), 539. 18. I. A. Richards, Principles of Literary Criticism (New York: Routledge , 2001), 27. 19. John Russell Taylor, “Bergman’s First War Film,” The Times (February 20, 1969): 15; Penelope Houston, “Shame,” The Spectator (February 21, 1969); Penelope Mortimer, “On Not Taking Sides,” The Observer (February 23, 1969): 24; Richard Roud, “Charity for Some, Malice to None,” The Guardian (February 21, 1969): 8. 20. Yeats, “A Prayer for My Daughter,” from Michael Robartes and The Dancer (1921), in Collected Poems, 185–87. 21. Jean-Luc Godard, “Les Carabiniers under Fire,” in Godard on Godard , ed. Tom Milne (New York: Viking, 1972), 198. 22. Ingmar Bergman, “Moment of Agony: Interview by Lars-Olof Lothwell,” Films and Filming 15, no. 5 (February 1969): 5. 23. Stig Björkman, Torsten Manns, and Jonas Sima, Bergman on Bergman : Interviews with Ingmar Bergman, trans. Paul Britten Austin (New York: Simon and Schuster, 1973), 168. 24. Ingmar Bergman, “Cries and Whispers,” New Yorker (October 21, 1972): 38. 25. William Wolf, “God, Sex, and Ingmar Bergman,” Film Comment 19, no. 3 (May–June 1983): 14. 26. Björkman, Manns, and Sima, Bergman on Bergman, 215–16. 27. See Herbert Marcuse, Eros and Civilization (Boston: Beacon Press, 1966), and Gad Horowitz, Repression: Basic and Surplus Repression in Psychoanalytic Theory (Toronto: University of Toronto Press, 1977). 28. Susan Sontag, “Bergman’s Persona,” in Styles of Radical Will (New York: Delta, 1969), 123–45. The mistake about bloodsucking is on p. 142. notes 309 29. In the original chapter 11 in Sexual Politics and Narrative Film, the paragraph ends with the sentence “Hence it allows me to take up, and bring into sharper focus, the concerns of chapter 2 (‘Fascism/ Cinema’).” 30. Sigmund Freud, “The Dissolution of the Oedipus Complex,” in The Standard Edition of the Complete Psychological Works of Sigmund Freud, 20 vols., trans. and ed. James Strachey (London: Hogarth Press, 1968), 14:173–79. See also “Some Psychological Consequences of the Anatomical Distinction Between the Sexes,” 14:223–434. Carl Jung discusses the Elektra complex in Freud and Psychoanalysis, in The Collected Works of C. G. Jung, 20 vols., trans. R.F.C. Hull (London: Routledge and Kegan Paul, 1961), vol. 4. 31. Tony French, “Suffering into Ideology: Bergman’s Sasom I en Spegel (Through a Glass Darkly),” CineAction 34 (1994): 68–72. 32. Hubert I. Cohen, Ingmar Bergman: The Art of Confession (New York: Twayne, 1993), 227–49. 33. Björkman, Manns, and Sima, Bergman on Bergman, 215–16. 34. Göran Persson, “Persona Psychoanalyzed,” CineAction 40 (May 1996): 21–31. 35. Ibid. 36. Andrew Britton, “Cary Grant: Comedy and Male Desire,” in Britton on Film: The Complete Film Criticism of Andrew Britton, ed. Barry Keith Grant (Detroit: Wayne State University Press, 2009), 5. 37. “French...