In lieu of an abstract, here is a brief excerpt of the content:

Works Cited 171 Abel, Richard. French Cinema: The First Wave, 1915–1929. Princeton: Princeton University Press, 1984. ———.“Cinégraphie and the Search for Specificity.” French Film Theory and Criticism, 1907–1939. 2 vols. Princeton: Princeton University Press, 1988. ———. “The ‘Blank Screen of Reception’ in Early French Cinema.” Iris 11 (summer 1990): 28–34. ———. The Ciné Goes to Town: French Cinema, 1896–1914. Berkeley: University of California Press, 1994. ———. “The Thrills of Grande Peur: Crime Series and the Serials in the Belle Epoque.” Velvet Light Trap 37 (spring 1996). Allain, Marcel, and Pierre Souvestre. Fantômas. 4 vols. Paris: Robert Laffont, 1987. Angenot, Marc. Le roman populaire: Recherches en paralittérature. Montreal: Les Presses de l’Université de Québec, 1975. Aragon, Louis. “Anicet.” In Les surréalistes et le cinéma, ed. Alain Virmaux and Odette Virmaux, 127–29. Paris: Seghers, 1976. Ashton-Wolfe, H. “Identification of Criminals.” In The Forgotten Clue: Tales and Methods of the Sûreté. London: Hurst and Blackett, 1929. Auerbach, Jonathan. “Chasing Film Narrative: Repetition, Recursion, and the Body in Early Cinema.” Critical Inquiry 26 (summer 2000): 798–820. Austin, J. L. “Performative Utterances.” Philosophical Papers. London: Oxford University Press, 1970. “Aux temps ‘héroïques’ du cinéma.” Ce Matin—Le Pays (March 1951), 3–4. Rondel File, Bibliothèque de l’Arsenal RK 402. L’Avant-Scène du Cinéma (July 1981): 271–72. Special issue on Fantômas and Feuillade. Avni, Ora. “Fantastic Tales.” In A New History of French Literature, ed. Denis Hollier, 675–81. Cambridge: Harvard University Press, 1989. Baldizzone, José. “La destinée critique de Louis Feuillade.” Cahiers de la Cinémathèque 48 (November 1987): 11–18. Ballot, M. “Des têtes de types: Louis Feuillade.” Hebdo-Film 24 (1916): 6–7. Rondel File, Bibliothèque de l’Arsenal RK 1971. ———. “Prenez l’avance.” Hebdo-Film 8 (1916): 6–7. Rondel File, Bibliothèque de l’Arsenal RK 19718. Bastide, Bernard. Postface to Louis Feuillade: Chroniques taurines, 1899 –1907. Nimes, France: Ciné-Sud, 1988, 163–69. Baudry, Jean-Louis. “Ideological Effects of the Basic Cinematographic Apparatus.” In Narrative, Apparatus, Ideology, ed. Philip Rosen, 286–98. New York: Columbia University Press, 1986. Becker, Annette. War and Faith:The Religious Imagination in France, 1914–1930, trans. Helen McPhail. New York: Berg, 1998. Bean, Jennifer. “Technologies of Early Stardom and the Extraordinary Body.” Camera Obscura 48(2001): 9–58. Beizer, Janet. Ventriloquized Bodies: Narratives of Hysteria in Nineteenth-Century France. Ithaca: Cornell University Press, 1993. Benjamin, Walter. “The Paris of the Second Empire in Baudelaire.” In Charles Baudelaire: A Lyric Poet in the Era of High Capitalism, trans. Harry Zohn, 9–106. London: Verso, 1985. Bergson, Henri. “The Cinematographical Mechanism of Thought and the Mechanistic Illusion: A Glance at the History of Systems: Real Becoming and False Evolutionism.” In Creative Evolution, trans. Arthur Mitchell, 296–402. Westport, Conn.: Greenwood Press, 1977. Berlinski, David. The Advent of the Algorithm: The Idea that Rules the World. New York: Harcourt, 2000. Bernède, Arthur, and Louis Feuillade. “Judex.” Le Petit Parisien, updated supplement, p. 2. Musée Gaumont, 1917. Bersani, Leo, and Ulysse Dutoit. The Forms of Violence: Narrative in Assyrian Art and Modern Culture. New York: Schocken, 1985. Bessière, Irène. Le récit fantastique: la poétique de l’incertain. Paris: Librairie Larousee, 1974. Bloy, Léon. Au seuil de l’apocalypse, quoted in Annette Becker, War and Faith: The Religious Imagination in France 1914–1930. Bordo, Susan. Unbearable Weight: Feminism, Western Culture, and the Body. Berkeley: University of California Press, 1993. Bordwell, David, Janet Staiger, and Kristin Thompson. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. New York: Columbia University Press, 1985. Bordwell, David.“La Nouvelle Mission de Feuillade; or What was Mise en Scene,” Velvet Light Trap 37 (spring 1996): 10–29. ———.On the History of Film Style. Cambridge: Harvard University Press,1997. Bordwell, David, and Kristin Thompson. “Linearity, Materialism, and the Study of Early American Cinema.” Wide Angle 5.3 (1983): 11. Breton, Emile. “L’avenir de Jeanne.” In Femmes d’Images. Paris: Editions Messidor, 1984. Brewster, Ben. “Deep Staging in French Films, 1900–1914.” In Early Cinema: Space, Frame, Narrative, ed. Thomas Elsaesser and Adam Barker, 45–55. London: BFI, 1990. Brooks, Peter. The Melodramatic Imagination. New York: Columbia University Press, 1984. ———. “The Mark of the Beast: Prostitution, Serialization, and Narrative.” In Reading for Plot: Design and Intention in Narrative, 143–70. Cambridge: Cambridge University Press, 1992. Bruno, Giuliana. Streetwalking on a...

Share