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311 References to trade paper, newspaper, and Internet sources are carried in the Notes only. All other published sources are listed hereunder. Abel, Richard. Americanizing the Movies and “Movie-Mad” Audiences, 1910–1914. Berkeley: University of California Press, 2006. ———. “Look There! It’s an American Subject!” In Quaresima, Raengo, and Vichi, La nascita dei generi cinematografici, 379–90. ———. “Nickelodeons.” In Abel, Encyclopedia of Early Cinema, 478–80. ———. The Red Rooster Scare: Making American Cinema, 1900–1910. Berkeley: University of California Press, 1999. Abel, Richard, ed. Encyclopedia of Early Cinema. London: Routledge, 2005. Abel, Richard, and Rick Altman, eds. The Sounds of Early Cinema. Bloomington: Indiana University Press, 2001. Aberdeen, J. A. Hollywood Renegades: The Society of Motion Picture Producers. Los Angeles: Cobblestone, 2000. Acland, Charles R. “‘Opening Everywhere’: Multiplexes and the Speed of Cinema Culture.” In Maltby, Stokes, and Allen, Going to the Movies, 369–82. ———. Screen Traffic: Movies, Multiplexes, and Global Culture. Durham, NC: Duke University Press, 2003. Allen, Michael. “From Bwana Devil to Batman Forever: Technology in Contemporary Hollywood Cinema.” In Neale and Smith, Contemporary Hollywood Cinema, 109–29. ———. “Jurassic Park.” In Cook, The Cinema Book, 144–45. Allen, Michael, and Annette Kuhn. “Sound.” In Cook, The Cinema Book, 144–45. Allen, Robert C. “Vitascope/Cinématographe: Initial Patterns of American Film Industrial Practice.” In Fell, Film before Griffith, 144–52. Allvine, Glendon. The Greatest Fox of Them All. New York: Lyle Stuart, 1969. Altman, Rick. The American Film Musical. Bloomington: Indiana University Press/London: BFI, 1989. ———. Silent Film Sound. New York: Columbia University Press, 2004. Alvarez, Max. “The Origins of the Film Exchange.” Film History 17, no. 4 (2005): 431–65. Anderson, Michael. “The Motion Picture Patents Company.” PhD dissertation, University of Wisconsin–Madison, 1983. Arroyo, José, ed. Action/Spectacle Cinema: A Sight and Sound Reader. London: BFI, 2000. Bibliography 312 B I B L I O G R A P H Y Austin, Bruce A., ed. Current Research in Film: Audiences, Economics, and Law, vol. 2. Norwood: Ablex, 1986. Babington, Bruce, and Peter William Evans. Biblical Epics: Sacred Narrative in the Hollywood Cinema. Manchester: Manchester University Press, 1993. Bach, Steven. Final Cut: Dreams and Disaster in the Making of Heaven’s Gate. New York: William Morrow, 1985. Balio, Tino. Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939. New York: Scribner’s, 1993. ———. “Introduction to Part II.” In Balio, Hollywood in the Age of Television, 259–96. ———. “‘A Major Presence in All of the World’s Important Markets’: The Globalization of Hollywood in the 1990s.” In Neale and Smith, Contemporary Hollywood Cinema, 58–73. ———. “Part I: A Novelty Spawns Small Businesses, 1894–1908.” In Balio, Hollywood in the Age of Television, 3–25. ———. “Part IV: Retrenchment and Reorganization, 1948–.” In Balio, The American Film Industry (1985), 401–47. ———. United Artists: The Company Built by the Stars. Madison: University of Wisconsin Press, 1976. ———. United Artists: The Company That Changed the Film Industry. Madison: University of Wisconsin Press, 1987. Balio, Tino, ed. The American Film Industry. Madison: University of Wisconsin Press, 1976 and 1985. ———. Hollywood in the Age of Television. Boston: Unwin Hyman, 1990. Barr, Charles. “CinemaScope: Before and After.” Film Quarterly (Spring 1963): 4–24. Barrios, Richard. A Song in the Dark: The Birth of the Musical Film. New York: Oxford University Press, 1995. Bart, Peter. Boffo! [How I Learned to Love the Blockbuster and Fear the Bomb]. New York: Hyperion /Miramax, 2006. ———. The Gross: The Hits, The Flops—The Summer That Ate Hollywood. New York: St. Martin’s Griffin, 1999. Basinger, Jeanine. Silent Stars. Hanover, NH: Wesleyan University Press, 1999. ———. The World War II Combat Film: Anatomy of a Genre. Middleton, CT: Wesleyan University Press, 2003 [1986]. Baxter, John. Stanley Kubrick: A Biography. London: HarperCollins, 1997. Beaupré, Lee. “How to Distribute a Film.” In Kerr, The Hollywood Film Industry, 185–203. Behlmer, Rudy. Behind the Scenes: The Making of . . . Hollywood: Samuel French, 1990. Behlmer, Rudy, ed. Memo from Darryl F. Zanuck: The Golden Years at Twentieth Century-Fox. New York: Grove Press, 1993. ———. Memo from David O. Selznick. Los Angeles: Samuel French, 1989 [1972]. Belton, John. “CinemaScope: The Economics of Technology.” The Velvet Light Trap 21 (Summer 1985): 35–43. ———. “The Rivoli.” . . . in 70 mm: The 70 mm Newsletter 12, no. 59 (1999): 4–9, accessible at www.in70mm.com/newsletter/1999/59/rivoli/theatre.htm. ———. Widescreen Cinema. Cambridge, MA: Harvard University Press, 1992. Belton, John, Sheldon Hall, and Steve Neale, eds. Widescreen Worldwide. Bloomington, IN: Libbey, forthcoming. Berg, A. Scott...

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